Empfehlungen basierend auf "This Thing Between Us"

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor’s Choice“Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post“Dazzling.” ―Maureen Corrigan, NPR’s Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive.These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

An IndieNext Pick! A Best Book of 2022 in Harper’s Bazaar, Daily Mail, Glamour, and Thrillist!Most Anticipated of 2022 in The Millions, Ms. Magazine, LitHubA young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch.Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.Then there are the humans - the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for - perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry - always hungry.As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans - if she is to find a way to exist in the world. Before any of this, however, she must eat.“Absolutely brilliant – tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten.” -- Ruth Ozeki, Booker-shortlisted author of A Tale for the Time Being

Named a Vogue, Esquire, NPR, Marie Claire, and Refinery29 Best Book of the Year. Perfect for fans of Normal People and Fleabag Great inventiveness, unfailing intelligence and empathy, and best of all a rare and shimmering wit' Richard Ford

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVELA chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist.The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

A young couple's toxic Instagram crush spins out of control and unleashes a sinister creature in this twisted, viciously funny, "bananas good" story (Carmen Maria Machado)."Um, holy shit...This novel will be the most fun you'll have this summer." —Emily Temple, Literary HubRemy and Alicia, a couple of insecure service workers, are not particularly happy together. But they are bound by a shared obsession with Jen, a beautiful former co-worker of Remy’s who now seems to be following her bliss as a globe-trotting jewelry designer. In and outside the bedroom, Remy and Alicia's entire relationship revolves around fantasies of Jen, whose every Instagram caption, outfit, and new age mantra they know by heart.Imagine their confused excitement when they run into Jen, in the flesh, and she invites them on a surfing trip to the Hamptons with her wealthy boyfriend and their group. Once there, Remy and Alicia try (a little too hard) to fit into Jen’s exalted social circle, but violent desire and class resentment bubble beneath the surface of this beachside paradise, threatening to erupt. As small disturbances escalate into outright horror, we find ourselves tumbling with Remy and Alicia into an uncanny alternate reality, one shaped by their most unspeakable, deviant, and intoxicating fantasies. Is this what “self-actualization” looks like?Part millennial social comedy, part psychedelic horror, and all wildly entertaining, A Touch of Jen is a sly, unflinching examination of the hidden drives that lurk just outside the frame of our carefully curated selves.

USA TODAY AND LA TIMES BESTSELLERFinalist for the LA Times Book Prize!“The Cartographers is one of those brilliant books you have to read twice.” — Washington Post“There are echoes of Borges and Bradbury, Pynchon and Finian’s Rainbow, but Ms. Shepherd’s exhilarating and enjoyable work casts a magical glow all its own.” — Wall Street JournalFrom the critically acclaimed author of The Book of M, a highly imaginative thriller about a young woman who discovers that a strange map in her deceased father’s belongings holds an incredible, deadly secret—one that will lead her on an extraordinary adventure and to the truth about her family’s dark history.What is the purpose of a map?Nell Young’s whole life and greatest passion is cartography. Her father, Dr. Daniel Young, is a legend in the field and Nell’s personal hero. But she hasn’t seen or spoken to him ever since he cruelly fired her and destroyed her reputation after an argument over an old, cheap gas station highway map.But when Dr. Young is found dead in his office at the New York Public Library, with the very same seemingly worthless map hidden in his desk, Nell can’t resist investigating. To her surprise, she soon discovers that the map is incredibly valuable and exceedingly rare. In fact, she may now have the only copy left in existence...because a mysterious collector has been hunting down and destroying every last one—along with anyone who gets in the way.But why?To answer that question, Nell embarks on a dangerous journey to reveal a dark family secret and discovers the true power that lies in maps...Perfect for fans of Joe Hill and V. E. Schwab, The Cartographers is an ode to art and science, history and magic—a spectacularly imaginative, modern story about an ancient craft and places still undiscovered.And don't miss The Book of M!

A New York Times Book Review Notable Book of 2017An electrifying first collection from one of the most exciting short story writers of our time"I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David SedarisOttessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel.And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

Hilariously insightful and delightfully suspenseful, Cult Classic is an original: a masterfully crafted tale of love, memory, morality, and mind control, as well as a fresh foray into the philosophy of romance.MOST ANTICIPATED BOOK of 2022 by Glamour, W, Nylon, Fortune, Lit Hub, The Millions, TIME and more!One night in New York City's Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And . . . another. Soon nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past.What would normally pass for coincidence becomes something far stranger as our heroine, the recently engaged Lola, must contend not only with the viability of her current relationship but the fact that both her best friend and her former boss, a magazine editor turned mystical guru, might have an unhealthy investment in the outcome. Memories of the past swirl and converge in ways both comic and eerie, as Lola is forced to decide if she will surrender herself to the conspiring of one very contemporary cult.Is it possible to have a happy ending in an age when the past is ever at your fingertips and sanity is for sale? With her gimlet eye, Sloane Crosley spins a wry literary fantasy that is equal parts page-turner and poignant portrayal of alienation.

Phoebe Waller-Bridge's Fleabag meets Nora Ephron's Heartburn in this savagely funny and perceptive tale of rage and joy, hunger and friendship, bodies and the space they take up in the world.'Supper Club is outrageously good - dark, funny, and joyful. From the first page to the last, it's a delight' Sophie Mackintosh, author of The Water Cure'A bacchanalian homage to women's rage and female friendship' Courtney Maum, author of I Am Having So Much Fun Here Without YouTwenty-nine year old Roberta has spent her whole life hungry - until the day she invents Supper Club.Supper Club is a secret society for hungry women. Women who are sick of bad men and bad sex, of hinted expectations to talk less, take less, be less. So they gather after dark and feast until they are sick. They drink and dance and roar. And, month by month, their bodies expand.At the centre of the Supper Club stands Roberta - cynical yet anxious, precocious and lost. She is seeking the answer to a simple question: if you feed a starving woman, what will she grow into?This is a story about the hunger that never goes away. And it is a story about the people who make us what we are - who lead us astray and ultimately save us. You look hungry. Join the club.