Empfehlungen basierend auf "My Enemy’s Cradle"

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

In 'Corrag', Susan Fletcher tells us the story of an epic historic event, of the difference a single heart can make - and how deep and lasting relationships can come from the most unlikely places.Other titles:The Highland WitchWitch Light

The life of the Egyptian queen who gained and maintained power over her kingdom through her alliance with Julius Caesar and later Marc Antony.

In the astonishing new novel by the author of the bestsellers The Robber Bride, Cat's Eye, and The Handmaid's Tale, Margaret Atwood takes us back in time and into the life and mind of one of the most enigmatic and notorious women of the nineteenth century. Grace Marks has been convicted for her involvement in the vicious murders of her employer, the wealthy Thomas Kinnear, and of Nancy Montgomery, his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence after a stint in Toronto's lunatic asylum, Grace herself claims to have no memory of the murders.Dr. Simon Jordan, an up-and-coming expert in the burgeoning field of mental illness, is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story, from her family's difficult passage out of Ireland into Canada, to her time as a maid in Thomas Kinnear's household. As he brings Grace closer and closer to the day she cannot remember, he hears of the turbulent relationship between Kinnear and Nancy Montgomery, and of the alarming behavior of Grace's fellow servant, James McDermott. Jordan is drawn to Grace, but he is also baffled by her. What will he find in attempting to unlock her memories? Is Grace a female fiend, a bloodthirsty femme fatale? Or is she a victim of circumstances?Alias Grace is a beautifully crafted work of the imagination that reclaims a profoundly mysterious and disturbing story from the past century. With compassion, an unsentimental lyricism, and her customary narrative virtuosity, Margaret Atwood mines the often convoluted relationships between men and women, and between the affluent and those without position. The result is her most captivating, disturbing, and ultimately satisfying work since The Handmaid's Tale--in short, vintage Atwood.

For readers of The Tattooist of Auschwitz and Kate Furnivall comes a gritty tale of courage, betrayal and love in the most unlikely of places. Also published as The German Midwife.

A Stirring Saga Of A Nurse Who Only Wants To Do Her Duty In World War Two – And Who Ends Up Having To Make An Agonising Choice. Set In Ireland And Birmingham, This Is The Latest From Emerging Star Of The Genre Anne Bennett.

A breathtaking novel of passion and betrayal in seventeenth-century Scotland, and the portrait of an unforgettable heroine accused of witchcraft.February 13, 1692. Thirty-eight members of the MacDonald clan are killed by soldiers who had previously enjoyed the clan's hospitality. Many more die from exposure. Forty miles south, the captivating Corrag is imprisoned for her involvement in the massacre. Accused of witchcraft and murder, she awaits her death. Lonesome, she tells her story to Charles Leslie, an Irish propagandist who seeks information to condemn the Protestant King William, rumored to be involved in the massacre. Hers is a story of passion, courage, love, and the magic of the natural world. By telling it, she transforms both their lives.As in her award-winning debut novel, Eve Green, Susan Fletcher shows that she is "a novelist with the soul of a poet" (Booklist). This deeply philosophical and dramatic book is about an epic historic event and the difference a single heart can make―how deep and lasting relationships can come from the most unlikely places.

Recounts the tragic story of a battered wife, who in desperation murdered her tormenting husband, and describes how they met and married, and how their relationship deteriorated

I'll show you what a woman can do . . .Rome 1611.A jewel-bright place of change, with sumptuous new palaces and lavish wealth on display. A city where women are seen but not heard.Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters -- men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband.As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes.Until a mysterious tutor enters her life. Tassi is a dashing figure, handsome and worldly, and for a moment he represents everything that a life of freedom might offer. But then the unthinkable happens.In the eyes of her family, Artemisia should accept her fate. In the eyes of the law, she is the villain.But Artemisia is a survivor. And this is her story to tell.

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review"Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston HeraldThe political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power.Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.