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One Hundred Years of Solitude

From Sigrid Nunez, the National Book Award-winning author of The Friend, comes A Feather on the Breath of God: a mesmerizing story about the tangled nature of relationships between parents and children, between language and loveA young woman looks back to the world of her immigrant parents: a Chinese-Panamanian father and a German mother. Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents' stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet--these are the elements that shape the young woman's imagination and her sexuality.

Lavinia is The Inhabited Woman: accomplished, independent, and fiercely modern. She is sheltered and self-involved, until the spirit of an Indian woman warrior enters her being, then she dares to join a revolutionary movement against a violent dictator and—through the power of love—finds the courage to act.The Wisconsin edition is for sale only in North America.

'The best kind of book: the one you didn't know you were craving until it appeared . . . self-interrogative, intricately perceptive. I absolutely inhaled it' JIA TOLENTINO 'A very richly interesting exploration of a complex subject. Begoña Gómez Urzaiz tells the stories with such intelligence and wit and generosity' TESSA HADLEY When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell ... what do these vastly different women have in common? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society's judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women. 'The best book I've read on the implications of motherhood and its opposites after Sheila Heti's Motherhood' CLAUDIA DURASTANTI

In this long-awaited first volume of a planned trilogy, the most acclaimed and revered living Nobel laureate begins to tell us the story of his life.Like all his work, Living to Tell the Tale is a magnificent piece of writing. It spans Gabriel García Márquez’s life from his birth in 1927 through the start of his career as a writer to the moment in the 1950s when he proposed to the woman who would become his wife. It has the shape, the quality, and the vividness of a conversation with the reader—a tale of people, places, and events as they occur to him: the colorful stories of his eccentric family members; the great influence of his mother and maternal grandfather; his consuming career in journalism, and the friends and mentors who encouraged him; the myths and mysteries of his beloved Colombia; personal details, undisclosed until now, that would appear later, transmuted and transposed, in his fiction; and, above all, his fervent desire to become a writer. And, as in his fiction, the narrator here is an inspired observer of the physical world, able to make clear the emotions and passions that lie at the heart of a life—in this instance, his own.Living to Tell the Tale is a radiant, powerful, and beguiling memoir that gives us the formation of Gabriel García Márquez as a writer and as a man.

Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina ApostolA New York Times Book Review Editor's ChoiceNick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play, A Portrait of the Artist as Filipino. As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work.Introduction and Suggestions for Further Reading by Vicente L. RafaelFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves. A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity.  Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions. 

The third in the cycle of novels that began with THE SHADOW OF THE WIND and THE ANGEL'S GAME. THE PRISONER OF HEAVEN returns to the world of the Cemetery of Forgotten Books and the Sempere & Sons bookshop. It begins just before Christmas in Barcelona in 1957, one year after Daniel and Bea from THE SHADOW OF THE WIND have married. They now have a son, Julian, and are living with Daniel's father at Sempere & Sons. Fermin still works with them and is busy preparing for his wedding to Bernarda in the New Year. However something appears to be bothering him. Daniel is alone in the shop one morning when a mysterious figure with a pronounced limp enters. He spots one of their most precious volumes that is kept locked in a glass cabinet, a beautiful and unique illustrated edition of THE COUNT OF MONTE CRISTO. Despite the fact that the stranger seems to care little for books, he wants to buy this expensive edition. Then, to Daniel's surprise, the man inscribes the book with the words 'To Fermin Romero de Torres, who came back from the dead and who holds the key to the future'. This visit leads back to a story of imprisonment, betrayal and the return of a deadly rival.

The novel Don Quixote, written in the late sixteenth and early seventeenth century by Miguel de Cervantes Saavedra, is widely considered to be one of the greatest fictional works in the entire canon of Western literature. At once farcical and deeply philosophical, Cervantes’ novel and its characters have become integrated into the cultures of the Western Hemisphere, influencing language and modern thought while inspiring art and artists such as Richard Strauss and Pablo Picasso. Based on Professor Roberto González Echevarría’s popular open course at Yale University, this essential guide to the enduring Spanish classic facilitates a close reading of Don Quixote in the artistic and historical context of renaissance and baroque Spain while exploring why Cervantes’ masterwork is still widely read and relevant today. González Echevarría addresses the novel’s major themes and demonstrates how the story of an aging, deluded would-be knight-errant embodies that most modern of predicaments: the individual’s dissatisfaction with the world in which he lives, and his struggle to make that world mesh with his desires.

The Heights of Macchu Picchu is the finest and most famous of Neruda's longer poems and provides the key to his earlier work. It was inspired by his journey to Macchu Picchu, the Peruvian Inca city high in the Andes. Neruda's journey takes on all the symbolic qualities of a personal "venture into the interior" as the poem progresses, exploring both the roots of the poet's identity and the history of Latin America. This translation has been rendered by the distinquished poet Nathaniel Tarn and is presented in a bilingual edition, with the Spanish and English texts on facing pages.