Empfehlungen basierend auf "The Disappearing Act"

One Hundred Years of Solitude

Told in an irresistible, heartrending voice, Bad Habit takes us deep into the lives of the residents of a godforsaken Madrid neighbourhood ironically named after a holy saint.An unnamed young trans woman grows up in a working class suburb that has no place for her. She discovers community and kinship in downtown Madrid, amid a lively party scene animated by junkies, pop divas, and fallen angels. But with each step she takes forward, she finds herself confronted by a violence she does not yet know how to counter; in this thrilling and yet often terrifying world each choice can truly be a matter of life and death.Blistering and compassionate, Bad Habit by Alana S Portero is translated by Mara Faye Lethem, and deftly illuminates the ties between gender and class, the search for identity, and the power of sisterhood. Shimmering in its lyrical beauty and vivid in its realism, Bad Habit is a mesmerising story of self-realisation that speaks to the outsider in all of us.

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE“Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book ReviewFor Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

The “propulsive and mesmerizing” (The New York Times Book Review) story collection by the International Booker-shortlisted author of The Dangers of Smoking in BedThe short stories of Mariana Enriquez are:“The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro“Phenomenal.”—Vanity Fair“Violent and cool, told in voices so lucid they feel spoken.”—The Boston GlobeONE OF THE BEST BOOKS OF THE YEAR: Boston Globe, Paste, Words Without Borders, Grub Street, Remezcla, EntropyElectric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves, and regrets, there is also friendship, compassion, and humor.In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire.Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories explore what happens when our darkest desires are left to roam unchecked and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.

In this long-awaited first volume of a planned trilogy, the most acclaimed and revered living Nobel laureate begins to tell us the story of his life.Like all his work, Living to Tell the Tale is a magnificent piece of writing. It spans Gabriel García Márquez’s life from his birth in 1927 through the start of his career as a writer to the moment in the 1950s when he proposed to the woman who would become his wife. It has the shape, the quality, and the vividness of a conversation with the reader—a tale of people, places, and events as they occur to him: the colorful stories of his eccentric family members; the great influence of his mother and maternal grandfather; his consuming career in journalism, and the friends and mentors who encouraged him; the myths and mysteries of his beloved Colombia; personal details, undisclosed until now, that would appear later, transmuted and transposed, in his fiction; and, above all, his fervent desire to become a writer. And, as in his fiction, the narrator here is an inspired observer of the physical world, able to make clear the emotions and passions that lie at the heart of a life—in this instance, his own.Living to Tell the Tale is a radiant, powerful, and beguiling memoir that gives us the formation of Gabriel García Márquez as a writer and as a man.

New York Times Bestseller"Packed with suspense. . . a gripping edge-of-your-seat thriller.” — Washington Book ReviewThe internationally acclaimed, New York Times bestselling author returns to the magnificent universe he constructed in his bestselling novels The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven in this riveting series finale—a heart-pounding thriller and nail-biting work of suspense which introduces a sexy, seductive new heroine whose investigation shines a light on the dark history of Franco’s Spain.In this unforgettable final volume of Ruiz Zafón’s cycle of novels set in the universe of the Cemetery of Forgotten Books, beautiful and enigmatic Alicia Gris, with the help of the Sempere family, uncovers one of the most shocking conspiracies in all Spanish history.Nine-year-old Alicia lost her parents during the Spanish Civil War when the Nacionales (the fascists) savagely bombed Barcelona in 1938. Twenty years later, she still carries the emotional and physical scars of that violent and terrifying time. Weary of her work as an investigator for Spain’s secret police in Madrid, a job she has held for more than a decade, the twenty-nine-year old plans to move on. At the insistence of her boss, Leandro Montalvo, she remains to solve one last case: the mysterious disappearance of Spain’s Minister of Culture, Mauricio Valls.With her partner, the intimidating policeman Juan Manuel Vargas, Alicia discovers a possible clue—a rare book by the author Victor Mataix hidden in Valls’ office in his Madrid mansion. Valls was the director of the notorious Montjuic Prison in Barcelona during World War II where several writers were imprisoned, including David Martín and Victor Mataix. Traveling to Barcelona on the trail of these writers, Alicia and Vargas meet with several booksellers, including Juan Sempere, who knew her parents.As Alicia and Vargas come closer to finding Valls, they uncover a tangled web of kidnappings and murders tied to the Franco regime, whose corruption is more widespread and horrifying than anyone imagined. Alicia’s courageous and uncompromising search for the truth puts her life in peril. Only with the help of a circle of devoted friends will she emerge from the dark labyrinths of Barcelona and its history into the light of the future.In this haunting novel, Carlos Ruiz Zafón proves yet again that he is a masterful storyteller and pays homage to the world of books, to his ingenious creation of the Cemetery of Forgotten, and to that magical bridge between literature and our lives.

