Recommendations based on "The Wandering Earth Cixin Liu Graphic Novels #2"

A timely look at the impact of China’s booming emergence on the countries of Southeast Asia“An expert and lucid synthesis of the historical context and recent developments of Southeast Asia’s rich and complex relations with Beijing.”—John Reed, Financial TimesToday, Southeast Asia stands uniquely exposed to the waxing power of the new China. Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia’s preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing’s orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition.Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China’s rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.

A fallen god unravels supernatural mysteries and comes face-to-face with ghosts from his past in this official manhua (comic) adaptation of the New York Times bestselling danmei novel by Mo Xiang Tong Xiu. Featuring stunning art by STARember, the webcomic produced by BILIBILI COMICS is now available in English in print for the first time. The first edition hardcover of Heaven Official’s Blessing (The Comic) will feature designed sprayed edges, custom endpapers, deluxe jacket, and a custom case stamp with gold foil! Xie Lian, once the darling of the heavens, is a twice-banished god infamous for his fall from grace. Eight hundred years have passed since his mortal life as the Crown Prince of Xianle, and he’s now the laughingstock of the three realms. So when he ascends to godhood for a third time, it causes an uproar among his divine peers. Ascension may be nothing new to Xie Lian, but this time he has no followers, little power, and less luck. To repay his heavenly debts, Xie Lian must descend to the Mortal Realm to hunt ghosts that prey upon the living. There, he encounters a mysterious stranger—but is this newcomer friend or foe . . . or something else entirely? Volume 1 includes the prologue and episodes 1–14 of the original webcomic based on the webnovel Tian Guan Ci Fu published on JJWXC.

Jan Wong, a Canadian of Chinese descent, went to China as a starry-eyed Maoist in 1972 at the height of the Cultural Revolution. A true believer--and one of only two Westerners permitted to enroll at Beijing University--her education included wielding a pneumatic drill at the Number One Machine Tool Factory. In the name of the Revolution, she renounced rock & roll, hauled pig manure in the paddy fields, and turned in a fellow student who sought her help in getting to the United States. She also met and married the only American draft dodger from the Vietnam War to seek asylum in China.Red China Blues is Wong's startling--and ironic--memoir of her rocky six-year romance with Maoism (which crumbled as she became aware of the harsh realities of Chinese communism); her dramatic firsthand account of the devastating Tiananmen Square uprising; and her engaging portrait of the individuals and events she covered as a correspondent in China during the tumultuous era of capitalist reform under Deng Xiaoping. In a frank, captivating, deeply personal narrative she relates the horrors that led to her disillusionment with the "worker's paradise." And through the stories of the people--an unhappy young woman who was sold into marriage, China's most famous dissident, a doctor who lengthens penises--Wong reveals long-hidden dimensions of the world's most populous nation.In setting out to show readers in the Western world what life is like in China, and why we should care, she reacquaints herself with the old friends--and enemies of her radical past, and comes to terms with the legacy of her ancestral homeland.

The Huang Di nei jing su wen, known familiarly as the Su wen, is a seminal text of ancient Chinese medicine, yet until now there has been no comprehensive, detailed analysis of its development and contents. At last Paul U. Unschuld offers entry into this still-vital artifact of China’s cultural and intellectual past. Unschuld traces the history of the Su wen to its origins in the final centuries B.C.E., when numerous authors wrote short medical essays to explain the foundations of human health and illness on the basis of the newly developed vessel theory. He examines the meaning of the title and the way the work has been received throughout Chinese medical history, both before and after the eleventh century when the text as it is known today emerged. Unschuld’s survey of the contents includes illuminating discussions of the yin-yang and five-agents doctrines, the perception of the human body and its organs, qi and blood, pathogenic agents, concepts of disease and diagnosis, and a variety of therapies, including the new technique of acupuncture. An extensive appendix, furthermore, offers a detailed introduction to the complicated climatological theories of Wu yun liu qi ("five periods and six qi"), which were added to the Su wen by Wang Bing in the Tang era. In an epilogue, Unschuld writes about the break with tradition and innovative style of thought represented by the Su wen. For the first time, health care took the form of "medicine," in that it focused on environmental conditions, climatic agents, and behavior as causal in the emergence of disease and on the importance of natural laws in explaining illness. Unschuld points out that much of what we surmise about the human organism is simply a projection, reflecting dominant values and social goals, and he constructs a hypothesis to explain the formation and acceptance of basic notions of health and disease in a given society. Reading the Su wen, he says, not only offers a better understanding of the roots of Chinese medicine as an integrated aspect of Chinese civilization; it also provides a much needed starting point for discussions of the differences and parallels between European and Chinese ways of dealing with illness and the risk of early death.

