Empfehlungen basierend auf "Stranger in a Strange Land"

Published to worldwide critical acclaim, with more than one million copies already in print, this is the lush, wondrous story of an unrequited love that survives half a century and more than 600 distractions.

A passionate but unsentimental depiction of conflict between classes, sexes and generationsStruggling manufacturer Robert Moore has introduced labour saving machinery to his Yorkshire mill, arousing a ferment of unemployment and discontent among his workers. Robert considers marriage to the wealthy and independent Shirley Keeldar to solve his financial woes, yet his heart lies with his cousin Caroline, who, bored and desperate, lives as a dependent in her uncle's home with no prospect of a career. Shirley, meanwhile, is in love with Robert's brother, an impoverished tutor - a match opposed by her family. As industrial unrest builds to a potentially fatal pitch, can the four be reconciled? Set during the Napoleonic wars at a time of national economic struggles, Shirley (1849) is an unsentimental, yet passionate depiction of conflict between classes, sexes and generations.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“A master of laugh-out-loud fiction . . . Pratchett has created an alternate universe full of trolls, dwarfs, wizards, and other fantasy elements, and he uses that universe to reflect our own culture with entertaining and gloriously funny results. . . . Nothing short of magical.” —Chicago TribuneIn this first novel in the internationally bestselling Discworld series from legendary New York Times bestselling author Sir Terry Pratchett (and the first in the Wizards collection), the fate of the Discworld depends on the survival of a naïve—and first-ever—sightseer.A writer of brilliant imagination favorably compared to Mark Twain, Kurt Vonnegut, and Douglas Adams, Sir Terry Pratchett created a complex, satirical universe with its own set of cultures and rules, populated with wizards, witches, academics, fairies, policemen, and other creatures both fantastical and remarkably ordinary (including Death himself). Welcome to the Discworld . . . a parallel time and place that sounds very much like our own, but looks completely different—because it’s a flat world sitting on the backs of four elephants who hurtle through space balanced on a giant turtle.In this, the maiden voyage through Terry Pratchett’s ingeniously twisted alternate dimension, the well-meaning but spectacularly inept wizard Rincewind encounters something previously unknown in the Discworld: a tourist!Twoflower has arrived to take in the sights. Unfortunately, he’s cast his lot with a most inappropriate tour guide—a decision that could result in his becoming not only Discworld’s first visitor . . . but quite possibly, its last. And, of course, he’s brought Luggage along, a companion with feet—and a mind—of its own. And teeth. . . .The Discworld novels can be read in any order, but the Wizards collection includes: The Color of Magic The Light Fantastic Sourcery Eric Interesting Times The Last Continent Unseen Academicals

Joseph Conrad's haunting Modernist masterpiece, now in the beautifully designed Penguin Clothbound Classics series Heart of Darkness has been considered for most of this century as a literary classic, and also a powerful indictment of the evils of imperialism. It reflects the savage repressions carried out in the Congo by the Belgians in one of the largest acts of genocide committed up to that time. Conrad's narrator encounters at the end of the story a man named Kurtz, dying, insane, and guilty of unspeakable atrocities. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature.

#1 NEW YORK TIMES BESTSELLER • “Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies.”—Entertainment WeeklyWe survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the pandemic.The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.THE INSPIRATION FOR THE MAJOR MOTION PICTURE“Will spook you for real.”—The New York Times Book Review“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today“Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick“Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News

Meet Thursday Next, literary detective without equal, fear or boyfriendJasper Fforde’s beloved New York Times bestselling novel introduces literary detective Thursday Next and her alternate reality of literature-obsessed England—from the author of The Constant RabbitFans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it’s a bibliophile’s dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection. But when someone begins kidnapping characters from works of literature and plucks Jane Eyre from the pages of Brontë's novel, Thursday is faced with the challenge of her career. Fforde's ingenious fantasy—enhanced by a Web site that re-creates the world of the novel—unites intrigue with English literature in a delightfully witty mix.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Midnight's Children is a loose allegory for events in India both before and, primarily, after the independence and partition of India, which took place at midnight on 15 August 1947. The protagonist and narrator of the story is Saleem Sinai, a telepath with an extraordinary nose. The first section details both the peculiar roots of the Sinai family and the earlier events leading up to India's Independence and Partition, connecting the two both lines literally and allegorically. Saleem is born at the exact moment that India becomes independent. From that point on, Saleem Sinai feels the pressure of his chronology and invests his life and narrative into describing the zeitgeist of his child- and adulthood

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.