Empfehlungen basierend auf "Wordslut: A Feminist Guide to Taking Back the English Language"

“One of those life-changing reads that makes you see— or, in this case, hear—the whole world differently.” —Megan Angelo, author of FollowersThe author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power.What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . .Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day.Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

Named a Vogue, Esquire, NPR, Marie Claire, and Refinery29 Best Book of the Year. Perfect for fans of Normal People and Fleabag Great inventiveness, unfailing intelligence and empathy, and best of all a rare and shimmering wit' Richard Ford

NATIONAL BESTSELLERNamed a Best Book of the Year by: Time * Kirkus Reviews * USA Today * Entertainment Weekly * Garden & Gun * Vox * Atlanta Journal-ConstitutionA Most Anticipated Book of Fall from: Associated Press * Atlanta Journal-Constitution * BookPage * Book Riot * The Boston Globe * Entertainment Weekly * Esquire * Garden & Gun * LitHub * St. Louis Post-Dispatch * Sunset Magazine * Time * Town & Country * The Millions * USA Today * Vogue * Vulture * The WeekAn exuberant, bighearted novel about two teenage misfits who spectacularly collide one fateful summer, and the art they make that changes their lives foreverSixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.The posters begin appearing everywhere, and people wonder who is behind them and start to panic. Satanists, kidnappers—the rumors won’t stop, and soon the mystery has dangerous repercussions that spread far beyond the town.Twenty years later, Frances Eleanor Budge gets a call that threatens to upend her carefully built life: a journalist named Mazzy Brower is writing a story about the Coalfield Panic of 1996. Might Frances know something about that?A bold coming-of-age story, written with Kevin Wilson’s trademark wit and blazing prose, Now Is Not the Time to Panic is a nuanced exploration of young love, identity, and the power of art. It’s also about the secrets that haunt us—and, ultimately, what the truth will set free.

#1 NEW YORK TIMES BESTSELLER • Lambda Literary Award for Bisexual Nonfiction Award Winner • A rip-roaring, edgy and unabashedly raunchy new collection of hilarious essays from the New York Times bestselling author of We Are Never Meeting in Real Life. “Stay-up-all-night, miss-your-subway-stop, spit-out-your-beverage funny.” —Jia Tolentino, New York Times bestselling author of Trick Mirror Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago, and moved into a house with a garden that requires repairs and know-how with her wife in a Blue town in the middle of a Red state where she now hosts book clubs and makes mason jar salads. This is the bourgeois life of a Hallmark Channel dream. She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "tv executives slash amateur astrologers" while being a "cheese fry-eating slightly damp Midwest person," "with neck pain and no cartilage in [her] knees," who still hides past due bills under her pillow. The essays in this collection draw on the raw, hilarious particulars of Irby's new life. Wow, No Thank You. is Irby at her most unflinching, riotous, and relatable. Don't miss Samantha Irby's bestselling new book, Quietly Hostile!

The instant New York Times bestseller."An instant classic of investigative journalism...‘All the President’s Men’ for the Me Too era." — Carlos Lozada, The Washington PostFrom the Pulitzer Prize-winning reporters who broke the news of Harvey Weinstein's sexual harassment and abuse for the New York Times, Jodi Kantor and Megan Twohey, the thrilling untold story of their investigation and its consequences for the #MeToo movementFor many years, reporters had tried to get to the truth about Harvey Weinstein’s treatment of women. Rumors of wrongdoing had long circulated. But in 2017, when Jodi Kantor and Megan Twohey began their investigation into the prominent Hollywood producer for the New York Times, his name was still synonymous with power. During months of confidential interviews with top actresses, former Weinstein employees, and other sources, many disturbing and long-buried allegations were unearthed, and a web of onerous secret payouts and nondisclosure agreements was revealed. These shadowy settlements had long been used to hide sexual harassment and abuse, but with a breakthrough reporting technique Kantor and Twohey helped to expose it. But Weinstein had evaded scrutiny in the past, and he was not going down without a fight; he employed a team of high-profile lawyers, private investigators, and other allies to thwart the investigation. When Kantor and Twohey were finally able to convince some sources to go on the record, a dramatic final showdown between Weinstein and the New York Times was set in motion.Nothing could have prepared Kantor and Twohey for what followed the publication of their initial Weinstein story on October 5, 2017. Within days, a veritable Pandora’s box of sexual harassment and abuse was opened. Women all over the world came forward with their own traumatic stories. Over the next twelve months, hundreds of men from every walk of life and industry were outed following allegations of wrongdoing. But did too much change—or not enough? Those questions hung in the air months later as Brett Kavanaugh was nominated to the Supreme Court, and Christine Blasey Ford came forward to testify that he had assaulted her decades earlier. Kantor and Twohey, who had unique access to Ford and her team, bring to light the odyssey that led her to come forward, the overwhelming forces that came to bear on her, and what happened after she shared her allegation with the world.In the tradition of great investigative journalism, She Said tells a thrilling story about the power of truth, with shocking new information from hidden sources. Kantor and Twohey describe not only the consequences of their reporting for the #MeToo movement, but the inspiring and affecting journeys of the women who spoke up—for the sake of other women, for future generations, and for themselves.

