“Stunning… the raging, torrential voice of the author is something rare.” ― The New York TimesSOON TO BE A MAJOR MOTION PICTURE STARRING NATALIE PORTMAN THE BREAK-OUT NOVEL BY THE INTERNATIONALLY ACCLAIMED AUTHOR OF MY BRILLIANT FRIENDRarely have the foundations upon which our ideas of motherhood and womanhood rest been so candidly questioned. This compelling novel tells the story of one woman’s headlong descent into what she calls an “absence of sense” after being abandoned by her husband. Olga’s “days of abandonment” become a desperate, dangerous freefall into the darkest places of the soul as she roams the empty streets of a city that she has never learned to love. When she finds herself trapped inside the four walls of her apartment in the middle of a summer heat wave, Olga is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal again. “Ferrante puts hammer to flesh and invites her reader to penetrate the page.” ― Financial Times “Extraordinary.” ― The London Review of Books
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The Days of Abandonment: Elena Ferrante
“Stunning… the raging, torrential voice of the author is something rare.” ― The New York TimesSOON TO BE A MAJOR MOTION PICTURE STARRING NATALIE PORTMAN THE BREAK-OUT NOVEL BY THE INTERNATIONALLY ACCLAIMED AUTHOR OF MY BRILLIANT FRIENDRarely have the foundations upon which our ideas of motherhood and womanhood rest been so candidly questioned. This compelling novel tells the story of one woman’s headlong descent into what she calls an “absence of sense” after being abandoned by her husband. Olga’s “days of abandonment” become a desperate, dangerous freefall into the darkest places of the soul as she roams the empty streets of a city that she has never learned to love. When she finds herself trapped inside the four walls of her apartment in the middle of a summer heat wave, Olga is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal again. “Ferrante puts hammer to flesh and invites her reader to penetrate the page.” ― Financial Times “Extraordinary.” ― The London Review of Books
Popular Reviews(1)
Elena Ferrante und ich werden keine Freunde mehr. Ich kann den Hype um sie einfach nicht nachvollziehen. Ihre Bücher klingen einfach immer altbacken. Die Frau im Buch war 38 und das Buch war aus ihrer Perspektive geschrieben. Allerdings hatte ich das Gefühl, ich lese das Buch aus Perspektive einer sehr viel älteren Frau. Das Buch an sich ist hart…raw, keine leichte Lektüre. Und wenn Büchern Tiere schlecht behandelt werden, dann kann ich damit überhaupt nicht umgehen.