Table of Contents--Number 146InterviewsMartin Adams--The Art of Fiction CLIFictionA.S. Byatt--Crocodile TearsGiles Foden--The Last King of ScotlandClaire Keegan--The Singing CashierWill Self--Tough Tough Toys for Tough Tough BoysFeaturesAlain de Botton--Drama or Melodrama The Man in the Back Row Has a Question VArtLucian Freud--EtchingsMalcolm Morley--Four DrawingsMarc Quinn--Budding MorphologyPoetrySimon Arrmitage--Four PoemsLavinia Greenlaw--Three PoemsTim Kendall--Two PoemsAndrew Motion--Out of the BlueGraham Nelson--Polonium ElegyRobin Robertson--Two PoemsNeil Rollinson--Two PoemsNotes on ContributorsNotice
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The Paris Review
Table of Contents--Number 146InterviewsMartin Adams--The Art of Fiction CLIFictionA.S. Byatt--Crocodile TearsGiles Foden--The Last King of ScotlandClaire Keegan--The Singing CashierWill Self--Tough Tough Toys for Tough Tough BoysFeaturesAlain de Botton--Drama or Melodrama The Man in the Back Row Has a Question VArtLucian Freud--EtchingsMalcolm Morley--Four DrawingsMarc Quinn--Budding MorphologyPoetrySimon Arrmitage--Four PoemsLavinia Greenlaw--Three PoemsTim Kendall--Two PoemsAndrew Motion--Out of the BlueGraham Nelson--Polonium ElegyRobin Robertson--Two PoemsNeil Rollinson--Two PoemsNotes on ContributorsNotice
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