After the gravity of The Unbearable Lightness of Being and Immortality, Slowness comes as a surprise: it is certainly Kundera's lightest novel, a divertimento, an opera buffa, with, as the author himself says, "not a single serious word in it"; then, too, it is the first of his novels to have been written in French (in the eyes of the French public, turning him definitively into a "French writer"). Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. In the eighteenth-century narrative, the marvelous Madame de T. summons a young nobleman to her chateau one evening and gives him an unforgettable lesson in the art of seduction and the pleasures of love.
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Slowness
After the gravity of The Unbearable Lightness of Being and Immortality, Slowness comes as a surprise: it is certainly Kundera's lightest novel, a divertimento, an opera buffa, with, as the author himself says, "not a single serious word in it"; then, too, it is the first of his novels to have been written in French (in the eyes of the French public, turning him definitively into a "French writer"). Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. In the eighteenth-century narrative, the marvelous Madame de T. summons a young nobleman to her chateau one evening and gives him an unforgettable lesson in the art of seduction and the pleasures of love.
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