Recommendations based on "You're Not a Girl in a Movie"

Based on your reading history, we think you will also enjoy the following books.

By Chitra Banerjee Divakaruni

A reimagining of the world-famous Indian epic, the Mahabharat—told from the point of view of an amazing woman.Relevant to today’s war-torn world, The Palace of Illusions takes us back to a time that is half history, half myth, and wholly magical. Narrated by Panchaali, the wife of the legendary Pandavas brothers in the Mahabharat, the novel gives us a new interpretation of this ancient tale.The novel traces the princess Panchaali's life, beginning with her birth in fire and following her spirited balancing act as a woman with five husbands who have been cheated out of their father’s kingdom. Panchaali is swept into their quest to reclaim their birthright, remaining at their side through years of exile and a terrible civil war involving all the important kings of India. Meanwhile, we never lose sight of her strategic duels with her mother-in-law, her complicated friendship with the enigmatic Krishna, or her secret attraction to the mysterious man who is her husbands' most dangerous enemy. Panchaali is a fiery female redefining for us a world of warriors, gods, and the ever-manipulating hands of fate.

By Sabaa Tahir

National Book Award WINNERPrintz Award for Excellence in Young Adult Literature WINNERAn INSTANT NEW YORK TIMES BESTSELLER!An INSTANT INDIE BESTSELLER!"All My Rage is a love story, a tragedy and an infectious teenage fever dream about what home means when you feel you don’t fit in." — New York Times Book ReviewFrom #1 New York Times bestselling author Sabaa Tahir comes a brilliant, unforgettable, and heart-wrenching contemporary novel about family and forgiveness, love and loss, in a sweeping story that crosses generations and continents.Lahore, Pakistan. Then.Misbah is a dreamer and storyteller, newly married to Toufiq in an arranged match. After their young life is shaken by tragedy, they come to the United States and open the Clouds' Rest Inn Motel, hoping for a new start.Juniper, California. Now.Salahudin and Noor are more than best friends; they are family. Growing up as outcasts in the small desert town of Juniper, California, they understand each other the way no one else does. Until The Fight, which destroys their bond with the swift fury of a star exploding.Now, Sal scrambles to run the family motel as his mother Misbah’s health fails and his grieving father loses himself to alcoholism. Noor, meanwhile, walks a harrowing tightrope: working at her wrathful uncle’s liquor store while hiding the fact that she’s applying to college so she can escape him—and Juniper—forever.When Sal’s attempts to save the motel spiral out of control, he and Noor must ask themselves what friendship is worth—and what it takes to defeat the monsters in their pasts and the ones in their midst.From one of today’s most cherished and bestselling young adult authors comes a breathtaking novel of young love, old regrets, and forgiveness—one that’s both tragic and poignant in its tender ferocity.

By Khalida Brohi

A fearless memoir about tribal life in Pakistan—and the act of violence that inspired one ambitious young woman to pursue a life of activism and female empowerment“Khalida Brohi understands the true nature of honor. She is fearless in her pursuit of justice and equality.”—Malala Yousafzai, winner of the Nobel Peace PrizeFrom a young age, Khalida Brohi was raised to believe in the sanctity of arranged marriage. Her mother was forced to marry a thirteen-year-old boy when she was only nine; Khalida herself was promised as a bride before she was even born. But her father refused to let her become a child bride. He was a man who believed in education, not just for himself but for his daughters, and Khalida grew up thinking she would become the first female doctor in her small village. Khalida thought her life was proceeding on an unusual track for a woman of her circumstances, but one whose path was orderly and straightforward.Everything shifted for Khalida when she found out that her beloved cousin had been murdered by her uncle in a tradition known as “honor killing.” Her cousin’s crime? She had fallen in love with a man who was not her betrothed. This moment ignited the spark in Khalida Brohi that inspired a globe-spanning career as an activist, beginning at the age of sixteen. From a tiny cement-roofed room in Karachi where she was allowed ten minutes of computer use per day, Brohi started a Facebook campaign that went viral. From there, she created a foundation focused on empowering the lives of women in rural communities through education and employment opportunities, while crucially working to change the minds of their male partners, fathers, and brothers.This book is the story of how Brohi, while only a girl herself, shone her light on the women and girls of Pakistan, despite the hurdles and threats she faced along the way. And ultimately, she learned that the only way to eradicate the parts of a culture she despised was to fully embrace the parts of it that she loved.Praise for I Should Have Honor“Khalida Brohi’s moving story is a testament to what is possible no matter the odds. In her courageous activism and now in I Should Have Honor, Khalida gives a voice to the women and girls who are denied their own by society. This book is a true act of honor.”—Sheryl Sandberg, COO of Facebook and founder of LeanIn.Org and OptionB.Org

