Empfehlungen basierend auf "Batman and Robin: Born to kill"

A graphic novel adapted and illustrated by Raina Telgemeier, the #1 New York Times bestselling, multiple Eisner Award-winning author of Smile!Kristy, Mary Anne, Claudia, and Stacey are best friends and founding members of The Baby-sitters Club. Whatever comes up -- cranky toddlers, huge dogs, scary neighbors, prank calls -- you can count on them to save the day. Baby-sitting isn't always easy, and neither is dealing with strict parents, new families, fashion emergencies, and mysterious secrets. But no matter what, the BSC have what they need most: friendship.

Joining A Scientific Expedition Gives Max And The Flock A Perfect Opportunity To Distance Themselves From The Heated Debate Over Their Future. But When A Traitor Is Found Among Them, And A Member Of The Flock Goes Missing, They Soon Realize That Frostbite Isn't The Only Danger In The Antarctic...!

From worldwide bestselling author and artist Dav Pilkey comes Dog Man, the canine cop who's part dog, part man, and ALL HERO!George and Harold have created a new breed of justice. With the head of a dog and the body of a human, this heroic hound digs into deception, claws after crooks, rolls over robbers, and scampers after squirrels. Will he be able to resist the call of the wild to answer the call of duty?Dav Pilkey's wildly popular Dog Man series appeals to readers of all ages and explores universally positive themes, including empathy, kindness, persistence, and the importance of being true to one's self.

Cyclops and Emma Frost want to reunite the X-Men in order to astonish the world, but as the demand for a "mutant cure" escalates, they find some unexpected allies and adversaries.

As the mutant population grows, Cassandra Nova utilizes extraterrestrial technology and her mysterious relationship with Charles Xavier to destroy mutantkind, battling X-Men Cyclops, Jean Grey, Emma Frost, Wolverine, and Beast.

Winner of the 2022 Eisner Award for Best Comics-Related Book The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown.   And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders.   As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

"I let the mask fall away from my face. I let them see me. Dylan Taylor. Chatterbox. Mutant and monster. Teen Magneto. This is one of those pivotal moments. There's a metaphor for this. I learned about it in history. The name of some river in Rome." Here we go again. The Cute Mutants are back, bigger and badder than ever. Even better, we're in charge of ourselves now. We've got a headquarters, gear, and an actual budget. Except, we've also got EMID-the American Extrahuman Monitoring and Intelligence Division-breathing down our necks to track down mutants for them. Even worse, there's rumours of a mysterious killer with superpowers and a grudge against the rainbow community. And then there's the promise from our last boss. The threat of war. Humans vs. mutants. The dream was to thrive, but maybe all we can hope for is survival. Whatever that takes. I think I'm beginning to understand the saying, "the end justifies the means." There used to be a line between heroes and villains, didn't there?

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy   Collects Fantastic Four #1, 2, 3, 4, 5, 10, 11, 48, 49, 50, 51, and Fantastic Four Annual #6. It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.   Throughout the 1960s, the Fantastic Four doubled as the flagship title and the creative laboratory of the Marvel Universe. Stan Lee and Jack Kirby introduced dozens of new characters and concepts in its pages, while expanding the emotional bandwidth and visual vocabulary of the Super Hero genre with every issue.  This collection gathers some key tales from Lee and Kirby’s lengthy tenure—from their first experiments in generic hybridity to the remarkable fusion of the cosmic and the quotidian that is the “The Galactus Trilogy.”   A foreword by Jerry Craft and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of the Fantastic Four and classic Marvel comics.

The master of mutants joins the master of ninjas in Wolverine's first solo series - replete with romance, intrigue and mayhem! Our beleaguered berserker's in Japan on a mission of the heart, if he can survive the Hand first! Plus: the introduction of everyone's favorite riotous ronin, Yukio! Collects Wolverine #1-4, Uncanny X-Men #172-173.

The hotly anticipated Avengers/Captain Marvel event is here! Vicious echoes of the Avengers' past are cropping up all over Manhattan...but Captain Marvel, grounded since a recent and mysterious power loss, refuses to be left behind. Who is the sinister figure behind these incursions, and what does it have to do with Carol Danvers' mysterious condition? And the most disturbing question of all...is this villain even real? Or just a figment of Captain Marvel's increasingly deadly imagination? Be here as Carol Danvers demonstrates that you just can't keep a good Captain down!COLLECTING: Avengers: The Enemy Within 1; Captain Marvel 13-14, 17; Avengers Assemble 16-17