Recommendations based on "Where Is the Great Wall?"
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By Wu Ch'eng-en
One of the world's greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition.A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body's 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven's Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire.Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sautéed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam.Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.
By Lao Tzu
The most accessible and authoritative modern English translation of this esoteric but infinitely practical bestselling book."No one has done better in conveying Lao Tsu's simple and laconic style of writing, so as to produce an English version almost as suggestive of the many meanings intended." —Alan WattsFor nearly two generations, Gia-fu Feng and Jane English's bestselling translation of the Tao Te Ching has been the standard for those seeking access to the wisdom of Taoist thought. Now Jane English and her long-time editor, Toinette Lippe, have revised and refreshed the translation so that it more faithfully reflects the Classical Chinese in which it was first written, taking into account changes in our own language and eliminating any lingering infelicities. They have retained the simple clarity of the original rendering of a sometimes seemingly obtuse spiritual text, a clarity that has made this version a classic in itself, selling over a million copies.Written most probably in the sixth century B.C. by Lao Tsu, this esoteric but infintely practical book has been translated into English more frequently than any other work except the Bible. Gia-fu Feng and Jane English's superb translation offers the essence of each word and makes Lao Tsu's teaching immediate and alive. This edition includes an introduction and notes by the well-known writer and scholar of philosophy and comparative religion, Jacob Needleman.
By Cixin Liu
The inspiration for the Netflix series 3 Body Problem!WINNER OF THE HUGO AWARD FOR BEST NOVELOver 1 million copies sold in North America“A mind-bending epic.”―The New York Times • “War of the Worlds for the 21st century.”―The Wall Street Journal • “Fascinating.”―TIME • “Extraordinary.”―The New Yorker • “Wildly imaginative.”―Barack Obama • “Provocative.”―Slate • “A breakthrough book.”―George R. R. Martin • “Impossible to put down.”―GQ • “Absolutely mind-unfolding.”―NPR • “You should be reading Liu Cixin.”―The Washington PostThe Three-Body Problem is the first novel in the groundbreaking, Hugo Award-winning series from China's most beloved science fiction author, Cixin Liu.Set against the backdrop of China's Cultural Revolution, a secret military project sends signals into space to establish contact with aliens. An alien civilization on the brink of destruction captures the signal and plans to invade Earth. Meanwhile, on Earth, different camps start forming, planning to either welcome the superior beings and help them take over a world seen as corrupt, or to fight against the invasion. The result is a science fiction masterpiece of enormous scope and vision.The Three-Body Problem SeriesThe Three-Body ProblemThe Dark ForestDeath's EndOther Books by Cixin LiuBall LightningSupernova EraTo Hold Up the SkyThe Wandering EarthA View from the Stars
By Ai Weiwei
The “intimate and expansive” (Time) memoir of “one of the most important artists working in the world today” (Financial Times), telling a remarkable history of China over the last hundred years while also illuminating his artistic process “Poignant . . . An illuminating through-line emerges in the many parallels Ai traces between his life and his father’s.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, BookPage, Booklist, Kirkus Reviews Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist—and how his work has been shaped by living under a totalitarian regime. Ai Weiwei’s sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird’s Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his life story and that of his father, whose creativity was stifled. At once ambitious and intimate, Ai Weiwei’s 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.
By Ken Liu
Invisible Planets, edited by multi award-winning writer Ken Liu--translator of the bestselling and Hugo Award-winning novel The Three Body Problem by acclaimed Chinese author Cixin Liu--is his second thought-provoking anthology of Chinese short speculative fiction. Invisible Planets is a groundbreaking anthology of Chinese short speculative fiction.The thirteen stories in this collection, including two by Cixin Liu and the Hugo and Sturgeon award-nominated “Folding Beijing” by Hao Jingfang, add up to a strong and diverse representation of Chinese SF. Some have won awards, some have garnered serioius critical acclaim, some have been selected for Year’s Best anthologies, and some are simply Ken Liu’s personal favorites.To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu. Anyone with an interest in international science fiction will find Invisible Planets an indispensable addition to their collection.For more Chinese SF in translation, check out Broken Stars.Stories:“The Year of the Rat” by Chen Qiufan“The Fist of Lijian” by Chen Qiufan“The Flower of Shazui” by Chen Qiufan“A Hundred Ghosts Parade Tonight” by Xia Jia“Tongtong’s Summer” by Xia Jia“Night Journey of the Dragon-Horse” by Xia jia“The City of Silence” by Ma Boyong“Invisible Planets” by Hao Jingfang“Folding Beijing” by Hao Jingfang“Call Girl” by Tang Fei“Grave of the Fireflies” by Cheng Jingbo“The Circle” by Liu Cixin“Taking Care of God” by Liu CixinEssays:“The Worst of All Possible Universes and the Best of All Possible Earths: Three-Body and Chinese Science Fiction” by Liu Cixin and Ken Liu“The Torn Generation” Chinese Science Fiction in a Culture in Transition” by Chen Qiufan and Ken Liu“What Makes Chinese Science Fiction Chinese?” by Xia Jia and Ken Liu
By Yasheng Huang Ph.D.
