Recommendations based on "Olive, Again: A Novel"

It's fifteen years since the Second World War and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the conflict is well and truly over. Living alone in her late mother's country home, Isabel's life is as it should be- led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep-as a guest, there to stay for the season... Eva is Isabel's antithesis- she sleeps late, wakes late, walks loudly through the house and touches things she shouldn't. In response Isabel develops a fury-fuelled obsession, and when things start disappearing around the house - a spoon, a knife, a bowl - Isabel's suspicions spiral out of control. In the sweltering heat of summer, Isabel's desperate desire for order transforms into infatuation - leading to a discovery that unravels all she has ever known. The war might not be well and truly over after all, and neither Eva - nor the house - are what they seem.

'One of those rarest of books: so beautiful I almost couldn't bear it, and so moving I was reading through tears' STACEY HALLS 'Uniquely witty, beautifully observed, intricately woven' MIRANDA HART 'A truly glorious life-affirming book, in which love, hope and friendship trump sorrow' DINAH JEFFERIES 'Had me absolutely sobbing - a beautiful, beautiful book' JO BROWNING WROE, bestselling author of A TERRIBLE KINDNESS 'Worth every tear' WOMAN & HOME 'Exquisitely tender, powerfully compelling' SARAH HAYWOOD 'One of my new all-time favourite books - an absolute joy' JULIETTA HENDERSON 'Thoughtful, warm and engaging' CHRISTINA SWEENEY-BAIRD 'Honest, heartfelt and hopeful' MARIANNE CRONIN 'A joy to read' ANNE YOUNGSON 'A love song to women everywhere' ERICKA WALLER MEET EVA MARTÍNEZ-GREEN, AN ONLY CHILD FULL OF QUESTIONS ABOUT HER BEGINNINGS. Between her emotionally absent mother and her physically absent father, there is nobody to answer them. Eva is convinced that all is not as it seems. Why are there no baby pictures of her? Why do her parents avoid all questions about her early years? When her parents' relationship crumbles, Eva begins a journey to find these answers for herself. Her desire to discover where she belongs leads Eva on a journey spanning decades and continents - and, along the way, she meets women who challenge her idea of what a mother should be, and who will change her life forever... 'A glorious journey into loving & longing' ANSTEY HARRIS 'Heartrending and heartwarming' CELIA ANDERSON 'Exquisite' JESSICA RYN 'A deep delight of a book that vibrates with love and longing' HELEN PARIS ________________________________________________________ Praise for Joanna Glen's debut novel, The Other Half of Augusta Hope: 'A therapeutic dose of high-strength emotion' GUARDIAN 'Entertains and moves in equal measure' DAILY MAIL 'Keep the tissues close' GOOD HOUSEKEEPING 'An irresistible message of redemption and belonging' RED magazine 'Heartening and hopeful' JESS KIDD 'Mesmerizingly beautiful' SARAH HAYWOOD 'An extraordinary masterpiece' ANSTEY HARRIS

A professor of German history begins a long journey back into a past she has pushed aside, returning to Germany to reopen the wounds of her own life--as well as that of her mother--as a child living in Nazi Germany. 20,000 first printing.

'utterly, Agonisingly Compulsive ... A Masterpiece' Liz Jensen, Guardian Following One Woman's Journey From A Troubled Girlhood In Working-class Copenhagen Through Her Struggle To Live On Her Own Terms, The Copenhagen Trilogy Is A Searingly Honest, Utterly Immersive Portrayal Of Love, Friendship, Art, Ambition And The Terrible Lure Of Addiction, From One Of Denmark's Most Celebrated Twentieth-century Writers. 'sharp, Tough And Tender ... Wrenching Sadness And Pitch-black Comedy ... Ditlevsen Can Pivot From Hilarity To Heartbreak In A Trice' Boyd Tonkin Spectator 'astonishing, Honest, Entirely Revealing And, In The End, Devastating. Ditlevsen's Trilogy Is Remarkable Not Only For Its Honesty And Lyricism; These Are Books That Journey Deep Into The Darkest Reaches Of Human Experience And Return, Fatally Wounded, But Still Eloquent' Observer 'the Best Books I Have Read This Year. These Volumes Slip In Like A Stiletto And Do Their Work Once Inside. Thrilling' New Statesman

Meet Isobel, Jen and Zelda.Three women whose bodies and minds are not their own.They belong to the Church.Life and death decisions are taken by others on their behalf.Who they might marry.Whether they start a family.Isobel and Jen know nothing of the world.But when Isobel's husband leaves her and Jen challenges those in charge, the Church turns its back on them.Zelda - never one for doing what is expected - dares to find hope on the outside.Meet Isobel, Jen and Zelda.Three women desperate to find a life to call their own . . .This is a novel about what it is like to live inside a prison of the mind and how to break out of it - if you can.____________Praise for Jodie Chapman:'Beautifully written...I couldn't put it down' EMMA GANNON'An astounding debut about sibling grief, religion and sliding doors love' PANDORA SYKES'Deep, rich, thoughtful' GILLIAN MCALLISTER'This beautiful tale of love, loss and sacrifice will break your heart . . . With echoes of David Nicholls' One Day and Sally Rooney's novels, it perfectly captures the agony of falling in love and the razor-sharp reality of pain and loss' DAILY MAIL

Can a woman ever really know herself if she doesn't know her mother?From the author of the smash-hit bestseller Firefly Lane and True Colors comes a powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the pastMeredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time―and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.

