Recommendations based on "The Uses and Abuses of History"

Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present.Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.

New York Times Readers’ Pick: Top 100 Books of the 21st Century The tenth anniversary edition of the internationally bestselling phenomenon that cemented Yuval Noah Harari as one of the most prominent historians of our time—featuring a new afterword from the author. One hundred thousand years ago, at least six human species inhabited the earth. Today there is just one. Us. Homo sapiens. How did our species succeed in the battle for dominance? Why did our foraging ancestors come together to create cities and kingdoms? How did we come to believe in gods, nations, and human rights; to trust money, books, and laws; and to be enslaved by bureaucracy, timetables, and consumerism? And what will our world be like in the millennia to come? In Sapiens, Professor Yuval Noah Harari spans the whole of human history, from the very first humans to walk the earth to the radical—and sometimes devastating—breakthroughs of the Cognitive, Agricultural, and Scientific Revolutions. Drawing on insights from biology, anthropology, paleontology, and economics, and incorporating full-color illustrations throughout the text, he explores how the currents of history have shaped our human societies, the animals and plants around us, and even our personalities. Can we ever free our behavior from the legacy of our ancestors? And what, if anything, can we do to influence the course of the centuries to come? Bold, wide-ranging, and provocative, Sapiens integrates history and science to challenge everything we thought we knew about being human: our thoughts, our actions, our heritage...and our future.

Mumford explains the forces that have shaped technology since prehistoric times and shaped the modern world. He shows how tools developed because of significant parallel inventions in ritual, language, and social organization. “It is a stimulating volume, informed both with an enormous range of knowledge and empathetic spirit” (Eliot Fremont-Smith, New York Times). Index; photographs.

This remarkable book--the fruit of almost two decades of study--traces in compelling fashion the changes in Western attitudes toward death and dying from the earliest Christian times to the present day. A truly landmark study, The Hour of Our Death reveals a pattern of gradually developing evolutionary stages in our perceptions of life in relation to death, each stage representing a virtual redefinition of human nature.Starting at the very foundations of Western culture, the eminent historian Phillipe Aries shows how, from Graeco-Roman times through the first ten centuries of the Common Era, death was too common to be frightening; each life was quietly subordinated to the community, which paid its respects and then moved on. Aries identifies the first major shift in attitude with the turn of the eleventh century when a sense of individuality began to rise and with it, profound consequences: death no longer meant merely the weakening of community, but rather the destruction of self. Hence the growing fear of the afterlife, new conceptions of the Last Judgment, and the first attempts (by Masses and other rituals) to guarantee a better life in the next world. In the 1500s attention shifted from the demise of the self to that of the loved one (as family supplants community), and by the nineteenth century death comes to be viewed as simply a staging post toward reunion in the hereafter. Finally, Aries shows why death has become such an unendurable truth in our own century--how it has been nearly banished from our daily lives--and points out what may be done to "re-tame" this secret terror.The richness of Aries's source material and investigative work is breathtaking. While exploring everything from churches, religious rituals, and graveyards (with their often macabre headstones and monuments), to wills and testaments, love letters, literature, paintings, diaries, town plans, crime and sanitation reports, and grave robbing complaints, Aries ranges across Europe to Russia on the one hand and to England and America on the other. As he sorts out the tangled mysteries of our accumulated terrors and beliefs, we come to understand the history--indeed the pathology--of our intellectual and psychological tensions in the face of death.

Compiled by a team of leading historians, this is a wonderfully rich, lavishly illustrated history of England, Scotland, Wales, and Ireland. The reader is taken on a journey from prehistoric times to the present day, examining such topics as the spread of literacy, the development of transport, and the evolution of country houses on the way. British cities are brought to life in artwork reconstructions that take the reader back to the Dublin of the 18th century or London in the 1850s. Scholarly yet accessible, this is the ideal introduction to British and Irish history.

A vital instrument of power, telecommunications is and has always been a political technology. In this book, Headrick examines the political history of telecommunications from the mid-nineteenth century to the end of World War II. He argues that this technology gave society new options. In times of peace, the telegraph and radio were, as many predicted, instruments of peace; in times of tension, they became instruments of politics, tools for rival interests, and weapons of war. Writing in a lively, accessible style, Headrick illuminates the political aspects of information technology, showing how in both World Wars, the use of radio led to a shadowy war of disinformation, cryptography, and communications intelligence, with decisive consequences.

I just got off the sunset train I'm from the Angel Town The Golden West Los Angeles Where the sun shines all year round I left a girlie back there She's the sweetest girl I know She said 'Goodbye' I'll wait for you In the Land of the Bungalow from In the Land of the Bungalow by George F. Devereux (1929) The bungalow, in all its various forms, has existed since the early seventeenth century--from its origin as a Bengalese hut, or "banggolo," made of mud, cow dung, thatch, and bamboo, to later developments as a one-story, square structure surrounded by a collonaded veranda, and the subtlepermutations exhibited in designs such as the Frank Lloyd Wright style "prairie House." Originally created as a peasant dwelling in rural India, and later an accommodation for European travellers and expansive permanent residences for the colonial ruling class who served there, the bungalow hasbecome one of the most frequently adopted house forms throughout the world and the most popular home style in the United States. Architects the world over have extolled the bungalow's merits in their interpretations of its modest style and economy, while romantic notions of this humble abode havebeen conveyed through poetry and song by both temporary sojourners and permanent residents, rejoicing in its simplistic luxury. It is, in fact, the only dwelling which, in both name and form, exists on every continent (the word bungalow has entered eighteen languages). The first work of its kind, this richly illustrated volume takes readers on an engaging tour of the history of the bungalow, explaining the evolution of this architectural wonder, from its inception as a practical dwelling place to its present day incarnation as a suburban home looked upon withaffection and pride. Here, Anthony D. King explores the historical forces, which in producing the bungalow, also shaped the modern world: colonialism and industrialization, capitalism and socialism, urbanization and suburbanization. He argues that a global culture of architectural style can beidentified with the bungalow, one which accords with the development of our international, capitalistic, and urban culture, and that the bungalow "was one of, if not the first, common house types of this culture." Every type of bungalow is discussed, including the American Craftsman and Arts andCrafts cottage styles, the Spanish Colonial and California bungalows that became the basis for suburban sprawl throughout Los Angeles, and the Japanese teahouse style that dominates the Florida landscape. Offering the definitive history of America's most popular house form, this fascinating work provides an engaging look at the charming structure of the bungalow. Indeed, as this unique book shows, one might expect to hear a happy bungalow owner (whether from a bohemian summer bungalow in the woodsof Vancouver or a family home in the suburbs of Jacksonville, Florida) singing a bungalow tune: "Far from the city, Somehow it seems, We're sitting pretty in, Our bungalow, Of dreams."

A panoramic exploration of peoples, objects and beliefs over 40,000 years from the celebrated author of A History of the World in 100 Objects and Germany, following the new BBC Radio 4 documentary and British Museum exhibition. One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious.Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are.For in deciding how we live with our gods, we also decide how to live with each other.'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times

New Zealand was the last country in the world to be discovered and settled by humankind. It was also the first to introduce full democracy. Between those events, and in the century that followed the franchise, the movements and conflicts of human history have been played out more intensively and more rapidly in New Zealand than anywhere else on Earth.

Following his profoundly influential study, Orientalism, Edward Said now examines western culture. From Jane Austen to Salman Rushdie, from Yeats to media coverage of the Gulf War, Culture and Imperialism is a broad, fierce and wonderfully readable account of the roots of imperialism in European culture.