Recommendations based on "Whatever Next! An Engaging Tale of Family Life, Marriage and Retirement"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love. The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around. Famously filmed by Peter Bogdanovich in 1971 with Jeff Bridges and Cybill Shepherd. With a new introduction by Mary Karr.

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. As volume six, The Kindly Ones (1962), opens, rumblings from Germany recall memories of Nick Jenkins’s boyhood and his father’s service in World War I; it seems clear that all too soon, uniforms will be back in fashion. The looming threat throws the ordinary doings of life into stark relief, as Nick and his friends continue to negotiate the pitfalls of adult life. Moreland’s marriage founders, Peter Templer’s wife—his second—is clearly going mad, and Widmerpool is, disturbingly, gaining prominence in the business world even as he angles for power in the coming conflict. War, with all its deaths and disruptions, is on the way.  "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker   “The most brilliant and penetrating novelist we have.”--Kingsley Amis

“These final days of his San Francisco friends and lovers, gay and straight, are seriously moving. . . . Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City novels—books 7, 8 and 9 collected in this third omnibus volume—stand as an incomparable blend of great storytelling and incisive social commentary on American culture from the seventies through the first two decades of the new millennium. Maupin’s bestselling epic series spans the decade before the AIDS crisis through the era of marriage equality, and follows an unforgettable cast of characters whose diverse sexual identities helped set the social stage for the ongoing sexual revolution. Goodbye Barbary Lane—comprised of Michael Tolliver Lives, Mary Ann in Autumn, and The Days of Anna Madrigal—joins two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, and is a must-have for fans of Maupin and the beloved series.

A stunning 30th anniversary edition of the best-selling Mister God This Is Anna, together with the sequels, Anna's Book, Anna and the Black Knight, with a new preface by Dr Rowan Williams, Archbishop of Canterbury.

“Kennedy's justly acclaimed Albany Cycle [is] one of the imperishable products of American literature since the Second World War. These books can be read singly or in sequence, but read they must be. Kennedy is one of our necessary writers.”—GQ  Legs inaugurated William Kennedy’s celebrated cycle of novels set in Albany, New York. True to both life and myth. Legs evokes the flamboyant career of the legendary gangster Jack “Legs” Diamond, who was finally murdered in Albany, and his showgirl mistress as they blaze a trail across the tabloid pages of the 1920s and 1930s.   The second novel in the Albany cycle depicts Billy Phelan, a slightly tarnished poker player, pool hustler, and small-time bookie, as he moves through the lurid nighttime glare of a tough Depression-era town. Full of Irish pluck, he works the fringes of Albany sporting life with his own particular style—until he falls from underworld grace.   In the Pulitzer Prize-winning novel, Ironweed, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time drunk, has hit bottom. Years ago he left Albany after killing a scab during a workers’ strike, and again after he accidentally—and fatally—dropped his infant son. Now, in 1938, Francis is back, roaming familiar streets and trying to make peace with ghosts of the past and present.William Kennedy’s Albany Cycle of novels reflect what he once described as the fusion of his imagination with a single place. A native and longtime resident of Albany, New York, his work moves from the mid-nineteenth to the mid-twentieth century, chronicling family life, the city’s netherworld, and its spheres of power—financial, ethnic, political—often among the Irish-Americans who dominated the city in this period. The novels in his cycle include, Legs, Billy Phelan’s Greatest Game, Ironweed, Quinn’s Book, Very Old Bones, The Flaming Corsage, and Roscoe.

When Mr. Rogers goes for a drive with Amelia Bedelia, he's in for the ride of his life. She does exactly what he tells her –– and that gets them into trouble, but only Amelia Bedelia can make a car trip this much fun!