Recommendations based on "The Smile of the Lamb A Novel"

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THE INSTANT NEW YORK TIMES BESTSELLER!Also on the USA Today, Washington Post, Boston Globe, Globe and Mail, Publishers Weekly, and Indie bestseller lists.One of the most important stories of World War II, already optioned by Steven Spielberg for a major motion picture: a spectacular, searing history that brings to light the extraordinary accomplishments of brave Jewish women who became resistance fighters—a group of unknown heroes whose exploits have never been chronicled in full, until now.Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick, taught children, and hid families.Yet the exploits of these courageous resistance fighters have remained virtually unknown.As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, and Band of Brothers, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond.Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.NPR's Best Books of 2021National Jewish Book Award, 2021Canadian Jewish Literary Award, 2021

“To me, hard times are like hide-and-seek - where is the solution, where is the hope? We can never give up looking for these things because they are just waiting to be found.”Gidon Lev arrived at the Nazi concentration camp of Theresienstadt in the former Czechoslovakia as prisoner number 885. He was six years old. Liberated when he was just ten years old, Gidon is one of only a handful of children who survived the camp. He lost 26 members of his family in the Holocaust, including his father, grandfather, and great-grandparents. After decades of silence, Gidon first told his story to a group of German high school students. Now, Gidon has spoken to celebrities and diplomats all over the world and taken social media by storm - all with his signature candor, charm, and wisdom. Let’s Make Things Better is the calling card of an indomitable spirit—sharing timeless truths, from reconciling with the past, standing up to hate, living for the moment, bringing people together, and finding hope for the future in an increasingly uncertain world. Ultimately, Gidon’s lesson for all of us is that we have opportunities, large and small, every day to make things better now and to leave the world a better place when we are gone. This astonishingly simple power is available to all of us, and Gidon Lev's life is a lesson about how to do it, even in the face of extraordinary adversity.

NATIONAL JEWISH BOOK AWARD WINNER • Visually and emotionally rich, MetaMaus is as groundbreaking as the masterpiece whose creation it reveals.In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize–winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.He probes the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process.Compelling and intimate, MetaMaus is poised to become a classic in its own right.

Based on 70 hours of interviews with Franz Stangl, commandant of Treblinka (the largest of the five Nazi extermination camps), this book bares the soul of a man who continually found ways to rationalize his role in Hitler's final solution.

In this long-awaited sequel to his international bestseller The Holocaust Industry, Norman G. Finkelstein moves from an iconoclastic interrogation of the new anti-Semitism to a meticulously researched exposé of the corruption of scholarship on the Israel-Palestine conflict.Bringing to bear the latest findings on the conflict and recasting the scholarly debate, Finkelstein points to a consensus among historians and human rights organizations on the factual record. Why, then, does so much controversy swirl around the conflict? Finkelstein’s answer, copiously documented, is that apologists for Israel contrive controversy. Whenever Israel comes under international pressure, another media campaign alleging a global outbreak of anti-Semitism is mounted.Finkelstein also scrutinizes the proliferation of distortion masquerading as history. Recalling Joan Peters’ book From Time Immemorial, published to great fanfare in 1984 but subsequently exposed as an academic hoax, he asks deeply troubling questions here about the periodic reappearance of spurious scholarship and the uncritical acclaim it receives. The most recent addition to this genre, Finkelstein argues, is Harvard Law Professor Alan Dershowitz’s bestseller, The Case for Israel.The core analysis of Beyond Chutzpah sets Dershowitz’s assertions on Israel’s human rights record against the findings of the mainstream human rights community. Sifting through thousands of pages of reports from organizations such as Amnesty International, B’Tselem, and Human Rights Watch, Finkelstein argues that Dershowitz has misrepresented the facts.Thoroughly researched and tightly argued, Beyond Chutzpah lifts the veil of controversy shrouding the Israel-Palestine conflict.

