Empfehlungen basierend auf "Roadside Picnic"

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan, unicorn skulls and voracious librarians, John Coltrane and Lord Jim. Science fiction, detective story and post-modern manifesto all rolled into one rip-roaring novel, Hard-boiled Wonderland and the End of the World is the tour de force th

Both Joseph K in The Trial and K in The Castle are victims of anonymous governing forces beyond their control. Both are atomized, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle, and so belong somewhere. Both novels may be read as powerful allegories of totalitarian government. In America, Karl Rossman experiences Oedipal and cultural isolation, and finds that “America” is never quite as real as it seems.

"A thoughtful, intricate, ambivalent novel with the reach of greatness in it." —John Updike"It is impossible to do justice here to the subtleties, comedy, and wisdom of this very beautiful novel. Milan Kundera is an artist, clearly one of the best to be found anywhere, who says that the good (and evil) that issues from men's souls matters much more than the deeds of a State. And he says it with passion, with good humor, and with love." —Salman RushdieAll too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, more than a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Milan Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence.This edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality."There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world."His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.

A series of lectures which Italo Calvino wrote in the final year of his life. Drawing on the works of Lucretius, Ovid, Boccaccio, Flaubert, Kundera, Perec and many more, he pinpoints the universal laws and literary lightness, quickness, exactitude, visibility and multiplicity.

Sum is a stunning exploration of funny and unexpected afterlives that have never been considered—each presented as a vignette that offers a lens through which to see ourselves here and now. In one afterlife, you find that God is the size of a microbe and is unaware of your existence. In another, you work as a background character in other people's dreams. Or you may find that the afterlife contains only those people whom you remember. The stories in Sum are rooted in romance, science, and awe: a mixture of death, hope, computers, immortality, love, biology, and desire that cuts through human nature at new and exciting angles.

Roithamer has committed suicide having been driven to madness by his own frightening powers of pure thought. We witness the gradual breakdown of a genius ceaselessly compelled to correct and refine his perceptions until the only logical conclusion of the negation of his own soul.

The Futurological Congress is the fourth satirical science fiction novel in the Memoirs of Ijon Tichy series from Kafka Prize–winning author Stanislaw Lem.“Nobody can really know the future. But few could imagine it better than Lem.”—Paris ReviewBringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure—a future whose strangeness exceeds anything the congress conjectured.Translated by Michael Kandel.“A vision of Earth’s future where the authorities dose the population with ‘psychemicals’ to make life in a desperately over-populated world worth living.”—Boston Globe

A brilliantly crafted collection of stories from celebrated science fiction writer Stanislaw Lem Trurl and Klaupacius are constructor robots who try to out-invent each other. Over the course of their adventures inThe Cyberiad, they travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their unsuspecting employers. Playfully written, and ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

"Set in the eighteenth century, it tells the story of Cosimo, a young Italian nobleman who rebels against parental authority by climbing into the trees and remaining there for the rest of his life. He adapts efficiently to an arboreal existence - hunts, sows crops, plays games with earth-bound friends, fights forest fires, solves engineering problems, and even manages to have love affairs. He also has time to read and think. His proposal for 'an Ideal State in the Trees' is acknowledged by Diderot, and Napoleon pays him homage. From his perch in the trees, Cosimo sees the age of Voltaire pass by and a new century dawn. His ending is as graceful and unusual as his life has been"--From back cover.