Empfehlungen basierend auf "The Nanny's Secret"

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

In 'Corrag', Susan Fletcher tells us the story of an epic historic event, of the difference a single heart can make - and how deep and lasting relationships can come from the most unlikely places.Other titles:The Highland WitchWitch Light

I'll show you what a woman can do . . .Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

A hauntingly powerful and emotionally charged novel about family secrets, love and loss, identity and belonging.Two children trapped in the same attic, almost a century apart, bound by a shared secret.Early 1900s London: Taken from his homeland, twelve-year-old Celestine spends most of the time locked away in the attic of a large house by the sea. The only time Celestine isn’t bound by confines of the small space is when he is acting as an unpaid servant to English explorer Sir Richard Babbington, As the years pass, he desperately clings on to memories of his family in Africa, even as he struggles to remember his mother’s face, and sometimes his real name . . .1974: Lowra, a young orphan girl born into wealth and privilege whose fortunes have now changed, finds herself trapped in the same attic. Searching for a ray of light in the darkness of the attic, Lowra finds under the floorboards an old-fashioned pen, a porcelain doll, a beaded necklace, and a message carved on the wall, written in an unidentifiable language. Providing comfort for her when all hope is lost, these clues will lead her to uncover the secrets of the attic.

Barbara Erskine returns with this beautiful and haunting tale of dark forces and mystical powers. In present-day Cambridge, Abi, a recently ordained priest of the Church of England, is appointed to a notoriously difficult parish. The priest in charge is the charismatic but fundamentalist Kier. He objects to her mysticism, her practice of healing in particular. When she sees a vision of a congregation in an old church, Kier accuses her of witchcraft, but Abi soon sees more visions; an entire Roman family history, dark with betrayal and a promise of bloody revenge. With foreboding forces building up to violence, Abi must battle the approaching terror along with her own personal demons, drawing upon the expertise of Druidry and shamanism from a questionable source!

Three of Elizabeth Gaskell’s best-loved novels— Cranford, Mr Harrison's Confessions, and My Lady Ludlow—are combined in this witty and poignant look at the market town of Cranford. The railway is pushing its way relentlessly towards the village from Manchester, bringing fears of migrant workers and the breakdown of law and order. The arrival of handsome young Doctor Harrison causes yet further agitation, not just because of his revolutionary methods, but also because of his effect on the hearts of the village’s ladies. Meanwhile Miss Matty Jenkyns nurses her own heart following her forced abandonment of the man she loved since she was a young girl.

AN EPIC FEMINIST RETELLING OF THE WAR OF THE ROSES1431 is a dangerous time for a woman to be defiant.England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root... It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it? Inside closed bedchambers and upon bloody battlefields, Cecily portrays war as women fight it.__________ ACCLAIM FOR CECILY"A startling heroine" Sarah Moss, Summerwater"A vividly female perspective on the Wars of the Roses" Imogen Hermes Gower, The Mermaid and Mr Hancock"Wolf Hall for the 2020s" Manda Scott, Boudica"Absorbing" Times"Has the new Hilary Mantel arrived?" Sunday Telegraph"Masterful and majestic; England's unspoken history told by one brilliant woman through the life of another. This important novel blazes on every page from its brutal first scene to its glittering final act" Chris Cleave, author of Everyone Brave is Forgiven"Entirely absorbing and utterly compelling. Fifteenth century England leaps from the page, with all its political turmoil and bloodshed. I loved it" Caroline Lea, author of The Glass Women"Masterfully written and wholly immersive, with characters that live and breathe. Cecily is a tour de force. I loved every sentence" Joanne Burn, author of The Hemlock Cure"Annie Garthwaite writes about the past with the sort of intimacy, immediacy and empathy that can only come from graft and craft" Toby Clements, author of Kingmaker"BLOODY GREAT. So modern, so political, it could almost be set in Downing Street' KATE SAWYER, author of The Stranding"Shines a light into a dark corner of our history and reclaims the voice and story of a powerful and forgotten woman" Liz Hyder, author of The Gifts"An extraordinary achievement . . .I could touch and breathe Cecily's world as if I was walking in her shadow" Carol McGrath, author of The Silken Rose"Impeccably researched, written with style and shot through with energy, heart and power. A perfectly paced tale of intrigue, influence and victory wrenched from defeat. Cecily has been overlooked for centuries. Not anymore" AJ West, author of The Spirit Engineer

The Grddha Mullicks take pride in the ancient lineage they trace from four hundred years before Christ. They burst with marvellous tales of hangmen and hangings in which the Grddha Mullicks figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. In the present day, Chetna, the youngest member of the family, is appointed the first woman executioner in India. Thrust suddenly into the public eye, Chetna's life explodes under the harsh lights of television cameras. As the day of her first execution approaches, she breaks out of the shadow of a domineering father and the thrall of a brutally manipulative lover, transforming into a charismatic performer in her own right. Meera's spectacular imagination turns the story of Chetna's life into an epic and perverse coming-of-age tale. Will the ardent young woman be able to escape the love that binds her? Will she add lustre to the illustrious name of Grddha Mullick? Or will she succumb to the dazzle of celebrity and the thrill of power over life and death? The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.

A bold, heartfelt tale of life at Green Gables . . . before Anne: A marvelously entertaining and moving historical novel, set in rural Prince Edward Island in the nineteenth century, that imagines the young life of spinster Marilla Cuthbert, and the choices that will open her life to the possibility of heartbreak—and unimaginable greatness. Plucky and ambitious, Marilla Cuthbert is thirteen years old when her world is turned upside down. Her beloved mother dies in childbirth, and Marilla suddenly must bear the responsibilities of a farm wife: cooking, sewing, keeping house, and overseeing the day-to-day life of Green Gables with her brother, Matthew and father, Hugh. In Avonlea—a small, tight-knit farming town on a remote island—life holds few options for farm girls. Her one connection to the wider world is Aunt Elizabeth "Izzy" Johnson, her mother’s sister, who managed to escape from Avonlea to the bustling city of St. Catharines. An opinionated spinster, Aunt Izzy’s talent as a seamstress has allowed her to build a thriving business and make her own way in the world. Emboldened by her aunt, Marilla dares to venture beyond the safety of Green Gables and discovers new friends and new opportunities. Joining the Ladies Aid Society, she raises funds for an orphanage run by the Sisters of Charity in nearby Nova Scotia that secretly serves as a way station for runaway slaves from America. Her budding romance with John Blythe, the charming son of a neighbor, offers her a possibility of future happiness—Marilla is in no rush to trade one farm life for another. She soon finds herself caught up in the dangerous work of politics, and abolition—jeopardizing all she cherishes, including her bond with her dearest John Blythe. Now Marilla must face a reckoning between her dreams of making a difference in the wider world and the small-town reality of life at Green Gables.

Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.