Empfehlungen basierend auf "The Great Divide: A Novel"

Carlos Ruiz Zafon's haunting gothic mystery, which has long been a cult classic in Spain and is now an international bestseller.   "We all have a secret buried under lock and key in the attic of our soul. This is mine."   Fifteen-year-old Oscar Drai meets the strange Marina while he's out exploring an old quarter of Barcelona. She leads Oscar to a cemetery, where they watch a macabre ritual that occurs on the last Sunday of each month. At exactly 10 o'clock in the morning, a woman shrouded in a black velvet cloak descends from her carriage to place a single rose on an unmarked grave.   When Oscar and Marina decide to follow her, they begin a journey that transports them to a forgotten postwar Barcelona—a world of aristocrats and actresses, inventors and tycoons—and reveals a dark secret that lies waiting in the mysterious labyrinth beneath the city streets.

This handy dictionary provides detailed, reliable information on standard Spanish pronunciation, covering the distinctive words and meanings unique to Central and South America, as well as the Caribbean. It is a useful guide for anyone interested in the Spanish spoken and written in Latin America.

The great novel of the PhilippinesIn more than a century since its appearance, José Rizal's Noli Me Tangere has become widely known as the great novel of the Philippines. A passionate love story set against the ugly political backdrop of repression, torture, and murder, "The Noli," as it is called in the Philippines, was the first major artistic manifestation of Asian resistance to European colonialism, and Rizal became a guiding conscience—and martyr—for the revolution that would subsequently rise up in the Spanish province.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.

The “propulsive and mesmerizing” (The New York Times Book Review) story collection by the International Booker-shortlisted author of The Dangers of Smoking in BedThe short stories of Mariana Enriquez are:“The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro“Phenomenal.”—Vanity Fair“Violent and cool, told in voices so lucid they feel spoken.”—The Boston GlobeONE OF THE BEST BOOKS OF THE YEAR: Boston Globe, Paste, Words Without Borders, Grub Street, Remezcla, EntropyElectric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves, and regrets, there is also friendship, compassion, and humor.In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire.Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories explore what happens when our darkest desires are left to roam unchecked and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.   Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina ApostolA New York Times Book Review Editor's ChoiceNick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play, A Portrait of the Artist as Filipino. As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work.Introduction and Suggestions for Further Reading by Vicente L. RafaelFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them togetherThey refer to themselves as “las Madres,” a close-knit group of women who, with their daughters, have created a family based on friendship and blood ties.Their story begins in Puerto Rico in 1975 when fifteen-year-old Luz, the tallest girl in her dance academy and the only Black one in a sea of petite, light-skinned, delicate swans, is seriously injured in a car accident. Tragically, her brilliant, multilingual scientist parents are both killed in the crash. Now orphaned, Luz navigates the pressures of adolescence and copes with the aftershock of a brain injury, when two new friends enter her life, Ada and Shirley. Luz’s days are consumed with aches and pains, and her memory of the accident is wiped clean, but she suffers spells that send her mind to times and places she can’t share with others.In 2017, in the Bronx, Luz’s adult daughter, Marysol, wishes she better understood her. But how can she when her mother barely remembers her own life? To help, Ada and Shirley’s daughter, Graciela, suggests a vacation in Puerto Rico for the extended group, as an opportunity for Luz to unearth long-buried memories and for Marysol to learn more about her mother’s early life. But despite all their careful planning, two hurricanes, back-to-back, disrupt their homecoming, and a secret is revealed that blows their lives wide open. In a voice that sings with warmth, humor, friendship, and pride, celebrated author Esmeralda Santiago unspools a story of women’s sexuality, shame, disability, and love within a community rocked by disaster.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.