Empfehlungen basierend auf "Under the Sign of Saturn Essays"

One of the greatest, most entertaining reading experiences in any language, Marcel Proust's In Search of Lost Time Vol. 1: The Way by Swann's is published in a new translation from the French by Lydia Davis in Penguin Classics. The Way by Swann's is one of the great novels of childhood, depicting the impressions of a sensitive boy of his family and neighbours, brought dazzlingly back to life by the famous taste of a madeleine. It contains the separate short novel, A Love of Swann's, a study of sexual jealousy that forms a crucial part of the vast, unfolding structure of In Search of Lost Time. This book established Proust as one of the greatest voices of the modern age - satirical, sceptical, confiding and endlessly varied in his responses to the human condition. Since the original pre-war translation Remembrance of Things Past by C. K. Scott Moncrieff and Terence Kilmartin, there has been no completely new rendering of Proust's French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. As the great story unfolds from its magical opening scenes to its devastating end, it is this Penguin Classics edition of In Search of Lost Time that makes Proust accessible to a new generation. Marcel Proust (1871-1922) is generally viewed as the greatest French novelist and perhaps the greatest European novelist of the 20th century. He lived much of his later life as a reclusive semi-invalid in a sound-proofed flat in Paris, giving himself over entirely to writing his masterpiece In Search of Lost Time (À la recherche du temps perdu). If you enjoyed In Search Of Lost Time, you might like James Joyce's Ulysses, also available in Penguin Modern Classics. 'The latest Penguin Proust is a triumph, and will bring this inexhaustible artwork to new audiences throughout the English-speaking world' Sunday Telegraph

The largest collection of poetry ever assembled in English by “the most important Spanish-language writer since Cervantes” (Mario Vargas Llosa)A Penguin Classics Deluxe Edition with flaps and deckle-edged paperThough universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A beloved multidisciplinary treatise comes to Penguin ClassicsSince its initial publication in 1958, The Poetics of Space has been a muse to philosophers, architects, writers, psychologists, critics, and readers alike. The rare work of irresistibly inviting philosophy, Bachelard’s seminal work brims with quiet revelations and stirring, mysterious imagery. This lyrical journey takes as its premise the emergence of the poetic image and finds an ideal metaphor in the intimate spaces of our homes. Guiding us through a stream of meditations on poetry, art, and the blooming of consciousness itself, Bachelard examines the domestic places that shape and hold our dreams and memories. Houses and rooms; cellars and attics; drawers, chests, and wardrobes; nests and shells; nooks and corners: No space is too vast or too small to be filled by our thoughts and our reveries. In Bachelard’s enchanting spaces, “We are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.”This new edition features a foreword by Mark Z. Danielewski, whose bestselling novel House of Leaves drew inspiration from Bachelard’s writings, and an introduction by internationally renowned philosopher Richard Kearney who explains the book’s enduring importance and its role within Bachelard’s remarkable career.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" (New York Times).These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger's fictional Glass family--as recalled by his closest brother, Buddy."He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..."

Although trained as a philosopher, Simone Weil (1909–43) contributed to a wide range of subjects, resulting in a rich field of interdisciplinary Weil studies. Yet those coming to her work from such disciplines as sociology, history, political science, religious studies, French studies, and women’s studies are often ignorant of or baffled by her philosophical investigations. In Simone Weil: Late Philosophical Writings, Eric O. Springsted presents a unique collection of Weil’s writings, one concentrating on her explicitly philosophical thinking. The essays are drawn chiefly from the time Weil spent in Marseille in 1940-42, as well as one written from London; most have been out of print for some time; three appear for the first time; all are newly translated. Beyond making important texts available, this selection provides the context for understanding Weil's thought as a whole. This volume is important not only for those with a general interest in Weil; it also specifically presents Weil as a philosopher, chiefly one interested in questions of the nature of value, moral thought, and the relation of faith and reason. What also appears through this judicious selection is an important confirmation that on many issues respecting the nature of philosophy, Weil, Wittgenstein, and Kierkegaard shared a great deal.

