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*THE TOP 10 SUNDAY TIMES BESTSELLER*'One of this summer's most buzzed about books (and one that might just change your life)' Sunday TimesAfter years of feeling that love was always out of reach, journalist Natasha Lunn set out to understand how relationships work and evolve over a lifetime. She turned to authors and experts to learn about their experiences, as well as drawing on her own, asking: How do we find love? How do we sustain it? And how do we survive when we lose it?In Conversations on Love she began to find the answers:Philippa Perry on falling in love slowlyDolly Alderton on vulnerabilityStephen Grosz on accepting changeCandice Carty-Williams on friendshipLisa Taddeo on the loneliness of lossDiana Evans on parenthoodEmily Nagoski on the science of sexAlain de Botton on the psychology of being aloneEsther Perel on unrealistic expectationsRoxane Gay on redefining romanceand many more...'A gorgeous, richly layered book about all forms of love. You can pick it up and turn to any page - literally any - and find a gem to soothe and fortify your soul' Pandora Sykes, Sunday Times bestselling author of 'How Do We Know We're Doing It Right?''Hopeful and uplifting... this deep dive into the human heart will expand and enrich your perspective on love' Evening Standard'This eclectic and heartwarming collection explores love in all its forms, from romantic and parental love to friendship and loss'Observer'Conversations on Love is a glorious celebration of human vulnerability and connection. It has made me laugh, shed tears, think deeply. I want every person I love to read this book' Dr Kathryn Mannix, Sunday Times bestselling author of WITH THE END IN MIND

Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women who challenge male dominance. And it's compatible with rewarding "the good ones," and singling out other women to serve as warnings to those who are out of order. It's also common for women to serve as scapegoats, be burned as witches, and treated as pariahs.Manne examines recent and current events such as the Isla Vista killings by Elliot Rodger, the case of the convicted serial rapist Daniel Holtzclaw, who preyed on African-American women as a police officer in Oklahoma City, Rush Limbaugh's diatribe against Sandra Fluke, and the "misogyny speech" of Julia Gillard, then Prime Minister of Australia, which went viral on YouTube. The book shows how these events, among others, set the stage for the 2016 US presidential election. Not only was the misogyny leveled against Hillary Clinton predictable in both quantity and quality, Manne argues it was predictable that many people would be prepared to forgive and forget regarding Donald Trump's history of sexual assault and harassment. For this, Manne argues, is misogyny's oft-overlooked and equally pernicious underbelly: exonerating or showing "himpathy" for the comparatively privileged men who dominate, threaten, and silence women.

A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor’s Choice“Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post“Dazzling.” ―Maureen Corrigan, NPR’s Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive.These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

'I COULDN'T PUT IT DOWN' SHON FAYE 'A MASTERPIECE. THIS SEARING TALE OF LOVE, SEX AND CLASS WILL RESONATE FOR GENERATIONS TO COME' OWEN JONES 'Intoxicating.' Irish Times 'Electric and intimate' Guardian 'The ultimate summer read' Stylist Summer in London stops for no-one. Not the half-naked boozers, stoners, and cruisers, the hen parties glugging from bejewelled bottles, the drag queens puffing on hurried fags. It's June 2019, and everyone has converged on the city's parks, beer gardens and street corners to revel in the collective joys of being alive. Everyone but Maggie. She's 30, pregnant and broke. Faced with moving back to the town she fought to escape, she's wondering if having a baby with boyfriend Ed will be the last spontaneous act of her life. Ed, meanwhile, is trying to run from his past with Maggie's best friend Phil and harbouring secret dreams of his own. Phil hates his office job and is living for the weekend, while falling for his housemate, Keith. But there's a problem: Keith has a boyfriend and there might not be room for three people in the relationship. Then there's Rosaleen, Phil's mother, who's tired of feeling like a side character in her own life. She's just been diagnosed with cancer and is travelling to London to tell Phil, if she can ever get hold of him. As Saturday night approaches, all their lives are set to change forever. It's the hottest summer on record and the weekend is about to begin... One of the hottest debuts of 2024, as featured in GUARDIAN, GQ, ESQUIRE, THE BOOKSELLER, IRISH TIMES, INDEPENDENT, THE SKINNY, HERO MAGAZINE, PUBLISHERS WEEKLY

