Recommendations based on "The Suitcase: A Novel"

One hot spring the devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.(back cover)

First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms, voicings, and tone—in this beautiful translation of a classic of world literature.

Prose writings from one of Russia's greatest poetsThese stories are wonderful in their purity of form, humor, and understatement. This collection also contains a selection of other Pushkin writings, including the fragment Roslavlev, Egyptian Nights, and the autobiographical Journey to Arzrum.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Vita Nostra” — a cross between Lev Grossman’s “The Magicians” and Elizabeth Kostova’s “The Historian” [...] is the anti-Harry Potter you didn’t know you wanted.” -- The Washington Post“Vita Nostra has become a powerful influence on my own writing. It’s a book that has the potential to become a modern classic of its genre, and I couldn’t be more excited to see it get the global audience in English it so richly deserves.” -- Lev GrossmanBest Books of November 2018 -- Paste MagazineThe definitive English language translation of the internationally acclaimed Russian novel—a brilliant dark fantasy combining psychological suspense, enchantment, and terror that makes us consider human existence in a fresh and provocative way.Our life is brief . . .Sasha Samokhina has been accepted to the Institute of Special Technologies.Or, more precisely, she’s been chosen.Situated in a tiny village, she finds the students are bizarre, and the curriculum even more so. The books are impossible to read, the lessons obscure to the point of maddening, and the work refuses memorization. Using terror and coercion to keep the students in line, the school does not punish them for their transgressions and failures; instead, it is their families that pay a terrible price. Yet despite her fear, Sasha undergoes changes that defy the dictates of matter and time; experiences which are nothing she has ever dreamed of . . . and suddenly all she could ever want.A complex blend of adventure, magic, science, and philosophy that probes the mysteries of existence, filtered through a distinct Russian sensibility, this astonishing work of speculative fiction—brilliantly translated by Julia Meitov Hersey—is reminiscent of modern classics such as Lev Grossman’s The Magicians, Max Barry’s Lexicon, and Katherine Arden’s The Bear and the Nightingale, but will transport them to a place far beyond those fantastical worlds.

A man condemned to penal servitude in Siberia relates the effects of imprisonment on himself and his fellow prisoners.

Sasha Sokolov is one of few writers to have been praised by Vladimir Nabokov, who called his first novel, A School for Fools, "an enchanting, tragic, and touching book." Sokolov's second novel, Between Dog and Wolf, written in 1980, has long intimidated translators because of its complex puns, rhymes, and neologisms. Language rather than plot motivates the story―the novel is often compared to James Joyce's Finnegans Wake―and time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter. Sokolov's fiction has hugely influenced contemporary Russian writers. Now, thanks to Alexander Boguslawski's bold and superb translation, English readers can access what many consider to be his best work.

In its adventurous happenings, its abductions, duels, and sexual intrigues, A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

The letters of the great writer to his wife--in their first publication--tell a long and beguiling love story and document anew the creative energies of an artist who was always at work. No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokov's to Vera Slonim. She shared his delight at the enchantment of life's trifles and literature's treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their meeting in 1923, Vladimir's letters to Vera form a narrative arc that tells a half-century long love story, one that is playful, romantic, pithy, and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everything--animals, people, speech, the landscapes he encountered--and learn of the poems, plays, stories, novels, memoirs, screenplays, and translations on which he worked ceaselessly. This delicious volume contains 21 photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Vera.Edited and translated by Olga Voronina and Brian Boyd."

History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizationsA People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together.Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife.Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.

With the publication of "The Overcoat" in 1842, Nicolai Gogol (1809–1852) inaugurated a new chapter in Russian literature, in which the underdog and social misfit is treated not as a figure of fun or an object of charity, but as a human being with as much right to happiness as anybody else.The compassion, simplicity, and gentle humor with which he treats the poignant quest of a hapless civil servant for the return of his stolen overcoat―and the fantastic yet realistic manner in which he takes revenge on his nemesis, the Very Important Person―mark "The Overcoat" as one of the greatest achievements of Gogol's genius.The five other "Tales of Good and Evil" in this superb collection demonstrate the broad range of Gogol's literary palette in his short fiction: the fantastic, supernaturally tinged "The Terrible Vengeance," the comic portraiture of "Ivan Fydorovich Shponka and His Aunt," the tragic moral realism of "The Portrait" and "Nevsky Avenue," and the rampaging satire and absurdism of his send-up of Russian upper-class stupidity, "The Nose." The stories offer the reader the perfect introduction to the imaginative genius of Gogol, which was to flower so triumphantly in his masterpiece, Deal Souls.