Recommendations based on "War and Peace"

From the writer who shocked and delighted the world with his novels Lolita, Pale Fire, and Ada, or Ardor, and so many others, comes a magnificent collection of stories. Written between the 1920s and 1950s, these sixty-five tales--eleven of which have been translated into English for the first time--display all the shades of Nabokov's imagination. They range from sprightly fables to bittersweet tales of loss, from claustrophobic exercises in horror to a connoisseur's samplings of the table of human folly. Read as a whole, The Stories of Vladimir Nabokov offers and intoxicating draft of the master's genius, his devious wit, and his ability to turn language into an instrument of ecstasy.

This Second Norton Critical Edition of Leo Tolstoy’s epic novel is again based on the Louise and Aylmer Maude translation (originally published in 1918; revised with notes in 1939), which has never been surpassed. This volume reprints the 1939 edition, which the editor has revised, making twenty-one textual changes and revising or adding forty-nine footnotes. "Backgrounds and Sources" includes central passages from the letters of Tolstoy and his correspondents, S. A. Tolstoy’s diaries, and contemporary accounts translated by George Gibian exclusively for this Norton Critical Edition. Together these materials document Tolstoy’s writing process and chronicle Anna Karenina’s reception upon publication during the period 1875–77."Criticism" unites Russian and Western interpretations to present the best canonical scholarship on Anna Karenina written between 1877 and 1994. A wide range of perspectives is provided by Fyodor M. Dostoevsky, Nikolai N. Strakhov, Matthew Arnold, M. S. Gromeka, D. S. Merezhkovsky, Boris Eikhenbaum, Henry Gifford and Raymond Williams, George Steiner, Lydia Ginzburg, Eduard Babaev, Gary Saul Morson, Caryl Emerson, Donna Tussing Orwin, and George Gibian.A Chronology of Tolstoy’s life and an updated Selected Bibliography are also included.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favorite work, and this new translation conveys the literal sense and the poetic music of the original.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

'Although he feared death, he could not stop. 'If I stopped now, after coming all this way - well, they'd call me an idiot!' A pair of short stories about greed, charity, life and death from one of Russia's most influential writers and thinkers. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Leo Tolstoy (1828-1910). Tolstoy's works available in Penguin Classics are Anna Karenina, War and Peace, Childhood, Boyhood, Youth,The Cossacks and Other Stories, The Kreutzer Sonata and Other Stories, What is art?, Resurrection, The Death of Ivan Ilyich and Other Stories, Master and Man and Other Stories, How Much Land Does A Man Need? & Other Stories, A Confession and Other Religious Writings and Last steps: The Late Writings of Leo Tolstoy.

A 50th-anniversary Deluxe Edition of the incomparable 20th-century masterpiece of satire and fantasy, in a newly revised version of the acclaimed Pevear and Volokhonsky translationNothing in the whole of literature compares with The Master and Margarita. One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov’s fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin’s reign, and finally published in 1966 and 1967, The Master and Margarita became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere.This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Bringing together six of Turgenev's best known stories in one volume, this collection includes "First Love," "Asya," "Mumu," "The Diary of a Superfluous Man," "Song of Triumphant Love," and "King Lear of the Steppes."

NEW YORK TIMES BESTSELLER • “Impressive . . . Rutherford has indeed embraced all of Russia.”—The Washington Post Book WorldHere, Edward Rutherfurd turns his remarkable talents to a vast canvas: Russia. Spanning 1,800 years of its history, people, politics, and culture, Rutherford's grand saa is as multifaceted as Russia itself: harsh yet exotic, proud yet fearful of enemeies, steeped in ancient superstitions but always seeking to make its mark on the emerging world. In Russka, Rutherford transforms the epic of a great civilization into a human story of flesh and blood, boldness and action, chronicling the lives of four families who are divided by ethnicity but united in shapin the destiny of their land.“Rutherford's Russka succeeds. . . . [He] can take his place among an elite cadre of chroniclers such as Harold Lamb, Maurice Hindus and Henri Troyat.”—San Francisco Chronicle

The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras’s companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art.In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky’s political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel’s sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.

A man condemned to penal servitude in Siberia relates the effects of imprisonment on himself and his fellow prisoners.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.