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On the occasion of the twenty-fifth anniversary of its first publication, here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker).The Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.

Hannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political historyThe Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

“Brilliantly written, vivid, a powerful and often uncomfortable true story that deserves to be read and remembered. It beautifully captures the strength of the bond between a father and son.”--Heather Morris, author of #1 New York Times bestseller The Tattooist of AuschwitzThe #1 Sunday Times bestseller—a remarkable story of the heroic and unbreakable bond between a father and son that is as inspirational as The Tattooist of Auschwitz and as mesmerizing as The Choice.Where there is family, there is hopeIn 1939, Gustav Kleinmann, a Jewish upholster from Vienna, and his sixteen-year-old son Fritz are arrested by the Gestapo and sent to Germany. Imprisoned in the Buchenwald concentration camp, they miraculously survive the Nazis’ murderous brutality.Then Gustav learns he is being sent to Auschwitz—and certain death.For Fritz, letting his father go is unthinkable. Desperate to remain together, Fritz makes an incredible choice: he insists he must go too. To the Nazis, one death camp is the same as another, and so the boy is allowed to follow.Throughout the six years of horror they witness and immeasurable suffering they endure as victims of the camps, one constant keeps them alive: their love and hope for the future.Based on the secret diary that Gustav kept as well as meticulous archival research and interviews with members of the Kleinmann family, including Fritz’s younger brother Kurt, sent to the United States at age eleven to escape the war, The Boy Who Followed His Father into Auschwitz is Gustav and Fritz’s story—an extraordinary account of courage, loyalty, survival, and love that is unforgettable.

Why do major historical events such as the Holocaust occupy the forefront of the collective consciousness, while profound moments such as the Armenian genocide, the McCarthy era, and France's role in North Africa stand distantly behind? Is it possible that history "overly remembers" some events at the expense of others? A landmark work in philosophy, Paul Ricoeur's Memory, History, Forgetting examines this reciprocal relationship between remembering and forgetting, showing how it affects both the perception of historical experience and the production of historical narrative.Memory, History, Forgetting, like its title, is divided into three major sections. Ricoeur first takes a phenomenological approach to memory and mnemonical devices. The underlying question here is how a memory of present can be of something absent, the past. The second section addresses recent work by historians by reopening the question of the nature and truth of historical knowledge. Ricoeur explores whether historians, who can write a history of memory, can truly break with all dependence on memory, including memories that resist representation. The third and final section is a profound meditation on the necessity of forgetting as a condition for the possibility of remembering, and whether there can be something like happy forgetting in parallel to happy memory. Throughout the book there are careful and close readings of the texts of Aristotle and Plato, of Descartes and Kant, and of Halbwachs and Pierre Nora.A momentous achievement in the career of one of the most significant philosophers of our age, Memory, History, Forgetting provides the crucial link between Ricoeur's Time and Narrative and Oneself as Another and his recent reflections on ethics and the problems of responsibility and representation.“His success in revealing the internal relations between recalling and forgetting, and how this dynamic becomes problematic in light of events once present but now past, will inspire academic dialogue and response but also holds great appeal to educated general readers in search of both method for and insight from considering the ethical ramifications of modern events. . . . It is indeed a master work, not only in Ricoeur’s own vita but also in contemporary European philosophy.”—Library Journal“Ricoeur writes the best kind of philosophy—critical, economical, and clear.”— New York Times Book Review