“Lively, timely and gloriously energetic. Each page bursts with life, and every chapter swirls with personalities left out of traditional narratives of Britain’s past. Philippa Gregory has produced something rare and wonderful: a genuinely new history of [Britain], with women at its beating heart.” —Dan Jones, New York Times bestselling author of The Plantagenets“You’ve devoured her novels, but now Gregory shows off chops as a historian. . . . An amazing read.” —The Los Angeles TimesThe #1 New York Times bestselling historical novelist delivers her magnum opus—a landmark work of feminist nonfiction that radically redefines our understanding of the extraordinary roles ordinary women played throughout British history.AN INDIE BESTSELLERDid you know that there are more penises than women in the Bayeux Tapestry? That the Peasants’ Revolt of 1381 was started and propelled by women who were protesting a tax on women? Or that celebrated naturalist Charles Darwin believed not just that women were naturally inferior to men, but that they’d evolve to become ever more inferior?These are just a few of the startling findings you will learn from reading Philippa Gregory’s Normal Women. In this ambitious and groundbreaking book, she tells the story of England over 900 years, for the very first time placing women—some fifty per cent of the population—center stage.Using research skills honed in her work as one of our foremost historical novelists, Gregory trawled through court records, newspapers, and journals to find highwaywomen and beggars, murderers and brides, housewives and pirates, female husbands and hermits. The “normal women” you will meet in these pages went to war, ploughed the fields, campaigned, wrote, and loved. They rode in jousts, flew Spitfires, issued their own currency, and built ships, corn mills and houses. They committed crimes or treason, worshipped many gods, cooked and nursed, invented things, and rioted. A lot.A landmark work of scholarship and storytelling, Normal Women chronicles centuries of social and cultural change—from 1066 to modern times—powered by the determination, persistence, and effectiveness of women.*INCLUDES ILLUSTRATIONS THROUGHOUT AND A FULL-COLOR INSERT*“An expansive, inclusive and elegantly woven nonfiction account of the lives of women in England from the Norman Conquest to the modern day. To describe it as merely a retelling is to undermine a core principle: This is a history of women in England, yes, but it is also a history of England, full stop. . . . At more than 500 pages, with extensive endnotes and a 30-page index, Normal Women is a behemoth you may be inclined to skim, until you realize you’re actually luxuriating in every word.” —The New York Times

New York Times Bestseller"Janice P. Nimura has resurrected Elizabeth and Emily Blackwell in all their feisty, thrilling, trailblazing splendor." ―Stacy SchiffElizabeth Blackwell believed from an early age that she was destined for a mission beyond the scope of "ordinary" womanhood. Though the world at first recoiled at the notion of a woman studying medicine, her intelligence and intensity ultimately won her the acceptance of the male medical establishment. In 1849, she became the first woman in America to receive an M.D. She was soon joined in her iconic achievement by her younger sister, Emily, who was actually the more brilliant physician.Exploring the sisters’ allies, enemies, and enduring partnership, Janice P. Nimura presents a story of trial and triumph. Together, the Blackwells founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary, but their convictions did not always align with the emergence of women’s rights―or with each other. From Bristol, Paris, and Edinburgh to the rising cities of antebellum America, this richly researched new biography celebrates two complicated pioneers who exploded the limits of possibility for women in medicine. As Elizabeth herself predicted, "a hundred years hence, women will not be what they are now." 28 illustrations

