Lying is essential to good story-telling. Daily, we writers sit at their computers--or Underwoods or legal pads--and write down a bunch of untruths, piling one on top of another, page after page. We compound them, massage them, edit them, spin them, until we're satisfied that, despite how outlandish or other-worldly these lies are, you the reader will swallow them. (From Sandra Brown's introduction to LIAR LIAR) This gripping new anthology offers a baker's dozen tales of deceit by some of the finest liars in the business. The stories vary in setting, genre, style and tone, but they share a common theme: Each is based on a lie. Even better: Part of the proceeds from sales of this anthology will go to literacy organizations. And that's no lie.
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Liar Liar
By Keith DeCandido, Gregory Frost, Merry Jones
Lying is essential to good story-telling. Daily, we writers sit at their computers--or Underwoods or legal pads--and write down a bunch of untruths, piling one on top of another, page after page. We compound them, massage them, edit them, spin them, until we're satisfied that, despite how outlandish or other-worldly these lies are, you the reader will swallow them. (From Sandra Brown's introduction to LIAR LIAR) This gripping new anthology offers a baker's dozen tales of deceit by some of the finest liars in the business. The stories vary in setting, genre, style and tone, but they share a common theme: Each is based on a lie. Even better: Part of the proceeds from sales of this anthology will go to literacy organizations. And that's no lie.
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