INTERNATIONAL BESTSELLER • Recommended by the Today show, People, Elle, Good Housekeeping, Parade, Harper's Bazaar, and more!“Like a donut in a break room: unexpected, surprisingly sweet, and totally made my day. Which is to say: I devoured it! . . . Fans of The Office will delight.” — SHELBY VAN PELT, New York Times bestselling author of Remarkably Bright Creatures"This book is snarky and funny, and then it sneaks up on you by being way deeper and more emotional than you’d guess . . . I could not put it down.” — JULIA QUINN, #1 New York Times bestselling author of the Bridgerton seriesIn this wildly funny and heartwarming office comedy, an admin worker accidentally gains access to her colleagues’ private emails and DMs and decides to use this intel to save her job—a laugh-till-you-cry debut novel you’ll be eager to share with your entire list of contacts, perfect for fans of Anxious People and Eleanor Oliphant Is Completely Fine.As far as Jolene is concerned, her interactions with her colleagues should start and end with her official duties as an admin for Supershops, Inc. Unfortunately, her irritating, incompetent coworkers don’t seem to understand the importance of boundaries. Her secret to survival? She vents her grievances in petty email postscripts, then changes the text color to white so no one can see. That is until one of her secret messages is exposed. Her punishment: sensitivity training (led by the suspiciously friendly HR guy, Cliff) and rigorous email restrictions.When an IT mix-up grants her access to her entire department’s private emails and DMs, Jolene knows she should report it, but who could resist reading what their coworkers are really saying? And when she discovers layoffs are coming, she realizes this might just be the key to saving her job. The plan is simple: gain her boss’s favor, convince HR she’s Supershops material, and beat out the competition.But as Jolene is drawn further into her coworkers' private worlds and realizes they are each keeping secrets, her carefully constructed walls begin to crumble—especially around Cliff, who she definitely cannot have feelings for. Eventually she will need to decide if she’s ready to leave the comfort of her cubicle, even if that means coming clean to her colleagues.Crackling with laugh-out-loud dialogue and relatable observations, I Hope This Finds You Well is a fresh and surprisingly tender comedy about loneliness and love beyond our computer screens. This sparkling debut novel will open your heart to the everyday eccentricities of work culture and the undeniable human connection that comes along with it."Wickedly funny . . . This sparkling debut will have you snickering in the break room." — PEOPLE“Snarky, romantic, and wickedly heartfelt . . . If you’re looking for your next favorite read, this book has everything—vengeful coworkers, fake engagements, and a hero with a heart of gold. Natalie Sue’s debut is an absolute stunner!” — ASHLEY POSTON, New York Times bestselling author of The Dead Romantics

One of The New York Times Top 10 Books of the YearWinner of the An Post Irish Book of the Year, the Nero Gold Prize, and the Nero Book Award for FictionShortlisted for the Booker Prize and the Writers' Prize for FictionFinalist for the Kirkus Prize for FictionOne of The New Yorker's Essential Reads of 2023. One of The Washington Post's 10 Best Books of 2023. One of TIME's 10 Best Fiction Books of the Year. Named a Best Book of the Year by NPR, The Guardian, The Economist, New York Public Library, BBC, and more.From the author of Skippy Dies comes Paul Murray's The Bee Sting, an irresistibly funny, wise, and thought-provoking tour de force about family, fortune, and the struggle to be a good person when the world is falling apart.The Barnes family is in trouble. Dickie’s once-lucrative car business is going under―but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.If you wanted to change this story, how far back would you have to go? To the infamous bee sting that ruined Imelda’s wedding day? To the car crash one year before Cass was born? All the way back to Dickie at ten years old, standing in the summer garden with his father, learning how to be a real man?The Bee Sting, Paul Murray’s exuberantly entertaining new novel, is a tour de force: a portrait of postcrash Ireland, a tragicomic family saga, and a dazzling story about the struggle to be good at the end of the world.

NATIONAL BESTSELLER“Every sentence of Monica Heisey’s writing is a treat. No one makes me laugh like she does.” —Dolly Alderton, New York Times bestselling author of Everything I Know About LoveRecommended by Los Angeles Times • Washington Post • GQ• Elle • Good Morning America • People • Guardian • The Times • E! News Online • The Globe and Mail • Toronto Star • The Week • New York Post • Shondaland • and many more!A hilarious and painfully relatable debut novel about one woman’s messy search for joy and meaning in the wake of an unexpected breakup, from comedian, essayist, and award-winning screenwriter Monica HeiseyMaggie is fine. She’s doing really good, actually. Sure, she’s broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée™.Now she has time to take up nine hobbies, eat hamburgers at 4 am, and “get back out there” sex-wise. With the support of her tough-loving academic advisor, Merris; her newly divorced friend, Amy; and her group chat (naturally), Maggie barrels through her first year of single life, intermittently dating, occasionally waking up on the floor and asking herself tough questions along the way.Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call “happiness”. This is a remarkable debut from an unforgettable new voice in fiction.“A prime example of how a storyteller's voice can pull you right in and keep you clinging to every sentence. . . . This is a book I will give to my closest girlfriends and say, ‘You have to read this.’” — Zibby Owens, GoodMorningAmerica.com“Tremendously funny and thoughtful.” –GQ

A NATALIE PORTMAN BOOK CLUB PICKFINALIST FOR THE 2022 LA TIMES ART SEIDENBAUM AWARD FOR FIRST FICTION.“The electrifying fiction debut that has been called ‘a modern Mrs. Dalloway.’”—THE ATLANTIC"Mind-bending and utterly original."—Brandon Taylor“Slim in the hand, but its impact is massive.”—Ali SmithOne woman. One day. One decision. A blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo)Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

Heralding the arrival of “a huge literary talent” (Karl Ove Knausgaard), Megan Nolan’s riveting debut is “a blistering anti-romance” (Catherine Lacey) about love addiction and what it does to us.Wouldn’t I do anything to reverse my loss, the absence of him?In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her…Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it?Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability."Hot as viscera." —The New Republic

When a 10-year-old child is suspected of a violent crime, her family must face the truth about their past in this haunting, propulsive, psychologically keen story about class, trauma, and family secrets from "huge literary talent" (Karl Ove Knausgaard) and internationally bestselling author Megan Nolan. It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" -- ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples": the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's nowhere for her to go and no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.