A collectible hardcover edition of Virginia Woolf’s pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl“A brilliant book that teaches you so much about identity and love—all these fundamental questions that we ask ourselves.” —Emma Corrin“I read this book and believed it was a hallucinogenic, interactive biography of my own life and future.” —Tilda SwintonA Penguin Vitae EditionFirst masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey—a nobleman, traveler, writer? Man or . . . woman?Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf’s most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf’s own words, a “writer’s holiday” that delights in its ambiguity and capriciousness.This edition is collated from all known proofs, manuscripts, and impressions to reflect the author’s intentions, and includes an illuminating introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert.Penguin Vitae—loosely translated as “Penguin of one’s life”—is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
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Orlando (Penguin Vitae)
von Virginia Woolf
A collectible hardcover edition of Virginia Woolf’s pioneering novel about a time-traveling sixteenth-century nobleman who wakes up in the body of a woman, with a new foreword by Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl“A brilliant book that teaches you so much about identity and love—all these fundamental questions that we ask ourselves.” —Emma Corrin“I read this book and believed it was a hallucinogenic, interactive biography of my own life and future.” —Tilda SwintonA Penguin Vitae EditionFirst masculine, then feminine, Orlando is a young sixteenth-century nobleman who gallops through the centuries, from Elizabethan England and imperial Turkey to Virginia Woolf’s own time. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey—a nobleman, traveler, writer? Man or . . . woman?Written for the charismatic, bisexual writer Vita Sackville-West, Orlando is one of Woolf’s most popular and accessible novels, a playful mock biography of a chameleon-like historical figure that is both a wry commentary on gender and, in Woolf’s own words, a “writer’s holiday” that delights in its ambiguity and capriciousness.This edition is collated from all known proofs, manuscripts, and impressions to reflect the author’s intentions, and includes an illuminating introduction and notes by the distinguished scholar and coauthor of The Madwoman in the Attic Sandra M. Gibert.Penguin Vitae—loosely translated as “Penguin of one’s life”—is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
Aktuelle Rezensionen(1)
Rezension von Marilena PolkehnWouldn’t it have been a book club pick I think I wouldn’t have finished it. It took me a long time to get through and I didn’t enjoy my time. BUT I still think that the prose was beautiful if a bit complicated and maybe packed into sentences with too many semicolons. Sadly, rascism was apparent which dampend the very free spirited opinions and explorations of gender, sexism, sexuality and so on. The strongest element for me came after Orlando’s transition. There the role of the narrator became apparent to me. What I first saw as a weird stylistic choice I can to appreciate as it became clear that he doesn’t want to share the story anymore now that it is about a women. It not only gets harder to follow her because she publishes under a male name and her assets are now tied to a male cousin but he simply finds a story centering a women uninteresting. So the later chapters, for me, wer much enjoyable and explored more intresting topics on between the margins.