Empfehlungen basierend auf "Clodia Metelli The Tribune's Sister"

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs...

'An outstanding work' – Philippa Gregory 'A powerful narrative told with frankness and sensitivity' Helen Fry, historian and author of Women In Intelligence

Dreams of stardom had lured Martyn Tarne from faraway New Zealand to make the dreary, soul-destroying round of West End agents and managers in search of work. The Vulcan Theatre had been her last forlorn hope, and now, driven by sheer necessity, she was glad to accept the humble job of dresser to its leading lady. And then came the eagerly awaited Opening Night. To Martyn the night brought a strange turn of the wheel of fortune - but to one distinguished member of the cast it was to bring sudden and unforeseen death

Sharp-witted and sharp-tongued, Arcangela Tarabotti (1604-52) yearned to be formally educated and enjoy an independent life in Venetian literary circles. But instead, at sixteen, her father forced her into a Benedictine convent. To protest her confinement, Tarabotti composed polemical works exposing the many injustices perpetrated against women of her day.Paternal Tyranny, the first of these works, is a fiery but carefully argued manifesto against the oppression of women by the Venetian patriarchy. Denouncing key misogynist texts of the era, Tarabotti shows how despicable it was for Venice, a republic that prided itself on its political liberties, to deprive its women of rights accorded even to foreigners. She accuses parents of treating convents as dumping grounds for disabled, illegitimate, or otherwise unwanted daughters. Finally, through compelling feminist readings of the Bible and other religious works, Tarabotti demonstrates that women are clearly men's equals in God's eyes.An avenging angel who dared to speak out for the rights of women nearly four centuries ago, Arcangela Tarabotti can now finally be heard.

___________________________________ 'Scintillating, provocative... An elegant synthesis of royal biography and political thriller.' Daily Telegraph A Times History Book of the Year- a story which inspired the Hollywood film MARY QUEEN OF SCOTS. Mary, Queen of Scots & Elizabeth I of England. Two powerful monarchs on a single island. Threatened by voices who believed no woman could govern. Surrounded by sycophants, spies and detractors. Accosted for their dominion, their favour and their bodies. Besieged by secret plots, devastating betrayals and a terrible final act. Only one queen could survive to rule all. ___________________________________ 'Brings us a fresh Mary, set in a gloriously rich context, a tragic heroine - irresistibly real and relevant... There isn't a line wasted in this taut, dramatic and utterly beguiling biography.' Charles Spencer author of Killers of the King- The Men Who Dared to Execute Charles I 'The perfect combination of scholarship and storytelling, meticulous research and emotional insight, Kate Williams brings Mary vividly to life in all her complexities and contradictions.' Kate Mosse, author of The Burning Chambers 'It takes a special kind of historian to turn an old story on its head. Eye-opening, provocative, this is the great rivalry re-imagined for the #MeToo generation.' Lucy Worsley

The Grddha Mullicks take pride in the ancient lineage they trace from four hundred years before Christ. They burst with marvellous tales of hangmen and hangings in which the Grddha Mullicks figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent. In the present day, Chetna, the youngest member of the family, is appointed the first woman executioner in India. Thrust suddenly into the public eye, Chetna's life explodes under the harsh lights of television cameras. As the day of her first execution approaches, she breaks out of the shadow of a domineering father and the thrall of a brutally manipulative lover, transforming into a charismatic performer in her own right. Meera's spectacular imagination turns the story of Chetna's life into an epic and perverse coming-of-age tale. Will the ardent young woman be able to escape the love that binds her? Will she add lustre to the illustrious name of Grddha Mullick? Or will she succumb to the dazzle of celebrity and the thrill of power over life and death? The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.

"Beautifully crafted and captivating.This triumphant tale is sure to be an instant classic."--Victoria Christopher Murray, New York Times bestselling co-author of The Personal Librarian "How do we not all know the name of Elizabeth Taylor Greenfield The story of this brilliant singer -- a Black woman born enslaved who performed both sides of the Atlantic in the years before and during the Civil War -- is finally given its just due." --Marie Benedict, New York Times bestselling author of The First Ladies Before the Civil War, Black opera singer Elizabeth Taylor Greenfield reigned supreme on Northern stages--even performing at Buckingham Palace. Novelist Tiffany L Warren brings this remarkable but forgotten diva's remarkable story to life for modern readers. Born into slavery on a Mississippi plantation, Elizabeth Taylor Greenfield has been raised in the safety of Philadelphia's Quaker community by a wealthy adoptive mother. Sheltered and educated, Eliza's happy childhood always included music lessons to nurture her unique gift: a glorious three octave singing voice that leaves listeners in awe. But on the eve of her twenty-fourth birthday, young Eliza's world is thrown into a tailspin when her mother dies. Eliza's inheritance is contested by her mother's white cousins, leaving her few options. She can marry her longtime beau, Lucien, though she has no desire to be a wife and mother. Or she can work as a tutor for rich families. Her mother's dying wish was for Eliza to pursue her talent and become a professional singer, but that grand vision now seems out of reach. When a chance performance on a steamboat to Buffalo, New York, leads to a surprising opportunity, fearless Eliza seizes her moment. Within a year she is touring America, singing to packed houses, and igniting controversy wherever she goes. In a country captivated by "the Swedish Nightingale" Jenny Lind, Eliza is billed by tour promoters as "the Black Swan." An unlikely diva, Eliza is tall, dark-skinned, and robust of figure compared to the petite European prima donna, but even the harshest critics can't deny Eliza's extraordinary gift. Menaced by racist crowds, threatened by slave-catchers who kidnap free Black people, Eliza lives a public life full of risk, but one which also holds the promise of great riches, and the freedoms those buy. From the churches of Philadelphia to Queen Victoria's salon in Buckingham Palace, Eliza Greenfield will blaze her own path--with a voice that no listener will ever forget.

Subtly brilliant comedy of social rivalry between the wars. Emmeline Lucas (known universally to her friends as Lucia) is an arch-snob of the highest order. In Miss Elizabeth Mapp of Mallards Lucia meets her match. Ostensibly the most civil and genteel of society ladies, there is no plan too devious, no plot too cunning, no depths to which they would not sink, in order to win the battle for social supremacy. Using as their deadly weapons garden parties, bridge evenings and charming teas, the two combatants strive to outcharm each other - and the whole of Tilling society - as they vie for the position of doyenne of the town.

In hopes of saving a beloved medieval church from ruin, Marion prays for a miracle; but subsequent entanglement in a world of professional musicians who seem to solve her problems leads to some terrible ramifications which make Marion question whether her prayers were really a "success."

A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. E. T. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.