Recommendations based on "Midnight Timetable A Novel in Ghost Stories"

Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman.JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.

Available for the first time in English, the ten short stories by modern Korean women collected here touch in one way or another on issues related to gender and kinship politics. All of the protagonists are women who face personal crises or defining moments in their lives as gender-marked beings in a Confucian, patriarchal Korean society. Their personal dreams and values have been compromised by gender expectations or their own illusions about female existence. They are compelled to ask themselves "Who am I?" "Where am I going?" "What are my choices?" Each story bears colorful and compelling testimony to the life of the heroine. Some of the stories celebrate the central character’s breakaway from the patriarchal order; others expose sexual inequality and highlight the struggle for personal autonomy and dignity. Still others reveal the abrupt awakening to mid-life crises and the seasoned wisdom that comes with accepting the limits of old age.The stories are arranged in chronological order, from the earliest work by Korea’s first modern woman writer in 1917 to stories that appeared in 1995―approximately one from each decade. Most of the writers presented are recognized literary figures, but some are lesser-known voices. The introduction presents a historical overview of traditions of modern Korean women’s fiction, situating the selected writers and their stories in the larger context of Korean literature. Each story is accompanied by a biographical note on the author and a brief critical analysis. A selected bibliography is provided for further reading and research.Questioning Minds marks a departure from existing translations of Korean literature in terms of its objectives, content, and format. As such it will contribute to the growth of Korean studies, increasing the availability of material for teaching Korean literature in English, and stimulate readership of its writers beyond the confines of the peninsula.

An extraordinary insight into life under one of the world’s most ruthless and secretive dictatorships – and the story of one woman’s terrifying struggle to avoid capture/repatriation and guide her family to freedom.As a child growing up in North Korea, Hyeonseo Lee was one of millions trapped by a secretive and brutal communist regime. Her home on the border with China gave her some exposure to the world beyond the confines of the Hermit Kingdom and, as the famine of the 1990s struck, she began to wonder, question and to realise that she had been brainwashed her entire life. Given the repression, poverty and starvation she witnessed surely her country could not be, as she had been told “the best on the planet”?Aged seventeen, she decided to escape North Korea. She could not have imagined that it would be twelve years before she was reunited with her family.She could not return, since rumours of her escape were spreading, and she and her family could incur the punishments of the government authorities – involving imprisonment, torture, and possible public execution. Hyeonseo instead remained in China and rapidly learned Chinese in an effort to adapt and survive. Twelve years and two lifetimes later, she would return to the North Korean border in a daring mission to spirit her mother and brother to South Korea, on one of the most arduous, costly and dangerous journeys imaginable.This is the unique story not only of Hyeonseo’s escape from the darkness into the light, but also of her coming of age, education and the resolve she found to rebuild her life – not once, but twice – first in China, then in South Korea. Strong, brave and eloquent, this memoir is a triumph of her remarkable spirit.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent)*Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award*The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death―how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

Despite growing up together, these childhood friends have grown apart. The fan-favorite boys’ love manhwa turned K-drama comes to print for the first time.Seo Haebom was seven years old when his parents died in an accident. With nowhere else to go, he moves in with the family of his childhood friend Jo Taesung, who suddenly grows cold and distant, destroying their friendship.Now it’s their senior year of high school and, after years of barely speaking to each other, Haebom and Taesung are in the same class for the first time. Haebom struggles to make friends and is plagued by bullying, but after the handsome and popular Taesung fends off his most persistent bully, everything changes—they sit together at lunch and begin to act like friends again. Haebom is unsure what to make of the shift, but this could be his last chance to mend their relationship.Volume 1 includes episodes 1–15 of the webcomic Cherry Blossoms After Winter.

Never has a final year of high school had so many new beginnings. The second volume of the fan-favorite BL manhwa turned K-drama, now in print for the first time.Seo Haebom had only just gotten used to having his friend-turned-distant-housemate, Jo Taesung, acknowledge his existence, but now it seems like they might actually be...friends again? As Taesung brings Haebom into his social circle, Haebom discovers not only how much he’s missed his childhood playmate, but how much more fun high school can be if he has the confidence to stop being such a wallflower.But after so many years of a predictable—if lonely—life, Haebom now can’t seem to stop his world from changing too quickly. Just as he begins to enjoy his new normal, Taesung starts acting like he might want to change their relationship yet again, this time to something more than friends.Volume 2 includes episodes 16-30 of the webcomic Cherry Blossoms After Winter.

NEW YORK TIMES BESTSELLER An extraordinary insight into life under one of the world's most ruthless and secretive dictatorships - and the story of one woman's terrifying struggle to avoid capture/repatriation and guide her family to freedom.

Waging war from the shadows, Yul and his mother, the Daebi, continue to turn the screws on Korea's royals - and the first casualties in their sights are Crown Prince Shin and Chae-Kyung! Convinced by Yul that an upcoming television interview will be her last chance to talk divorce, Chae-Kyung is distracted from the larger picture by her feelings for her husband and the thought of freedom from oppressive palace life. Meanwhile, as the Daebi fans the flames of suspicion that surround Shin in the royal arson case, the future king finds himself on the verge of losing his once-guaranteed position. But is a royal pregnancy the answer to saving the crown prince's sullied reputation?! The Queen Mother seems to think so, as she packs off Chae-Kyung and Shin to an isolated palace to consummate their marriage. However, with their relationship running equally cold and hot these days, divorce and romance seem to be a toss-up for the crown princess! Which will Chae-Kyung choose?!

Much to her dismay, the divorce for which Chae-Kyung pined so desperately in the early days of her marriage to Crown Prince Shin is now imminent, thanks to a case of palace blackmail. But with Shin's right to the throne hanging in the balance, the crown princess has no choice but to keep the situation a secret from him and steel herself against the husband she now loves. And no one is more confused by the sudden cold wind blowing through their marriage than Shin himself! Conflicted between antagonizing Chae-Kyung about her apparent change of heart and getting to the bottom of the divorce proceedings, Shin continues to push Chae-Kyung further away. But as the news of the divorce leaks to the media, will it already be too late for Shin to realize the error of his ways?

A photographic journey through the architecture of North Korea's “model” utopia.The story of Pyongyang is unique even in the annals of model cities and modernist utopias. Entirely rebuilt after the Korean War, North Korea's capital city was planned and fully implemented to embody a single ideological vision. This extraordinary, richly illustrated book takes readers on a photographic journey through the architecture of North Korea's “model” utopia.Built as an ideological guide for its citizens, Pyongyang displays a unique architectural cohesion and narrative. From the city's large-scale monumental axes to its symbolic sports halls and experimental housing, Model City offers offers comprehensive visual access to Pyongyang's restricted buildings. The architecture of Pyongyang exists within a culture that favors construction and renewal over historical preservation, and in recent years many buildings have been redeveloped to remove interior features or render facades unrecognizable. Often kitschy, colorful, and dramatic, Pyongyang's architecture makes it difficult to distinguish between reality and theater. As befits a culture that has carefully crafted its own narrative, the backdrop of each photograph in Model City has been replaced with a color gradient, evoking the pastel skies of North Korea's propaganda posters.Model City features two hundred color illustrations of buildings rarely seen by non-North Koreans, diagrams and architectural drawings that reveal the planning behind the city's elaborate symbolism, and texts by experts on Korean architecture—including an excerpt from On Architecture by Kim Jong-Il, father of the current leader Kim Jong-un. The authors' research has been supported by Koryo Studio and Korea Cities Federation.