Empfehlungen basierend auf "Last Stand of Dead Men"

The darkly magical new story about the monsters under the bed, from bestselling author of The Christmasaurus, Tom Fletcher.What silently waits in the shadows at night? What's under your bed, keeping just out of sight?Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises?Lucy Dungston always did.Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!But Lucy wants to find out the truth. Lucy lost her dad not long ago, and she's determined not to lose her mum too. She's going to get her back - and nothing is going to stop her . . .. . . except maybe the Creakers.

“Barker’s the best thing to happen to horror fiction for many moons. . . [he] never fails to deliver the compelling prose and relentless horror his readers expect.” —Chicago TribuneThe classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film HellraiserFrom his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read.Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay.

My name is Bobby Singer. In twenty-four hours I’m gonna lose my memory. So here’s everything you need to know.Monsters, demons, angels, vampires, the boogeyman under your bed: I’ve seen it, I’ve hunted it, I’ve killed it. I’m not the only hunter out here, but there aren’t as many as there used to be. Not near as many as there need to be. I’ve learned everything I can about every damned critter that walks, crawls, or flies, and I’m not gonna let that all be for nothing. I’m not going down without a fight. I’m not letting everything I’ve learned disappear. So that’s what you’re holding in your hands—everything I know. Anything that’d be useful for Sam, Dean, and the hunters that come after me.It’s a guide to hunting...it’s a guide to me. My last will and testament. Ya idjits.

Fan favorite Wong takes readers to a whole new level with this blistering sequel to the cult sensation "John Dies at the End," soon to be a movie starring Paul Giamatti.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Neil Gaiman'sperennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.Bod is an unusual boy who inhabits an unusual place—he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book, " a Horn Book Honor, and Audio Book of the Year. Don't miss this modern classic—whether shared as a read-aloud or read independently, it's sure to appeal to readers ages 8 and up.

The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.

The trials: seventeen ways to die unless the luck of the vampire is with you. Darren Shan must pass five fearsome Trials to prove himself to the vampires clan - or face the stakes of the Hall of Death. But Vampire Mountain holds hidden threats. Sinister, potent forces are gathering in the darkness. In this nightmarish world of bloodshed and betrayal, death may be a blessing...

In the tradition of Stephen King's 'Salem's Lot, Cirque Du Freak is the frightening saga of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires. Filled with grotesque creatures, murderous vampires, and a petrifying ending, Cirque Du Freak will chill, thrill, and leave readers begging for more.

When Rachel Gardner Wakes Up In The Basement Of An Unfamiliar Building, She Finds Herself Face-to-face With Zack, A Serial Killer Wrapped From Head To Toe In Bandages. Narrowly Escaping His Bloody Scythe, She Makes It To The Next Floor, Where She Meets A Man Named Danny Who Claims To Be Her Doctor. Rachel Breathes A Sigh Of Relief, But She Can't Help Noticing That Danny's Got A Strange Look In His Eyes...