“Vita Nostra” — a cross between Lev Grossman’s “The Magicians” and Elizabeth Kostova’s “The Historian” [...] is the anti-Harry Potter you didn’t know you wanted.” -- The Washington Post“Vita Nostra has become a powerful influence on my own writing. It’s a book that has the potential to become a modern classic of its genre, and I couldn’t be more excited to see it get the global audience in English it so richly deserves.” -- Lev GrossmanBest Books of November 2018 -- Paste MagazineThe definitive English language translation of the internationally acclaimed Russian novel—a brilliant dark fantasy combining psychological suspense, enchantment, and terror that makes us consider human existence in a fresh and provocative way.Our life is brief . . .Sasha Samokhina has been accepted to the Institute of Special Technologies.Or, more precisely, she’s been chosen.Situated in a tiny village, she finds the students are bizarre, and the curriculum even more so. The books are impossible to read, the lessons obscure to the point of maddening, and the work refuses memorization. Using terror and coercion to keep the students in line, the school does not punish them for their transgressions and failures; instead, it is their families that pay a terrible price. Yet despite her fear, Sasha undergoes changes that defy the dictates of matter and time; experiences which are nothing she has ever dreamed of . . . and suddenly all she could ever want.A complex blend of adventure, magic, science, and philosophy that probes the mysteries of existence, filtered through a distinct Russian sensibility, this astonishing work of speculative fiction—brilliantly translated by Julia Meitov Hersey—is reminiscent of modern classics such as Lev Grossman’s The Magicians, Max Barry’s Lexicon, and Katherine Arden’s The Bear and the Nightingale, but will transport them to a place far beyond those fantastical worlds.

THE TALE OF A WOMAN THE WORLD SHALL NEVER FORGET . . . 'Vivid with fury, passion and strength, this is a fabulous myth retelling' JENNIFER SAINT 'A blaze of a novel, fiery and furious - and alight with murderous revenge' DAILY MAIL 'A powerhouse of a novel. Clytemnestra's rage, heartbreak and determination radiate off the page' ELODIE HARPER 'A thrilling tale of power and prophecies, and the fierce Queen who fought back at those who wronged her' COSMOPOLITAN, 'The best books to look forward to in 2023' __________ Mother. Monarch. Murderer. Magnificent. You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. Slowly, you plot. You are Clytemnestra. But when the husband who owns you returns in triumph, what then? Acceptance or vengeance - infamy follows both. So you bide your time and wait, until you might force the gods' hands and take revenge. Until you rise. For you understood something that the others don't. If power isn't given to you, you have to take it for yourself. A blazing novel set in the world of Ancient Greece and told through the eyes of its greatest heroine, this is a thrilling tale of power and prophecies, of hatred and love, perfect for fans of ARIADNE and THE SONG OF ACHILLES. __________ 'Strong and immersive. Well-worth plucking from the pile of chiton-lit' THE TIMES 'Casati brings the blood-soaked world of Greek mythology fully alive in this powerful novel' WOMAN & HOME 'A heroine of fierce spirit. With the fire and spark of Madeline Miller and the depths of Mary Renault' MANDA SCOTT 'A passionate picture of a fiercely patriarchal society and her heroine's refusal to be bound by its rules' SUNDAY TIMES 'Rivals House of the Dragon in conspiracies and feminine brutality. An electrifying read' ELIZABETH FREMANTLE 'Redefines the mythical retelling genre with a warrior queen who, instead of enduring suffering, avenges it' ANNIE GARTHWAITE 'A thrilling reimagining of an infamous Greek figure' RED

Three women. Three blazing stories of violent resistance. Three complicated paths to justice. Brittany Smith, a young woman from Stevenson, Alabama, killed a man she said raped her in her own home, but was denied the protection of a self-defense argument. Angoori Dahariya led a gang in Uttar Pradesh, India, dedicated to avenging victims of domestic abuse. Cicek Mustafa Zibo fought in a thousands-strong all-female militia that battled ISIS in Syria. Each woman has been criticised for their actions by those who believe that violence is never the answer; yet each has transmuted a story of pain into a story of power. In this intimate, shocking and rigorous investigation, award-winning journalist Elizabeth Flock examines the lives of three women who chose to use lethal force to gain power, safety, and freedom when the institutions meant to protect them - government, police, courts - utterly failed to do so. In luminous prose, Flock asks searching questions about cultures in which violence seems like the only means of survival, where deeply ingrained ideas about masculinity have helped breed the violence that women face. Can women's acts of vengeance help to create lasting change in misogynistic and paternalistic systems, or will they ultimately hurt their cause? The novelistic accounts of these three women offer profound insights into the quest for understanding what a society in which women have real power might look like.