Recommendations based on "Ward No. 6 (Chekhov Stories)"

Taken from The Oxford Chekhov, the stories in this collection include "The Butterfly," "Ariadne," "A Dreary Story," "Neighbours," "An Anonymous Story," and "Doctor Startsev," as well as the title story.

Review ‘A dazzling display of Russian magical realism’Daily Mail‘I first encountered VITA NOSTRA in 2009, and then, as now, I was stunned by what I read – not just by the story, which was a revelation to me in itself, but also by the vividness and fluency and power of Hersey's translation. VITA NOSTRA has become a powerful influence on my own writing. It's a book that has the potential to become a modern classic of its genre, and I couldn’t b

Hailed universally as Russia's finest comic writer, and by many as its greatest writer of prose, Nikolai creates a unique Ukranian world, from the darkest Gothic to folkloric levity. Here, this extraordinary countryside is revealed in all its variety in his first two collections of short stories. The only translation available of this cycle of stories, this edition captures fully the spirit and vigor of his important early work for the first time.

A vivid and compelling account of the final thirteen days of the Romanovs, counting down to the last, tense hours of their lives. On 4 July 1918, a new commandant took control of a closely guarded house in the Russian town of Ekaterinburg. His name was Yakov Yurovsky, and his prisoners were the Imperial family- the former Tsar Nicholas, his wife Alexandra, and their children, Olga, Tatiana, Maria, Anastasia and Alexey. Thirteen days later, at Yurovsky's command, and on direct orders from Moscow, the family was gunned down in a blaze of bullets in a basement room. This is the story of those murders, which ended 300 years of Romanov rule and began an era of state-orchestrated terror and brutal repression.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it "the allegory for the world's maturity", but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

An anthology of Russian short fiction includes stories by Pushkin, Gogol, Turgenev, Dostoevsky, Chekhov, Nabokov, and Solzhenitsyn

Hard to find

An enchanting collection of the very best of Russian poetry, edited by acclaimed translator Robert Chandler together with poets Boris Dralyuk and Irina Mashinski. In the late eighteenth and early nineteenth centuries, poetry's pre-eminence in Russia was unchallenged, with Pushkin and his contemporaries ushering in the 'Golden Age' of Russian literature. Prose briefly gained the high ground in the second half of the nineteenth century, but poetry again became dominant in the 'Silver Age' (the early twentieth century), when belief in reason and progress yielded once more to a more magical view of the world. During the Soviet era, poetry became a dangerous, subversive activity; nevertheless, poets such as Osip Mandelstam and Anna Akhmatova continued to defy the censors. This anthology traces Russian poetry from its Golden Age to the modern era, including work by several great poets - Georgy Ivanov and Varlam Shalamov among them - in captivating modern translations by Robert Chandler and others. The volume also includes a general introduction, chronology and individual introductions to each poet. Robert Chandler is an acclaimed poet and translator. His many translations from Russian include works by Aleksandr Pushkin, Nikolay Leskov, Vasily Grossman and Andrey Platonov, while his anthologies of Russian Short Stories from Pushkin to Buida and Russian Magic Tales are both published in Penguin Classics.Irina Mashinski is a bilingual poet and co-founder of the StoSvet literary project. Her most recent collection is 2013's Ophelia i masterok [Ophelia and the Trowel].Boris Dralyuk is a Lecturer in Russian at the University of St Andrews and translator of many books from Russian, including, most recently, Isaac Babel's Red Cavalry (2014).

A brilliant new translation of a perennial favorite of Russian literature   The first major Russian novel, A Hero of Our Time was both lauded and reviled upon publication. Its dissipated hero, twenty-five-year-old Pechorin, is a beautiful and magnetic but nihilistic young army officer, bored by life and indifferent to his many sexual conquests. Chronicling his unforgettable adventures in the Caucasus involving brigands, smugglers, soldiers, rivals, and lovers, this classic tale of alienation influenced Tolstoy, Dostoyevsky, and Chekhov in Lermontov's own century, and finds its modern-day counterparts in Anthony Burgess's A Clockwork Orange, the novels of Chuck Palahniuk, and the films and plays of Neil LaBute.

The Harvest of Sorrow is the first full history of one of the most horrendous human tragedies of the 20th century. Between 1929 and 1932 the Soviet Communist Party struck a double blow at the Russian peasantry: dekulakization, the dispossession and deportation of millions of peasant families, and collectivization, the abolition of private ownership of land and the concentration of the remaining peasants in party-controlled "collective" farms. This was followed in 1932-33 by a "terror-famine," inflicted by the State on the collectivized peasants of the Ukraine and certain other areas by setting impossibly high grain quotas, removing every other source of food, and preventing help from outside--even from other areas of the Soviet Union--from reaching the starving populace. The death toll resulting from the actions described in this book was an estimated 14.5 million--more than the total number of deaths for all countries in World War I. Ambitious, meticulously researched, and lucidly written, The Harvest of Sorrow is a deeply moving testament to those who died, and will register in the Western consciousness a sense of the dark side of this century's history.