Empfehlungen basierend auf "Bodies of Work A Novella"

THE MIND-BENDING CULT CLASSIC ABOUT A HOUSE THAT’S LARGER ON THE INSIDE THAN ON THE OUTSIDE • A masterpiece of horror and an astonishingly immersive, maze-like reading experience that redefines the boundaries of a novel.''Simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious." —Michiko Kakutani, The New York Times"Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent—it renders most other fiction meaningless." —Bret Easton Ellis, bestselling author of American Psycho“This demonically brilliant book is impossible to ignore.” —Jonathan Lethem, award-winning author of Motherless BrooklynOne of The Atlantic’s Great American Novels of the Past 100 YearsYears ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices, the story remains unchanged. Similarly, the cultural fascination with House of Leaves remains as fervent and as imaginative as ever. The novel has gone on to inspire doctorate-level courses and masters theses, cultural phenomena like the online urban legend of “the backrooms,” and incredible works of art in entirely unrealted mediums from music to video games.Neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of the impossibility of their new home, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

“Barker’s the best thing to happen to horror fiction for many moons. . . [he] never fails to deliver the compelling prose and relentless horror his readers expect.” —Chicago TribuneThe classic tale of supernatural obsession from the critically acclaimed master of darkness—and the inspiration for the cult classic film HellraiserFrom his scores of short stories, bestselling novels, and major motion pictures, no one comes close to the vivid imagination and unique terrors provided by Clive Barker. The Hellbound Heart is one of Barker’s best—a nerve-shattering novella about the human heart and all the great terrors and ecstasies within its endless domain. It is about greed and love, desire and death, life and captivity, bells and blood. It is one of the most frightening stories you are likely to ever read.Frank Cotton's insatiable appetite for the dark pleasures of pain led him to the puzzle of Lemarchand's box, and from there, to a death only a sick-minded soul could invent. But his brother's love-crazed wife, Julia, has discovered a way to bring Frank back—though the price will be bloody and terrible . . . and there will certainly be hell to pay.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

American Monsters

A modern-day Alice in Wonderland meets the undead…Alice in Zombieland, the first book in The White Rabbit Chronicles, introduces readers to a world newly overrun by zombies...and the one girl who may be able to save mankind.She won't rest until she's sent every walking corpse back to its grave.Had anyone told Alice Bell that her entire life would change course between one heartbeat and the next, she would have laughed. But that's all it took. One heartbeat. A blink, a breath, a second, and everything she knew and loved was gone.Her father was right. The monsters are real.To avenge her family, Ali must learn to fight the undead. To survive, she must learn to trust the baddest of the bad boys, Cole Holland. But Cole has secrets of his own, and if Ali isn't careful, those secrets might just prove to be more dangerous than the zombies.The White Rabbit Chronicles:Alice in ZombielandThrough the Zombie GlassThe Queen of Zombie HeartsA Mad Zombie Party

The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.

When Rachel Gardner Wakes Up In The Basement Of An Unfamiliar Building, She Finds Herself Face-to-face With Zack, A Serial Killer Wrapped From Head To Toe In Bandages. Narrowly Escaping His Bloody Scythe, She Makes It To The Next Floor, Where She Meets A Man Named Danny Who Claims To Be Her Doctor. Rachel Breathes A Sigh Of Relief, But She Can't Help Noticing That Danny's Got A Strange Look In His Eyes...

A delightfully grim tale about an undead fox whose lonely existence is turned upside down when he learns his job as usher of souls is in jeopardy, perfect for fans of Kate DiCamillo and Tim Burton.Clare is the undead fox of Deadwood Forest. Here, leaves grow in a perpetual state of fall: not quite dead, but not quite alive…just like Clare. Long ago, he was struck by a car, and, hovering between life and death, he was given the choice to either cross into the Afterlife or become an Usher of wandering souls. Clare chose the latter: stepping into a solitary life of helping souls meet their destiny.Clare’s quiet and predictable days are met with upheaval when a badger soul named Gingersnipes knocks on his door. Despite Clare’s efforts to usher her into the Afterlife, the badger is unable to find her way out of Deadwood. This is unprecedented. Baffling. A disturbing mystery which threatens the delicate balance of the living and the dead. Clare seeks the help of Hesterfowl—the visionary grouse who recently foretold of turmoil in Deadwood. But Hesterfowl divulges a shocking revelation about the badger that leaves Clare devastated, outraged, and determined to do anything to change their fate.

In the nineteenth century, Dr. Victor Frankenstein brought his notorious creation to life, but a horrible turn of events forced him to abandon it and slip away from the public eye. Two centuries later, a serial killer is on the loose in New Orleans, gruesomely salvaging body parts from each of his victims, as if trying to assemble a perfect human being.Detective Carson O’Connor is cool, cynical, and every bit as tough as she looks. Her partner, Michael Maddison, would back her up all the way to Hell itself–and that just may be where their new case leads. For as they investigate the strange killings, O’Connor and Madison find themselves drawn into a weird underworld of deception and secrets where a man named Victor Helios has created an entire race of perfectly engineered people who are meant to take humankind’s place one day. But something is happening to some of Helios’s creations, and it may be that this bizarre serial killer is the least of the detectives’ worries.From the masterly pen of New York Times bestselling author Dean Koontz–and featuring an adaptation by legendary comic book writer Chuck Dixon and gorgeous illustrations by acclaimed artist Brett Booth–Dean Koontz’s Frankenstein: Prodigal Sonis a story filled with fast-paced action, gripping horror, and thrilling adventure.

A creepy, campy new mystery series Welcome to Nightshade, California--a small town full of secrets. It's home to the psychic Giordano sisters, who have a way of getting mixed up in mysteries. During their investigations, they run across everything from pom-pom-shaking vampires to shape-shifting boyfriends to a clue-spewing jukebox. With their psychic powers and some sisterly support, they can crack any case! There's a gorgeous new guy at Nightshade High: Duke Sherrad, a fortune-teller claiming to have descended from Gypsies. Even though she's psychic herself, Daisy is skeptical of Duke's powers. But when a teacher who was the subject of one of his predictions ends up dead, she begins to wonder if Duke is the real deal after all. Maybe if Daisy can track down the teacher's killer, she can find out the truth. The only trouble is, all signs point to the murderer being of the furry persuasion. Is Daisy any match for a werewolf? Maybe she is . . . in more ways than she bargained for!