Recommendations based on "Barnaby Grimes: Legion of the Dead"

“Barker’s the best thing to happen to horror fiction for many moons. . . [he] never fails to deliver the compelling prose and relentless horror his readers expect.” —Chicago TribuneThe classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film HellraiserFrom his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read.Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay.

New York Times Bestseller Winner of a Goodreads Choice Award “Funny, dark, and at times stunningly existential.” —Marianne Eloise, Guardian Everyone has questions about death. In Will My Cat Eat My Eyeballs?, best-selling author and mortician Caitlin Doughty answers the most intriguing questions she’s ever received about what happens to our bodies when we die. In a brisk, informative, and morbidly funny style, Doughty explores everything from ancient Egyptian death rituals and the science of skeletons to flesh-eating insects and the proper depth at which to bury your pet if you want Fluffy to become a mummy. Now featuring an interview with a clinical expert on discussing these issues with young people—the source of some of our most revealing questions about death—Will My Cat Eat My Eyeballs? confronts our common fear of dying with candid, honest, and hilarious facts about what awaits the body we leave behind.

"A compelling, gory, ghostly romp." —Paul Tremblay, New York Times bestselling author of Horror Movie "This is what it felt like to live in New York City during lockdown: haunted, absurd, terrifying, ridiculous, and full of hungry ghosts." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts. For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

Chuck Palahniuk's startling and outrageous debut novel, basis of the hit movie starring Brad Pitt and Edward Norton.THE FIRST RULE about fight club is you don't talk about fight club.Every weekend, in the basements and parking lots of bars across the country, young men with whitecollar jobs and failed lives take off their shoes and shirts and fight each other barehanded just as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anything. Fight club is the invention of Tyler Durden, projectionist, waiter, and dark, anarchic genius, and it's only the beginning of his plans for violent revenge on an empty consumer-culture world.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

American Monsters

The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.

Review ""The Graveyard Book manages the remarkable feat of playing delightful jazz riffs on Kipling’s classic Jungle Books. One might call this book a small jewel, but in fact it’s much bigger within than it looks from the outside." --Peter S. Beagle, author of The Last Unicorn"After finishing The Graveyard Book, I had only one thought -- I hope there’s more. I want to see more of the adventures of Nobody Owens, and there is no higher praise for a book." --Laurell K. Hamilton, author of the Anita Blake: Vampire Hunter novels"It takes a graveyard to raise a child. My favorite thing about this book was watching Bod grow up in his fine crumbly graveyard with his dead and living friends. The Graveyard Book is another surprising and terrific book from Neil Gaiman." --Audrey Niffenegger, author of The Time Traveler's Wife Audrey Niffenegger, author of The Time Traveler's Wife Audrey Niffenegger, author of The Time Traveler's Wife Audrey Niffenegger, author of The Time Traveller's Wife"The Graveyard Book is endlessly inventive, masterfully told and, like Bod himself, too clever to fit into only one place. This is a book for everyone. You will love it to death." --Holly Black, co–creator of The Spiderwick ChroniclesThe Graveyard Book is everything everyone loves about Neil Gaiman, only multiplied many times over, a novel that showcases his effortless feel for narrative, his flawless instincts for suspense, and above all, his dark, almost silky sense of humor --Joe Hill, author of Heart–Shaped Box

THE EPIC NEW THRILLER BEGINS. The creator of the number one bestselling SKULDUGGERY PLEASANT series returns with the story of a girl on the run from everything she loves... and the monsters that await her. For anyone who ever thought their parents were monsters... Amber Lamont is a normal sixteen-year-old. Smart but insecure, she spends most of her time online, where she can avoid her beautiful, aloof parents and their weird friends. But when a shocking encounter reveals a horrifying secret, Amber is forced to go on the run. Killer cars, vampires, undead serial killers and red-skinned, horned demons - Amber hurtles from one threat to the next, revealing the terror woven into the very fabric of her life. As her parents close in behind her, Amber's only chance rests with her fellow travellers, who are not at all what they appear to be... Witty, action-packed and heart-stoppingly thrilling, Demon Road will take you on an epic road-trip across the supernatural landscape of America.

The brand new must-read middle-grade novel from the author of super-spooky Crater Lake. Perfect for 9+ fans of R.L.Stine's Goosebumps and Stranger Things. It's Colette's birthday and the friends are spending an evening at Neon Perch - an epic entertainment spot where they can eat pizza, play mini golf and - best of all - take part in Project Z - an epic new escape room experience. It's going to be the best night ever! Or is it . . . ? Somehow, the escape room somehow seems to know each player's greatest fears. And worst of all, there are creatures locked up with them. Creatures from their darkest nightmares . . . giant, poisonous RATS! "Deliciously scary and hilarious comedy-horror, perfectly pitched for eight-plus." The Guardian on Dread Wood