Recommendations based on "The Story of the Flight at Kitty Hawk (Cornerstones of Freedom)"

Richard Wright's memoir of his childhood as a young black boy in the American south of the 1920s and 30s sold more than half a million copies on first publication and is considered a classic of the genre.

"Altogether superb: an accessible, fluent account that advances scholarship while building a worthy memorial to the victims of two and a half centuries past." —Kirkus Reviews (starred review) In 1755, New England troops embarked on a "great and noble scheme" to expel 18,000 French-speaking Acadians ("the neutral French") from Nova Scotia, killing thousands, separating innumerable families, and driving many into forests where they waged a desperate guerrilla resistance. The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia; its settlers traded and intermarried freely with native Mikmaq Indians and English Protestants alike. But the Acadians' refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia's fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion.The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.

Published by Penguin Books, New York, 1992, written by John Steinbeck.

The year is 1870, and Fool's Crow, so called after he killed the chief of the Crows during a raid, has a vision at the annual Sun Dance ceremony. The young warrior sees the end of the Indian way of life and the choice that must be made: resistance or humiliating accommodation."A major contibution to Native American literature." —Wallace Stegner.

1939 COPYRIGHT. OUR COPY HAS A DIFFERENT COVER THAN STOCK PHOTO SHOWN, AND IT WAS PUBLISHED BY LITTLE, BROWN & CO. PLEASE SEE OUR SCAN. FORMER LIBRARY BOOK WITH USUAL STAMPS & MARKINGS. SCUFFING & EDGE WEAR ON COVERS/SPINE. AGE RELATED TANNING INSIDE COVERS AND ON PAGES. MUSTY ODOR. SOME CRAYON MARKING ON PAGES, NOT AFFECTING READABILITY.

This revision of the acclaimed and widely assigned Norton Critical Edition of Frederick Douglass’s great autobiography Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself includes key examples of literary and cultural analyses that have engaged scholars over the last three decades. This Norton Critical Edition includes:- Frederick Douglass’s 1845 Narrative, the most influential autobiography of its kind.- A preface and explanatory footnotes by William L. Andrews and William S. McFeely.- Contemporary perspectives by Douglass, Margaret Fuller, James Monroe Gregory, and Elizabeth Cady Stanton.- Essays by William L. Andrews, William S. McFeely, Henry Louis Gates, Jr., Deborah E. McDowell, Houston A. Baker, Jr., Jeannine Marie DeLombard, and Robert D. Richardson, Jr.- A Chronology and a Selected Bibliography.

"Sets out to give an honest and thorough account of this extraordinary man and does so. . . . Arguably the best [biography of Stonewall]." ―Washington Post Book World The charismatic Confederate general Stonewall Jackson, who began his military career in the Mexican War, earned his great fame in the Civil War in a series of brilliantly fought battles. He was given the name Stonewall at the First Battle of Bull Run, when his brigade faced overwhelming odds but held the line. Byron Farwell's engrossing narrative reveals Stonewall Jackson both as a military genius and as a quirky, dark personality radically different from the storybook version that grew up after Jackson's untimely death at Chancellorsville in 1863.

Originally published in 1935, this is Pulitzer Prize winner Edna Ferber's sprawling novel of Wisconsin's logging days, when fortunes—and families—were made and broken over king lumber. Barney Glasgow, who had fought his way up from chore-boy in the lumber camps of Iron Ridge to lumber king of Wisconsin, is fifty-three and has much reason to be content when the granddaughter of his old friend, Swan Bostrom, disrupts his life. But destiny provides an ironic escape from folly, and Barney's son carries on the story—a story which was to end in those fatal months that closed the year 1929. Rich with the vibrant qualities of life itself, this is more than the story of Barney Glasgow and his children. It is the story of lumber, and the story of the making and breaking of a fortune, during one of the most fascinating periods in the history of Wisconsin, and of the nation.

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.