The long history of China’s relationship between stability, diversity, and prosperity, and how its current leadership threatens this delicate balanceA Foreign Affairs Best Book of 2023Chinese society has been shaped by the interplay of the EAST—exams, autocracy, stability, and technology—from ancient times through the present. Beginning with the Sui dynasty’s introduction of the civil service exam, known as Keju, in 587 CE—and continuing through the personnel management system used by the Chinese Communist Party (CCP)—Chinese autocracies have developed exceptional tools for homogenizing ideas, norms, and practices. But this uniformity came with a huge downside: stifled creativity.Yasheng Huang shows how China transitioned from dynamism to extreme stagnation after the Keju was instituted. China’s most prosperous periods, such as during the Tang dynasty (618–907) and under the reformist CCP, occurred when its emphasis on scale (the size of bureaucracy) was balanced with scope (diversity of ideas).Considering China’s remarkable success over the past half-century, Huang sees signs of danger in the political and economic reversals under Xi Jinping. The CCP has again vaulted conformity above new ideas, reverting to the Keju model that eventually led to technological decline. It is a lesson from China’s own history, Huang argues, that Chinese leaders would be wise to take seriously.
By Victor H. Mair, Lao Tzu
A landmark translation of one of the most popular works of world literture, this edition of the Tao Te Ching is based on the Ma-wang-tui manuscripts.
By Jan Wong
Jan Wong, a Canadian of Chinese descent, went to China as a starry-eyed Maoist in 1972 at the height of the Cultural Revolution. A true believer--and one of only two Westerners permitted to enroll at Beijing University--her education included wielding a pneumatic drill at the Number One Machine Tool Factory. In the name of the Revolution, she renounced rock & roll, hauled pig manure in the paddy fields, and turned in a fellow student who sought her help in getting to the United States. She also met and married the only American draft dodger from the Vietnam War to seek asylum in China.Red China Blues is Wong's startling--and ironic--memoir of her rocky six-year romance with Maoism (which crumbled as she became aware of the harsh realities of Chinese communism); her dramatic firsthand account of the devastating Tiananmen Square uprising; and her engaging portrait of the individuals and events she covered as a correspondent in China during the tumultuous era of capitalist reform under Deng Xiaoping. In a frank, captivating, deeply personal narrative she relates the horrors that led to her disillusionment with the "worker's paradise." And through the stories of the people--an unhappy young woman who was sold into marriage, China's most famous dissident, a doctor who lengthens penises--Wong reveals long-hidden dimensions of the world's most populous nation.In setting out to show readers in the Western world what life is like in China, and why we should care, she reacquaints herself with the old friends--and enemies of her radical past, and comes to terms with the legacy of her ancestral homeland.
By Terry Pratchett, Stephen Briggs
Lu-Tze is a senior History Monk, also known as Sweeper. Although thought to be 800 years old, there are some who claim he is older yet . . . 5,200 years older, in fact, because for the History Monks, time is a resource to manipulate, and they do . . . Lu-Tze, a bald, yellow-toothed little man with a wispy beard, has a faintly amiable grin, as if constantly waiting for something amusing to happen, and a handy epithet for every occasion. In his life, Lu-Tze has done everything, and his past deeds are legend amongst the History Monks. He is a follower of The Way of Mrs Marietta Cosmopilite. He also grows Bonsai mountains. LU-TZE'S YEARBOOK OF ENLIGHTMENT (including The Way of Mrs Cosmopilite) is the ideal companion for those seeking truth and harmony and, well, the meaning to life - though he doesn't guarantee it will be the right meaning . . .
By Paul U. Unschuld
The Huang Di nei jing su wen, known familiarly as the Su wen, is a seminal text of ancient Chinese medicine, yet until now there has been no comprehensive, detailed analysis of its development and contents. At last Paul U. Unschuld offers entry into this still-vital artifact of China’s cultural and intellectual past. Unschuld traces the history of the Su wen to its origins in the final centuries B.C.E., when numerous authors wrote short medical essays to explain the foundations of human health and illness on the basis of the newly developed vessel theory. He examines the meaning of the title and the way the work has been received throughout Chinese medical history, both before and after the eleventh century when the text as it is known today emerged. Unschuld’s survey of the contents includes illuminating discussions of the yin-yang and five-agents doctrines, the perception of the human body and its organs, qi and blood, pathogenic agents, concepts of disease and diagnosis, and a variety of therapies, including the new technique of acupuncture. An extensive appendix, furthermore, offers a detailed introduction to the complicated climatological theories of Wu yun liu qi ("five periods and six qi"), which were added to the Su wen by Wang Bing in the Tang era. In an epilogue, Unschuld writes about the break with tradition and innovative style of thought represented by the Su wen. For the first time, health care took the form of "medicine," in that it focused on environmental conditions, climatic agents, and behavior as causal in the emergence of disease and on the importance of natural laws in explaining illness. Unschuld points out that much of what we surmise about the human organism is simply a projection, reflecting dominant values and social goals, and he constructs a hypothesis to explain the formation and acceptance of basic notions of health and disease in a given society. Reading the Su wen, he says, not only offers a better understanding of the roots of Chinese medicine as an integrated aspect of Chinese civilization; it also provides a much needed starting point for discussions of the differences and parallels between European and Chinese ways of dealing with illness and the risk of early death.