The award-winning biography of an undocumented teen mother's struggle with US immigration: "A rich, novelistic [and] illuminating work of literature" (Michelle Goldberg, The New York Times Book Review). One of Esquire's 50 Best Biographies of All Time In 1987, Aida Hernandez was born in Agua Prieta, Mexico. At the time, the nearby US border was little more than a worn-down fence. Eight years later, Aida's mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at sixteen, dreamed of teaching dance and moving with her son to New York City. Instead, Aida was separated from her son and deported to a Mexican city marked by violence. The daughter of a rebel hero from the mountains of Chihuahua, Aida embarked on a harrowing journey to reunite with her son. But returning to the United States was just the beginning of her quest. Taking us into detention centers, immigration courts, and the inner lives of Aida and other daring characters, The Death and Life of Aida Hernandez reveals the human consequences of militarizing what was once a more forgiving border. Author Aaron Bobrow-Strain brings us into the heart of a violently unequal America, showing that the people caught in today's immigrations wars are flawed, complex humans who deserve justice and empathy. Winner of the 2020 Pacific Northwest Book Award Winner of the 2020 Washington State Book Award Named a 2019 Southwest Book of the Year

Shortlisted for the Goldsmiths Prize & the Orwell Prize for Fiction A Sunday Times Fiction Book of the Year 'a serious accomplishment' Sunday Times 'vivid and expansive' Sophie Mackintosh 'a lyrical celebration' TLS 'a glorious, poetic feat' Bolu Babalola This is a novel about two women - Melissa and Catarina. Catarina is born to a well-known political family in Brazil. Melissa, a South London native, is brought up by her mum and a crew of rebellious grandmothers. In 2016, they meet for the first time. Their story takes us across continents and generations. In it we see sisterhood and queerness, and, perhaps, glimpse a better way to live.

It is November 25, 1960, and the bodies of three beautiful, convent-educated sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. El Caribe, the official newspaper, reports their deaths as an accident. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Raphael Leonidas Trujillo's dictatorship. It doesn't have to. Everyone knows of Las Mariposas - "The Butterflies." Now, three decades later, Julia Alvarez, also a daughter of the Dominican Republic and long haunted by these sisters, immerses us in a tangled and dangerous moment in Hispanic Caribbean history to tell their story in the only way it can truly be understood - through fiction. In this brilliantly characterized novel, the voices of all four sisters - Minerva, Patria, Maria Teresa, and Dede - speak across the decades, to tell their own stories - from hair ribbons to gunrunning to prison torture - and to describe the everyday horrors of life under Trujillo's rule. The Butterflies were extraordinary women. Minerva, once the object of the dictator's desire, had dared to publicly slap his face. Devout Patria found her calling to the uprising through the church. Alluring - and vain - Maria Teresa joined in pursuit of romance. Only Dede, the practical one, the most diligent in her duty to family and tradition, kept apart. And only she survived to see that their names were remembered. Now, through the art and magic of Julia Alvarez's imagination, the martyred Butterflies live again. And Dede joins them as a heroine of equal courage.

Diego, the deaf-mute son of Mexican migrant workers, and his pseudo-yuppie sister, Helen, find their lives transformed when Helen's roommate, a dedicated AIDS nurse, discovers she has the ability for out-of-body travel