INSTANT NEW YORK TIMES BESTSELLERIn this life-affirming intergenerational memoir, Lily Ebert, a Holocaust survivor, and her great-grandson, Dov Forman, come together to share her story—an unforgettable tale of resilience and resistance.On Yom Kippur, 1944, fighting to stay alive as a prisoner in Auschwitz, Lily Ebert made a promise to herself. She would survive the hell she was in and tell the world her story, for everyone who couldn’t. Now, at ninety-eight, this remarkable woman—and TikTok sensation, thanks to the help of her eighteen-year-old great-grandson—fulfills that vow, relaying the details of her harrowing experiences with candor, charm, and an overflowing heart.In these pages, she writes movingly about her happy childhood in Hungary, the death of her mother and two youngest siblings on their arrival at Auschwitz, and her determination to keep her two other sisters safe. She describes the inhumanity of the camp and the small acts of defiance that gave her strength. Lily lost so much, but she built a new life for herself and her family, first in Israel and then in London.Dov knows that it is up to younger people like him to keep Lily’s promise. He and Lily bridge the generation gap to share her experience, reminding us of the joy that accompanies the solemn responsibility of keeping the past—and our stories—alive.

The International Bestselling memoir from award-winning author Amos Oz, "one of Isreal's most prolific writers and respected intellectuals" (The New York Times), about his turbulent upbringing in the city of Jerusalem in the era of the dissolution of Mandatory Palestine and the beginning of the State of Israel.Winner of the National Jewish Book Award"[An] ingenious work that circles around the rise of a state, the tragic destiny of a mother, a boy’s creation of a new self."—The New YorkerA family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. A Tale of Love and Darkness is the story of a boy who grows up in war-torn Jerusalem, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother’s suicide. The story of a man who leaves the constraints of his family and community to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation."One of the most enchanting and deeply satisfying books that I have read in many years."—New Republic

THE INSTANT NEW YORK TIMES BESTSELLER!Also on the USA Today, Washington Post, Boston Globe, Globe and Mail, Publishers Weekly, and Indie bestseller lists.One of the most important stories of World War II, already optioned by Steven Spielberg for a major motion picture: a spectacular, searing history that brings to light the extraordinary accomplishments of brave Jewish women who became resistance fighters—a group of unknown heroes whose exploits have never been chronicled in full, until now.Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick, taught children, and hid families.Yet the exploits of these courageous resistance fighters have remained virtually unknown.As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond.Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.NPR's Best Books of 2021National Jewish Book Award, 2021Canadian Jewish Literary Award, 2021

"BEST NONFICTION BOOK OF THE 20 TH CENTURY." — TimeVolume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum. "The greatest and most powerful single indictment of a political regime ever leveled in modern times." —George F. Kennan "It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century." —David Remnick, The New Yorker "Solzhenitsyn's masterpiece.... The Gulag Archipelago helped create the world we live in today." —Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History, from the foreword

This foundational text now features a new introduction by Rashid Khalidi reflecting on the significance of his work over the past decade and its relationship to the struggle for Palestinian nationhood. Khalidi also casts an eye to the future, noting the strength of Palestinian identity and social solidarity yet wondering whether current trends will lead to Palestinian statehood and independence.

Ami Pedahzur and Arie Perliger, world experts on the study of terror and security, propose a theory of violence that contextualizes not only recent acts of terror but also instances of terrorism that stretch back centuries. Beginning with ancient Palestine and its encounters with Jewish terrorism, the authors analyze the social, political, and cultural factors that sponsor extreme violence, proving religious terrorism is not the fault of one faith, but flourishes within any counterculture that adheres to a totalistic ideology. When a totalistic community perceives an external threat, the connectivity of the group and the rhetoric of its leaders bolster the collective mindset of members, who respond with violence. In ancient times, the Jewish sicarii of Judea carried out stealth assassinations against their Roman occupiers. In the mid-twentieth century, to facilitate their independence, Jewish groups committed acts of terror against British soldiers and the Arab population in Palestine. More recently, Yigal Amir, a member of a Jewish terrorist cell, assassinated Yitzhak Rabin to express his opposition to the Oslo Peace Accords. Conducting interviews with former Jewish terrorists, political and spiritual leaders, and law-enforcement officials, and culling information from rare documents and surveys of terrorist networks, Pedahzur and Perliger construct an extensive portrait of terrorist aggression, while also describing the conditions behind the modern rise of zealotry.