Shanghai, 1930s. Shen Shijun, a young engineer, has fallen in love with his colleague, the beautiful Gu Manzhen. He is determined to resist his family’s efforts to match him with his wealthy cousin so that he can marry her. But dark circumstances—a lustful brother-in-law, a treacherous sister, a family secret—force the two young lovers apart. As Manzhen and Shijun go on their separate paths, they lose track of one another, and their lives become filled with feints and schemes, missed connections and tragic misunderstandings. At every turn, societal expectations seem to thwart their prospects for happiness. Still, Manzhen and Shijun dare to hold out hope—however slim—that they might one day meet again. A glamorous, wrenching tale set against the glittering backdrop of an extraordinary city, Half a Lifelong Romance is a beloved classic from one of the essential writers of twentieth-century China.

A compelling, expansive history of the relationship between China and Russia, from the seventeenth century to the presentRussia and China, the largest and most populous countries in the world, respectively, have maintained a delicate relationship for four centuries. In addition to a four-thousand-kilometer border, they have periodically shared a common outlook on political and economic affairs. But they are, in essence, profoundly different polities and cultures, and their intermittent alliances have proven difficult and at times even volatile.Philip Snow provides a full account of the relationship between these two global giants. Looking at politics, religion, economics, and culture, Snow uncovers the deep roots of the two nations' alignment. We see the shifts in the balance of power, from the wealth and strength of early Qing China to the Tsarist and Soviet ascendancies, and episodes of intense conflict followed by harmony. He looks too at the experiences and opinions of ordinary people, which often vastly differed from those of their governments, and considers how long the countries' current amicable relationship might endure.

When disgraced former inspector, Shan Tao Yun joins a group of reverent Tibetans returning a sacred artefact to its home, it seems he has at last found the peace he has struggled for since leaving prison. What starts as a spiritual pilgrimage, however, quickly turns into a desperate flight through the Tibetan wilderness as the outlawed monk who guides them is murdered and Sham discovers that the artefact has recently been stolen from the Chinese army. But why is the army so desperate to find the artefact entrusted to Shan? Why is an aged medicine lama being stalked by government agents? Why has an American woman, a geologist for an oil company, abandoned the project and fled into the mountains? Shan discovers not answers, but only new mysteries as he is drawn to such unexpected places as the raucous headquarters base of the Western oil venture and a monastery that seems more attuned to the teachings of the party than those of Buddha. And the further he travels into the mountains, the more Shan realises that what is at stake is not only justice but the spiritual survival of those who have joined his strange quest. At the heart of Pattison's powerful tale is a story of a brave, oppressed people who have learned to endure by drawing strength from their land and their rich spiritual traditions.

"It was while jogging along the beach just east of the Paradise Cove pier that Artie Wu tripped over a dead pelican, fell, and met the man with six greyhounds."- from Chinaman's ChanceThus begins what may be the most popular of Ross Thomas's unique stories. The combination of Wu, pretender to the Imperial throne of China, and Quincy Durant, who has his own colorful past, makes for a heady experience. After starting with the deceased pelican on a California beach, the plot mixes in the disappearance of a large sum of money that should have been buried in Vietnam, and the search for the missing member of a trio of singing sisters from the Ozarks. Only Thomas could have stirred this concoction with the style, humor, and suspense that captures the reader at the very beginning and doesn't let go until the last word.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

As China reclaims its position as a world power, Imperial Twilight looks back to tell the story of the country’s last age of ascendance and how it came to an end in the nineteenth-century Opium War.   As one of the most potent turning points in the country’s modern history, the Opium War has since come to stand for everything that today’s China seeks to put behind it. In this dramatic, epic story, award-winning historian Stephen Platt sheds new light on the early attempts by Western traders and missionaries to “open” China even as China’s imperial rulers were struggling to manage their country’s decline and Confucian scholars grappled with how to use foreign trade to China’s advantage. The book paints an enduring portrait of an immensely profitable—and mostly peaceful—meeting of civilizations that was destined to be shattered by one of the most shockingly unjust wars in the annals of imperial history. Brimming with a fascinating cast of British, Chinese, and American characters, this riveting narrative of relations between China and the West has important implications for today’s uncertain and ever-changing political climate.