By Arya Shahi

The Poet X meets A Very Large Expanse of Sea in a bold novel-in-verse starring a Persian American teen navigating his first crush, his family’s post-9/11 dynamics, andthe role of language in defining who we are.“A dazzling story with a whole lot of heart. Read it.” —Michael L. Printz Award winner Daniel Nayeri, author of Everything Sad Is UntrueOmid needs the right words to connect with his newly met grandfather and distant Iranian heritage, words to tell a special girl what she means to him and to show everyone that he truly belongs in Tucson, Arizona, the only home he’s ever known. Neither the school play’s Shakespearean English nor his parents’ Farsi seems up to the task, and it’s only when Omid delves into the rhymes and rhythms of rap music that he starts to find his voice. But even as he does so, an act of terrorism transforms familiar accents into new threats.Then a family member disappears, and it seems everyone but Omid knows why. When words fail altogether and violence takes their place, what will Omid do next?Praise for An Impossible Thing to Say: “Funny on one page, poignant on the next, and often both at the same time, this beautiful tale of a tender, bewildered, and generous teen will find its way into readers’ hearts.” —#1 New York Times bestselling writer and Newbery Medalist Linda Sue Park, author of A Long Walk to Water “An Impossible Thing to Say is tender, honest, and unforgettable, filled with characters that delight, verses that shine, and moments that took my breath away. Few books have ever made me feel so seen.” —Adib Khorram, award-winning author of Darius the Great Is Not Okay “Arya Shahi just blew the door down on how we are allowed to tell our stories. Words are clearly his jam.” —Firoozeh Dumas, New York Times bestselling author of Funny in Farsi and It Ain't So Awful, Falafel

By Fatimah Asghar

“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist“Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle“[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New YorkerNAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARDan aunt teaches me how to tellan edible flowerfrom a poisonous one.just in case, I hear her say, just in case.From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.Praise for If They Come for Us“In forms both traditional . . . and unorthodox . . . Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”—The New Yorker“[Asghar’s] debut poetry collection cemented her status as one of the city’s greatest present-day poets. . . . A stunning work of art that tackles place, race, sexuality and violence. These poems—both personal and historical, both celebratory and aggrieved—are unquestionably powerful in a way that would doubtless make both Gwendolyn Brooks and Harriet Monroe proud.”—Chicago Review of Books“Taut lines, vivid language, and searing images range cover to cover. . . . Inventive, sad, gripping, and beautiful.”—Library Journal (starred review)

By Nadia Hashimi

A vivid, unforgettable story of an unlikely sisterhood—an emotionally powerful and haunting tale of friendship that illuminates the plight of women in a traditional culture—from the author of the bestselling The Pearl That Broke Its Shell and When the Moon Is Low.For two decades, Zeba was a loving wife, a patient mother, and a peaceful villager. But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice.Barely escaping a vengeful mob, Zeba is arrested and jailed. As Zeba awaits trial, she meets a group of women whose own misfortunes have also led them to these bleak cells: thirty-year-old Nafisa, imprisoned to protect her from an honor killing; twenty-five-year-old Latifa, who ran away from home with her teenage sister but now stays in the prison because it is safe shelter; and nineteen-year-old Mezhgan, pregnant and unmarried, waiting for her lover’s family to ask for her hand in marriage. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, as they have been, for breaking some social rule? For these women, the prison is both a haven and a punishment. Removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer, whose commitment to human rights and desire to help his motherland have brought him back. With the fate of this seemingly ordinary housewife in his hands, Yusuf discovers that, like Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, A House Without Windows is astonishing, frightening, and triumphant.

By Nadia Hashimi

“Suspenseful…emotionally compelling. I found myself eagerly following in a way I hadn’t remembered for a long time, impatient for the next twist and turn of the story."—NPRAn Afghan American woman returns to Kabul to learn the truth about her family and the tragedy that destroyed their lives in this brilliant and compelling novel from the bestselling author of The Pearl That Broke Its Shell, The House Without Windows, and When the Moon Is Low.Kabul, 1978: The daughter of a prominent family, Sitara Zamani lives a privileged life in Afghanistan’s thriving cosmopolitan capital. The 1970s are a time of remarkable promise under the leadership of people like Sardar Daoud, Afghanistan’s progressive president, and Sitara’s beloved father, his right-hand man. But the ten-year-old Sitara’s world is shattered when communists stage a coup, assassinating the president and Sitara’s entire family. Only she survives.Smuggled out of the palace by a guard named Shair, Sitara finds her way to the home of a female American diplomat, who adopts her and raises her in America. In her new country, Sitara takes on a new name—Aryana Shepherd—and throws herself into her studies, eventually becoming a renowned surgeon. A survivor, Aryana has refused to look back, choosing instead to bury the trauma and devastating loss she endured.New York, 2008: Thirty years after that fatal night in Kabul, Aryana’s world is rocked again when an elderly patient appears in her examination room—a man she never expected to see again. It is Shair, the soldier who saved her, yet may have murdered her entire family. Seeing him awakens Aryana’s fury and desire for answers—and, perhaps, revenge. Realizing that she cannot go on without finding the truth, Aryana embarks on a quest that takes her back to Kabul—a battleground between the corrupt government and the fundamentalist Taliban—and through shadowy memories of the world she loved and lost.Bold, illuminating, heartbreaking, yet hopeful, Sparks Like Stars is a story of home—of America and Afghanistan, tragedy and survival, reinvention and remembrance, told in Nadia Hashimi’s singular voice.

