Recommendations based on "Costanza"

Based on your reading history, we think you will also enjoy the following books.

By MARGARET ATWOOD

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

By Faith McNulty

Recounts the tragic story of a battered wife, who in desperation murdered her tormenting husband, and describes how they met and married, and how their relationship deteriorated

By Edward Frederic Benson

Lucia Lucas, the eternally effervescent dowager, continues to consternate and beguile friends and antagonists alike in the English countryside where she becomes embroiled in high finance, buried treasure, politics, and love

By Annie Groves

A compelling novel about four young women in wartime London, from the best-selling author of London Belles and My Sweet Valentine. In Article Row, in London’s Holborn – four young women, Tilly, Sally, Dulcie and Agnes – have already been witnesses to the heartache and pain that Hitler’s bombs have inflicted on ordinary Londoners.Tilly is desperate to wed her beau, Drew. Terrified that something will happen to prevent them from being together, her fears seem to be coming true when he is called back home to America.For her mother, Olive, this only adds to her worries for Tilly. But she has her own hands full when her friend and neighbour, Sergeant Dawson, gets some terrible news. When Olive lends a hand, she finds herself at the sharp end of some unwelcome gossip.For Dulcie, the war has brought an old flame, David, back into her life. But his terrible injuries have changed his life forever. Can something more develop out of their friendship? And for Agnes, she is about to find out something that will change her life, too.In this seemingly endless war, the girls will learn about love, loss and heartache. But they, like thousands of other Londoners, are determined to win the battle on the home front – no matter what it takes.

By Kaoru Mori

Not wishing to cause a scandal within the Joneses' household, Emma chooses to make a clean break from her old life and takes a train to the sea. As chance would have it, Emma finds herself sharing a car with another maid, one who serves at a large manor in the country. A big house bustling with servants seems an ideal place in which to move forward after losing her mistress and leaving her love back in London. Learning the precise dance of domestic service in her new environment is a welcome challenge, but how long can hard work divert Emma's mind from the longing of her heart?

By Nancy McKenzie

Return to a time of legend—the days of Guinevere and Arthur and the glory that was to become Camelot On the night of Guinevere’s birth, a wise woman declares a prophecy of doom for the child: She will be gwenhwyfar, the white shadow, destined to betray her king, and be herself betrayed. Years pass, and Guinevere becomes a great beauty, riding free across Northern Wales on her beloved horse. She is entranced by the tales of the valorous Arthur, a courageous warrior who seems to Guinevere no mere man, but a legend. Then she finds herself betrothed to that same famous king, a hero who commands her willing devotion. Just as his knights and all his subjects, she falls under Arthur’s spell. At the side of King Arthur, Guinevere reigns strong and true. Yet she soon learns how the dark prophecy will reveal itself. She is unable to conceive. Arthur’s only true heir is Mordred, offspring of a cursed encounter with the witch Morgause. Now Guinevere must make a fateful choice: She decides to raise Mordred, teaching him to be a ruler and to honor Camelot. She will love him like a mother. Mordred will be her greatest joy–and the key to her ultimate downfall. “Guinevere comes alive—a strong, resourceful, and compassionate woman, accessible to modern folk . . . The Arthur-Guinevere-Lancelot triangle comes alive as well—believable, poignant, and bearing the seeds of tragedy.”—Katherine Kurtz

By Alison Weir

On the night of 10 February 1567 an explosion devastated the Edinburgh residence of Henry Stewart, Lord Darnley, second husband of Mary, Queen of Scots. The noise was heard as far away as Holyrood Palace, where Queen Mary was attending a wedding masque. T

By Marilyn B. Skinner

Clodia Metelli: The Tribune's Sister is the first full-length biography of a Roman aristocrat whose colorful life, as described by her contemporaries, has inspired numerous modern works of popular fiction, art, and poetry. Clodia, widow of the consul Metellus Celer, was one of several prominent females who made a mark on history during the last decades of the Roman Republic. As the eldest sister of the populist demagogue P. Clodius Pulcher, she used her wealth and position to advance her brother's political goals. For that she was brutally reviled by Clodius' enemy, the orator M. Tullius Cicero, in a speech painting her as a scheming, debauched whore. Clodia may also have been the alluring mistress celebrated in the love poetry of Catullus, whom he calls "Lesbia" in homage to Sappho and depicts as beautiful, witty, but also false and corrupt. From Cicero's letters, finally, we receive glimpses of a very different woman, a great lady at her leisure. This study examines Clodia in the contexts of her family background, the societal expectations for a woman of her rank, and the turbulent political climate in which she operated. It weighs the value of the several kinds of testimony about her and attempts to extract a picture as faithful to historical truth as possible. The manner in which Clodia was represented in writings of the period, and the motives of their authors in portraying her as they did, together shed considerable light on the role played by female figures in Roman fiction and historiography.

By Alan Gordon

1204 A.D. The Fools’ Guild is on the run from an increasingly intolerant Church. Arriving too late at the Guildhall to join them, the jester couple Theophilos and Claudia and their newborn daughter Portia must now flee the Papal army, having first risked their lives to steal, of all things, a tavern sign. As they journey across the Alps, Theophilos recounts to his wife a story from the Third Crusade, of the most beautiful woman in the Kingdom of Jerusalem and her dwarf jester, Scarlet.In 1191, as Richard the Lionhearted leads his forces in an attempt to recapture Jerusalem from the army of Saladin, Theophilos and Scarlet are quietly manipulating events to bring about an end to the bloodshed. Their mission leads them to Tyre, the only city in the Kingdom of Jerusalem to withstand Saladin. Governed by a rogue general, the city is aswarm with refugees, spies, and splintered factions vying for power and position, and even success may only prove fatal. The key chesspiece amidst the swirling intrigues remains Isabelle, the Queen of Jerusalem, desired by many but married against her will to a man decades her senior. But there are forces at work that will stop at nothing, and it is up to Scarlet to protect the interests of the Guild, the lives of the people, and the future of Isabelle.Drawn from actual events, The Widow of Jerusalem is a tale of intrigue and ambition, love fulfilled and love unrequited, and a trio of historical deaths that have never been fully explained. Until now.

By W. Somerset Maugham

In Theatre, W. Somerset Maugham–the author of the classic novels Of Human Bondage and Up at the Villa–introduces us to Julia Lambert, a woman of breathtaking poise and talent whose looks have stood by her forty-six years. She is one of the greatest actresses England–so good, in fact, that perhaps she never stops acting.It seems that noting can ruffle her satin feathers, until a quiet stranger who challenges Julia's very sense of self. As a result, she will endure rejection for the first time, her capacity as a mother will be affronted, and her ability to put on whatever face she desired for her public will prove limited. In Theatre, Maugham subtly exposes the tensions and triumphs that occur when acting and reality blend together, and–for Julia–ultimately reverse.