Empfehlungen basierend auf "Slouching Towards Bethlehem"

WINNER of THE ORWELL PRIZE FOR FICTION 2021LONGLISTED for THE WOMEN'S PRIZE 2021 and the HIGHLAND BOOK PRIZE2020 Book of the Year according to the Spectator, TLS, New Statesman and Financial TimesDiscover Ali Smith's dazzling, once-in-a-generation series, the Seasonal Quartet, a tour-de-force cycle of novels about love, time, art, politics, and how we live right nowAll four instalments of the quartet are available to buy and read in paperback and ebook now: Autumn, Winter, Spring and Summer'Exquisite. Smith is in a class of her own' Nicola SturgeonIn the present, Sacha knows the world's in trouble. Her brother Robert just is trouble. Their mother and father are having trouble. Meanwhile the world's in meltdown - and the real meltdown hasn't even started yet. In the past, a lovely summer. A different brother and sister know they're living on borrowed time.This is a story about people on the brink of change. They're family, but they think they're strangers. So: where does family begin? And what do people who think they've got nothing in common have in common?Summer.'The first great coronavirus novel - a book to savour, a literary tour de force that captures the nation's psyche exquisitely' Evening Standard'An astonishing finale to a prescient series . . . Ali Smith brilliantly weaves strands of joy and celebration to end her Seasonal Quartet' Irish Times'A maestra's portrait of her age . . . remarkable' Guardian

In this collection of short stories, originally published in 1974, Grace Paley "makes the novel as a form seem virtually redundant" (Angela Carter, London Review of Books). Her stories here capture "the itch of the city, love between parents and children" and "the cutting edge of combat" (Lis Harris, The New York Times Book Review). In this collection of seventeen stories, she creates a "solid and vital fictional world, cross-referenced and dense with life" (Walter Clemons, Newsweek).

In this brilliant selection of essays, the award-winning, best-selling author of The Handmaid's Tale and The Testaments offers her funny, erudite, endlessly curious, and uncannily prescient take on everything from whether or not The Handmaid’s Tale is a dystopia to the importance of how to define granola—and seeks answers to Burning Questions such as...• Why do people everywhere, in all cultures, tell stories? Including thoughts on the writing of The Handmaid’s Tale, The Testaments, Oryx & Crake, and Atwood's other beloved works.• How much of yourself can you give away without evaporating?• How can we live on our planet?• Is it true? And is it fair?• What do zombies have to do with authoritarianism?In more than fifty pieces, Atwood aims her prodigious intellect and impish humor at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump, and a pandemic. From when to dispense advice to the young (answer: only when asked) to Atwood’s views on the climate crisis, we have no better guide to the many and varied mysteries of our universe.

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tar, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic - and the meaning of 'the commons' in all our lives. Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

Winner of the 2019 Whirling Prize “Strong on science but just this side of poetry.” —Nature  A beautifully illustrated exploration of the principles, laws, and wonders that rule our universe, our world, and our daily lives, from the New York Times bestselling creator of Lost in Translation Have you ever found yourself wondering what we might have in common with stars, or why the Moon never leaves us? Thinking about the precise dancing of planets, the passing of time, or the nature of natural things?  Our world is full of unshakable mystery, and although we live in a civilization more complicated than ever, there is simplicity and reassurance to be found in knowing how and why.   From the New York Times bestselling creator of Lost in Translation, Eating the Sun is a delicately existential, beautifully illustrated, and welcoming exploration of the universe—one that examines and marvels at the astonishing principles, laws, and phenomena that we exist alongside, that we sit within. “[A] lyrical and luminous celebration of science and our consanguinity with the universe. . . . Playful and poignant.” —Brain Pickings

A Times book of the year A Guardian book of the year 'Magnificent'The Times 'Dazzling' New Statesman 'It filled me with hope' Zadie Smith We are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker's brightest young talent, explores her own coming of age in this warped and confusing landscape. From the rise of the internet to her own appearance on an early reality TV show; from her experiences of ecstasy – both religious and chemical – to her uneasy engagement with our culture's endless drive towards 'self-optimisation'; from the phenomenon of the successful American scammer to her generation's obsession with extravagant weddings, Jia Tolentino writes with style, humour and a fierce clarity about these strangest of times. Following in the footsteps of American luminaries such as Susan Sontag, Joan Didion and Rebecca Solnit, yet with a voice and vision all her own, Jia Tolentino writes with a rare gift for elucidating nuance and complexity, coupled with a disarming warmth. This debut collection of her essays announces her exactly the sort of voice we need to hear from right now – and for many years to come.

This first collection of fifteen stories deals with the strategies of emotional survival and offers sharp, brittle, and intelligent looks at staying alive, at how to manage a life truly one's own, and how to resist becoming a victim

Indhold: A perfect day for bananafish ; Uncle Wiggily in Connecticut ; The laughing man ; Down at the Dinghy ; Just before the war with the Eskimos ; For Esmé - with love and squalor ; Pretty mouth and green my eyes ; De Daumier-Smith's blue period ; Teddy.

'Extraordinary . . . It will touch your heart and mind in ways you will not see coming' JANICE HALLETT 'And that's why I want to be called Scout' 'It's most unusual, said Clock. 'She's the one who listens and learns,' Scout said. 'She's like me.' She paused and set her voice to pensive. 'You already have names. I'd like one too.' In a self-running smart house, a young sentient hoover listens as her owner, Harold, reads aloud to his dying wife, Edie. Mesmerized by To Kill a Mockingbird and craving human connection, the little vacuum renames herself Scout and embarks on a journey of self-discovery. But when Edie passes away, Scout and her fellow appliances discover that the omnipresent Grid, which monitors every household in the City, wants to displace Harold from the home he's lived in for fifty years. With the help of a neighbourhood boy, and Harold and Edie's daughter, the humans and the appliances must come together to outwit the Grid before they lose everything they hold dear. . .

In her new essay collection, the beloved author of High Tide in Tucson brings to us out of one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter. Whether she is contemplating the Grand Canyon, her vegetable garden, motherhood, adolescence, genetic engineering, TV-watching, the history of civil rights, or the future of a nation founded on the best of all human impulses, these essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in those places, too. In the voice Kingsolver's readers have come to rely on—sometimes grave, occasionally hilarious, and ultimately persuasive—Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.