A visual and written record of the work of pioneer painter-performance artist Carolee Scheemann.Carolee Schneemann is one of the pioneers of performance, installation, and video art. Although other visual artists, such as Salvador Dali and Yves Klein, had used live self-portraiture and performance as a vehicle for public provocation, Schneemann was among the first to use her body to animate the relationship between the world of lived experience and the imagination, as well as issues of the erotic, the sacred, and the taboo. In the 1960s, her work prefigured the feminist movement's sexual self-assertion for women, and by the mid-1970s, her work anticipated the field of women's studies and its critique of patriarchal institutions. In the 1980s, she was one of the first to experiment with virtual environments.Imaging Her Erotics integrates images from Schneemann's works in painting, collage, drawing, and video sculptures with written material drawn from the artist's journals, dream diaries, essays, and lectures. Encompassing four decades of her work, it demonstrates her profound influence on artists in all media. An opening essay by Kristine Stiles presents Schneemann's major themes and places her work in a historical context. Among other topics, the book covers Schneemann's response to the widespread use by artists of the ideas of theoreticians such as Georges Bataille, Jacques Derrida, and Jacques Lacan; her relationship to male artists such as Joseph Cornell, Robert Morris, and Claes Oldenburg; and reminiscences about her friends Ana Mendieta, Charlotte Moorman, and Hannah Wilke. The book also contains essays by Jay Murphy and David Levi-Strauss and interviews with the artist by Kate Haug, Linda Montano, and Aviva Rahmani.

'It was the discovery of the essays celebrating his childhood and youth that altered my perception of Camus, from a thinker to a writer whose intellectual lucidity was a product of the wealth - the sensual immediacy and clarity - that had been heaped on his senses' Geoff DyerAlbert Camus was born in a 'world of poverty and sunshine' in Algeria, which would infuse all of his work. This new collection brings together three volumes of Camus' most intimate autobiographical writings for the first time. The Wrong Side and the Right Side, his first book, describes his family and his early years in a working-class neighbourhood. Nuptials rejoices in the sensuality of sun, landscape and sea, while Summer ranges over the cities of Algiers and Oran, nature and identity. Lyrical and emotional, these pieces enrich our understanding of Camus and his love of life.

Blending intellectual speculation with anecdote and personal reflection, the Renaissance thinker and writer Michel de Montaigne pioneered the modern essay form. This edition contains all of his idiosyncratic and timeless writings on subjects as varied as the virtues of solitude, the power of the imagination, the pleasures of reading, the importance of sleep and why we sometimes laugh and cry at the same things. Montaigne's complete Essays, translated by M. A. Screech, are presented here as a beautifully produced, desirable collector's edition. This oversize volume is printed in two-colour, bound in high-quality rich blue cloth and embellished with gold foil stamped into the design. Michel Eyquem, Seigneur de Montaigne, was born in 1533. He was brought up to speak Latin as his mother tongue and always retained a Latin turn of mind; though he knew Greek, he preferred to use translations. In 1569 he published his French version of the Natural Theology of Raymond Sebond; his Apology is only partly a defence of Sebond and sets sceptical limits to human reasoning about God, man and nature. He retired in 1571 to his lands at Montaigne, devoting himself to reading and reflection and composing his Essays (first version 1580). He loathed the fanaticism and cruelties of the religious wars of the period, but sided with Catholic orthodoxy and legitimate monarchy. He died at Montaigne in 1592 while preparing the final, and richest, edition of his Essays. M. A. Screech is an Emeritus Fellow of All Souls College, Oxford. He is recognised as a world authority on the Renaissance, especially for his studies on Rabelais, Erasmus and Montaigne. His translation of Montaigne was immediately welcomed for its discrete learning and elegance. In recognition of his achievements the French Republic made him a Chevalier dans l'Ordre national du Merite and then a Chevalier dans la Legion d' Honneur.

Just before the outbreak of World War II, young Witold Gombrowicz left his home in Poland and set sail for South America. In 1953, still living as an expatriate in Argentina, he began his Diary with one of literature's most memorable openings:"MondayMe.TuesdayMe.WednesdayMe.ThursdayMe."Gombrowicz's Diary grew to become a vast collection of essays, short notes, polemics, and confessions on myriad subjects ranging from political events to literature to the certainty of death. Not a traditional journal, Diary is instead the commentary of a brilliant and restless mind. Widely regarded as a masterpiece, this brilliant work compelled Gombrowicz's attention for a decade and a half until he penned his final entry in France, shortly before his death in 1969.Long out of print in English, Diary is now presented in a convenient single volume featuring a new preface by Rita Gombrowicz, the author's widow and literary executor. This edition also includes ten previously unpublished pages from the 1969 portion of the diary.

The poems of Charles Baudelaire are filled with explicit and unsettling imagery, depicting with intensity every day subjects ignored by French literary conventions of his time. 'Tableaux parisiens' portrays the brutal life of Paris's thieves, drunkards and prostitutes amid the debris of factories and poorhouses. In love poems such as 'Le Beau Navire', flights of lyricism entwine with languorous eroticism, while prose poems such as 'La Chambre Double' deal with the agonies of artistic creation and mortality. With their startling combination of harsh reality and sublime beauty, formal ingenuity and revolutionary poetic language, these poems, including a generous selection from Les Fleurs du Mal, show Baudelaire as one of the most influential poets of the nineteenth century.