When did the Arab-Israeli conflict begin? Some discussions focus on the 1967 war, some go back to the creation of the state of Israel in 1948, and others look to the beginning of the British Mandate in 1922. Alan Dowty, however, traces the earliest roots of the conflict to the Ottoman Empire in the 19th century, arguing that this historical approach highlights constant clashes between religious and ethnic groups in Palestine. He demonstrates that existing Arab residents viewed new Jewish settlers as European and shares evidence of overwhelming hostility to foreigners from European lands. He shows that Jewish settlers had tremendous incentive to minimize all obstacles to settlement, including the inconvenient hostility of the existing population. Dowty's thorough research reveals how events that occurred over 125 years ago shaped the implacable conflict that dominates the Middle East today.

"In its comprehensive sweep, deep probing and acute critical analysis, Finkelstein's study stands alone."—Noam Chomsky"No one who ventures an opinion on Gaza . . . is entitled to do so without taking into account the evidence in this book."—The InterceptThe Gaza Strip is among the most densely populated places in the world. More than two-thirds of its inhabitants are refugees, and more than half are under eighteen years of age. Since 2004, Israel has launched eight devastating “operations” against Gaza’s largely defenseless population. Thousands have perished, and tens of thousands have been left homeless. In the meantime, Israel has subjected Gaza to a merciless illegal blockade.   What has befallen Gaza is a man-made humanitarian disaster.   Based on scores of human rights reports, Norman G. Finkelstein's new book presents a meticulously researched inquest into Gaza’s martyrdom. He shows that although Israel has justified its assaults in the name of self-defense, in fact these actions constituted flagrant violations of international law.   But Finkelstein also documents that the guardians of international law—from Amnesty International and Human Rights Watch to the UN Human Rights Council—ultimately failed Gaza. One of his most disturbing conclusions is that, after Judge Richard Goldstone's humiliating retraction of his UN report, human rights organizations succumbed to the Israeli juggernaut. Finkelstein’s magnum opus is both a monument to Gaza’s martyrs and an act of resistance against the forgetfulness of history.

THE INSTANT SUNDAY TIMES BESTSELLER 'Epic, moving and important' ROBERT HARRIS 'I'm not sure I've ever come across quite such a revelatory account of the Holocaust and yet despite the horror and the sadness it's also a 'memoir of miraculous survival'. I can't recommend it enough' ANTHONY HOROWITZ 'A modern classic' OBSERVER 'An unforgettable epic of a book' DAILY MAIL From longstanding political columnist and commentator Daniel Finkelstein, a powerful memoir exploring both his mother and his father's devastating experiences of persecution, resistance and survival during the Second World War. Daniel's mother Mirjam Wiener was the youngest of three daughters born in Germany to Alfred and Margarete Wiener. Alfred, a decorated hero from the Great War, is now widely acknowledged to have been the first person to recognise the existential danger Hitler posed to the Jews and began, in 1933, to catalogue in detail Nazi crimes. After moving his family to Amsterdam, he relocated his library to London and was preparing to bring over his wife and children when Germany invaded the Netherlands. Before long, the family was rounded up, robbed and sent to starve in Bergen-Belsen. Daniel's father Ludwik was born in Lwów, the only child of a prosperous Jewish family. In 1939, after Hitler and Stalin carved up Poland, Ludwik's father was arrested and sentenced to hard labour in the Gulag. Meanwhile, deported to Siberia and working as a slave labourer on a collective farm, Ludwik survived the freezing winters in a tiny house he built from cow dung. Hitler, Stalin, Mum and Dad is a deeply moving, personal and at times horrifying memoir about Finkelstein's parents' experiences at the hands of the two genocidal dictators of the twentieth century. It is a story of persecution; survival; and the consequences of totalitarianism told with the almost unimaginable bravery of two ordinary families shining through. 'Danny Finkelstein has written an elegant, moving account of the history of one family, and in doing so shines light on the history of the 20th century. If you want to understand Hitler and Stalin, read this book about people whose lives were upended by both of them' ANNE APPLEBAUM, author of Gulag: A History, winner of the Pulitzer Prize

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.