Winner of the 2020 Miles Franklin Literary Award and 2021 Kate Challis RAKA Award!"A beautifully written novel that puts language at the heart of remembering the past and understanding the present."—Kate Morton“A groundbreaking novel for black and white Australia.”—Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep NorthA young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.Knowing that he will soon die, Albert “Poppy” Gondiwindi has one final task he must fulfill. A member of the indigenous Wiradjuri tribe, he has spent his adult life in Prosperous House and the town of Massacre Plains, a small enclave on the banks of the Murrumby River. Before he takes his last breath, Poppy is determined to pass on the language of his people, the traditions of his ancestors, and everything that was ever remembered by those who came before him. The land itself aids him; he finds the words on the wind.After his passing, Poppy’s granddaughter, August, returns home from Europe, where she has lived the past ten years, to attend his burial. Her overwhelming grief is compounded by the pain, anger, and sadness of memory—of growing up in poverty before her mother’s incarceration, of the racism she and her people endured, of the mysterious disappearance of her sister when they were children; an event that has haunted her and changed her life. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends and honor Poppy and her family, she vows to save their land—a quest guided by the voice of her grandfather that leads into the past, the stories of her people, the secrets of the river.Told in three masterfully woven narratives, The Yield is a celebration of language and an exploration of what makes a place "home." A story of a people and a culture dispossessed, it is also a joyful reminder of what once was and what endures—a powerful reclaiming of Indigenous language, storytelling, and identity, that offers hope for the future.

“A complete knockout. Readers will be thinking of this story long after they finish the final page.” —Adalyn Grace, New York Times bestselling author of Belladonna“Utterly compelling and impossible to put down.” —Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight“I’ve never read a book that felt so much like picking up pieces of a broken heart—powerful, poignant, and true.” —Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXOAtlas has lost her way.In a last-ditch effort to pull her life together, she’s working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad’s favorite places in the world. Before cancer stole him from her life, that is.Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team—Books, Sugar, Junior, and King—she heads into the wilderness. As she sheds the lies she’s built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life—without her new family, and without King, who’s become more than just a friend.

In The Diviners, Morag Gunn, a middle aged writer who lives in a farmhouse on the Canadian prairie, struggles to understand the loneliness of her eighteen-year-old daughter. With unusual wit and depth, Morag recognizes that she needs solitude and work as much as she needs the love of her family. With an afterword by Margaret Atwood."Mrs. Laurence's [novel] is both poetic and muscular, and her heroine is certainly one of the more humane, unglorified, unpolemical, believable women to have appeared in recent fiction."—The New Yorker

'a Wonderful Debut. Actually, A Tour De Force' -- Sarah Winman, Author Of Still Life 'utterly Captivating... Written With Great Heart, Humour And Humanity, It's The Kind Of Book You Want To Escape Normal Life To Read At Every Available Opportunity.' -- Elizabeth Day, Author Of Magpie 'this Is A Book That Will Be Loved Unreasonably And Life-long, I Believe, Like I Capture The Castle.' -- Francis Spufford, Author Of 'light Perpetual' 'maudie, Why Are All The Best Characters Men?' Maudie Closes The Book With A Clllump. 'we Haven't Read All The Books Yet, Miss Cristabel. I Can't Believe That Every Story Is The Same' Cristabel Seagrave Has Always Wanted Her Life To Be A Story, But There Are No Girls In The Books In Her Dusty Family Library. For An Unwanted Orphan Who Grows Into An Unmarriageable Young Woman, There Is No Place At All For Her In A Traditional English Manor. But From The Day That A Whale Washes Up On The Beach At The Chilcombe Estate In Dorset, And Twelve-year-old Cristabel Plants Her Flag And Claims It As Her Own, She Is Determined To Do Things Differently. With Her Step-parents Blithely Distracted By Their Endless Party Guests, Cristabel And Her Siblings, Flossie And Digby, Scratch Together An Education From The Plays They Read In Their Freezing Attic, Drunken Conversations Eavesdropped Through Oak-panelled Doors, And The Esoteric Lessons Of Maudie Their Maid. But As The Children Grow To Adulthood And War Approaches, Jolting Their Lives On To Very Different Tracks, It Becomes Clear That The Roles They Are Expected To Play Are No Longer Those They Want. As They Find Themselves Drawn Into The Conflict, They Must Each Find A Way To Write Their Own Story...