By A. B. Yehoshua

A man searches for his wife's lover during the Yom Kippur War, in a novel by the award-winning author hailed as the "Israeli Faulkner" ( The New York Times ). In Haifa, at the dawn of Israel's 1973 war, the lives of a middle-class garage owner named Adam, and his schoolteacher wife, Asya, have come undone in ways for which they are totally unprepared. Adam has just found out from his distraught wife that she has been having affair—and has fallen in love with—the enigmatic Gabriel Arditi. But Asya's hysteria isn't rooted in her admission of infidelity—but rather her discovery that Gabriel has disappeared. Has he gone to war? Has he been killed? Or has he left Asya for another? Finding him has become Asya's obsession, and it's about to become her husband's, too. Set against the backdrop of a turbulent moment in history and featuring a myriad of characters—each with his or her own versions of events— The Lover is a witty, suspenseful, audacious novel that lays bare the deep-rooted tensions within families, between generations, and between Jews and Arabs, offering "a profound study of personal and political trauma" ( Daily Telegraph ), from a recipient of honors including the National Jewish Book Award, the Man Booker International Prize, and the Los Angeles Times Book Prize.

By Nisha Sharma

The third and final installment in Nisha Sharma’s beloved Shakespeare-inspired rom-com trilogy—an ode to Twelfth Night—is the perfect friends to lovers romp featuring an accidental wedding, meddling families, and plenty of sizzling chemistry. Veera Mathur has been through a lot in the past year. Both of her friends found soul mates, the man she fell in love with got engaged to another woman, and her father fired her before selling the family company. When her twin sister, Sana, tells her there is no way of getting her old life back, Veera feels lost at sea: a single, unemployed mess with a bad tattoo and tons of talent, but nowhere to go. Deepak Datta hasn’t had the best luck either. To secure enough board votes for the CEO position at his family's company, Illyria Media, he’s ready to marry board member and famous beauty influencer, Olivia Gupta. That is until he wakes up to a get ready with me video announcing their separation. Despite his immediate relief, Deepak needs to do something fast to repair his image. After a series of convenient mishaps bring them together again—including a literal shipwreck, way too many drinks, and a sunset elopement on the beach—Deepak and Veera realize their accidental wedding might be the solution to their career aspirations. Together, they plot against the very company that ruined their lives in the first place. As they try to convince the world their friendship was a ruse for romance they’ve felt all along, the line between fake and real begins to blur. Now Veera and Deepak must ask themselves the terrifying question that has haunted them since the first time they met: will love ruin everything? With her signature humor and heartfelt storytelling, Nisha Sharma writes a messy, spicy romance about identity, family honor, and love. In Marriage & Masti, readers are sure to love the highly anticipated finale of this beloved trilogy.

By Foluso Agbaje

'So refreshing...A memorable debut' Louise Hare, Bestselling Author of This Lovely City Kehinde must put everything on the line to find herself during a time of war. Lagos, 1939 With the announcement of World War Two and a change that sends shockwaves through her family, Kehinde is forced to put aside her dreams of writing and become the third wife of Mr Ogunjobi. Kehinde makes her peace by selling snacks at a small market. When she gets the chance to assist the leader of the Lagos Market Women's Association, fighting for the rights the British are trying to take away, Kehinde finally feels useful again. But if her husband finds out he’ll abandon her. Can Kehinde find the courage to fight for herself and the other women of Lagos? Or will she remain a caged bird, a parlour wife, forever. A poignant story of a young Nigerian woman, living with the consequences of a war her country didn’t choose. Praise for The Parlour Wife: '1940's Nigeria as you've rarely seen it ... Kehinde's journey to discovering her own voice, and ultimately her own autonomy, will resonate with many. A delightful debut!’ Chioma Okereke, author of Water Baby 'A delightful and evocative journey that starts in the heart of a young woman in Lagos whose destiny is threatened when the clouds of family and societal expectations, thesecond World War and the new wave of change sweeping West Africa make their impact on her life and choices' Ola Awonubi, author of A Nurse’s Tale 'We all studied WW2, but Nigeria’s role, as a British colony, doesn’t feature in many books. Agbage corrects this in her poignant debut. I rooted for feisty Kehinde from the get-go. It’s not easy to be a feminist when you’re a third wife and destined for the parlour – her courage was wonderfully written' Nikki May, author of Wahala and This Motherless Land 'Written in a warm, compassionate voice, Foluso Agbaje’s The Parlour Wife is a harmonious marriage of historical events and memorable characters' Sefi Atta, author of The Bad Immigrant