Recommendations based on "The Secret of Jane's Success"

After an sudden "accident" leaves her with half a face, no ability to speak, and no self-esteem, a fashion model is approached by Brandy Alexander--who's one operation away from becoming a "real woman"--who teaches her that reinventing oneself means erasing the past and making up something better.

GOOD MORNING AMERICA BOOK CLUB PICK  "The Change is like a guttural rage scream (and somehow a soft, tearful hug) of a book, and I couldn't have loved it any more." --Emily Henry Big Little Lies meets The Witches of Eastwick—a gloriously entertaining and knife-sharp revenge fantasy about three women whose midlife crisis brings unexpected new powers—putting them on a collision course with the evil that lurks in their wealthy beach town.  "A roar of rage, a pacy page-turner, I loved it with all my broken heart. Read it. You’ll love it."--New York Times bestselling author Marian Keyes "Miller triumphs...THE CHANGE is that rare treat: a suspenseful story with great pacing, memorable characters, and an engaging voice. Fantastic in every way, this fierce anthem against misogyny is a smash."--Publishers Weekly (starred review) "A pointed, punchy, and potent thriller...wry and clever, serious and exacting, and masterfully suspenseful."--Booklist (starred review) In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment… After Nessa James’s husband dies and her twin daughters leave for college, she’s left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn’t take long for Nessa to realize that the voices calling out to her belong to the dead—a gift she’s inherited from her grandmother, which comes with special responsibilities. On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn’t left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett’s life is far from over—in fact, she’s undergone a stunning and very welcome metamorphosis. Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw—until she realizes she has the ability to channel them, and finally comes into her power. Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative. Their investigation into the girl’s murder leads to more bodies, and to the town’s most exclusive and isolated enclave, a world of stupendous wealth where the rules don’t apply. With their newfound powers, Jo, Nessa, and Harriett will take matters into their own hands…

Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.In Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned - from the layout of the winding roads, to the colours of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.Enter Mia Warren - an enigmatic artist and single mother- who arrives in this idyllic bubble with her teenage daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than just tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past, and a disregard for the rules that threatens to upend this carefully ordered community.When old family friends attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town - and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at an unexpected and devastating cost . . .

And the Internet has democratised overly. But you know what? People love hierarchy. It infuriates them but it makes them horny. It's gold dust.Anna. 25. Curator. I ? art, fashion, NYC. Ariel. 32. CEO @Genesis. A dating app by invite only. SF-NYC-LDN.It's all about concept, and it's so easy. Anna and Ariel, they make the world. They curate and create and know what people want. The fashionistas, the art scene, the elite party circuit. Outsiders who infiltrate, who influence, who dazzle. Appearance is everything. And then it isn't. And there's a price to pay.A story about narcissism inspired by real events, Anna X premiered at the VAULT Festival, 2019, and transferred to the Harold Pinter Theatre, London, in July 2021.

In Girl Trouble, acclaimed writer Holly Goddard Jones examines small-town Southerners aching to be good, even as they live in doubt about what goodness is.A high school basketball coach learns that his star player is pregnant--with his child. A lonely woman refIects on her failed marriage and the single act of violence, years buried, that brought about its destruction. In these eight beautifully written, achingly poignant, and occasionally heartbreaking stories, the fine line between right and wrong, good and bad, love and violence is walked over and over again.In "Good Girl," a depressed widower is forced to decide between the love of a good woman and the love of his own deeply flawed son. In another part of town and another time, thirteen-year-old Ellen, the central figure of "Theory of Realty," is discovering the menaces of being "at that age": too old for the dolls of her girlhood, too young to understand the weaknesses of the adults who surround her. The linked stories "Parts" and "Proof of God" offer distinct but equally correct versions of a brutal crime--one from the perspective of the victim's mother, one from the killer's.

“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling authorThe Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet.Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy?As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

The Oppenheimer triplets have been reared with every advantage: wealth, education, and the determined attention of at least one of their parents. But they have been desperate to escape each other ever since they were born. Now, on the verge of their departure for college and so close to their long-coveted freedom, the triplets are forced to contend with an unexpected complication: a fourth Oppenheimer sibling has just been born. What has possessed their parents to make such an unfathomable decision? The triplets can't begin to imagine the the power this little latecomer is about to exert - nor just how destructive she'll be to their plans.

Elizabeth O'Connell has survived one of the worst betrayals a wife can imagine. Finding out that she wasn't the only woman in her husband's life meant the end of her marriage and a year of personal hell. Now she's focusing on her new business and raising her two kids. Carter Hudson isn't part of her plan. When he's introduced to Liz by well-meaning friends, her dislike is instant. But as she spends time with him, Liz realizes she likes having Carter in her life--more than likes it. However, Carter has secrets in his past that he can't seem to escape, secrets that apparently involve a woman. Liz is sure of one thing--she'll never be "the other woman" again!

A REESE’S BOOK CLUB PICK ∙ AN INSTANT #1 NEW YORK TIMES BESTSELLER ∙ Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping novel from Emily Henry.As featured in The New York Times ∙ Rolling Stone ∙ People ∙ Good Morning America ∙ NPR ∙ Vogue ∙ The Los Angeles Times ∙ The Cut ∙ USA Today ∙ Cosmopolitan ∙ Harper's Bazaar ∙ Marie Claire ∙ Glamour ∙ ELLE ∙ E! Online ∙ The New York Post ∙ Bustle ∙ Reader's Digest ∙ BBC ∙ PopSugar ∙ SheReads ∙ Paste ∙ and more!Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: to write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the twentieth century.When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game.One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over.Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication.Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition.But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room.And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad . . . depending on who’s telling it.

Candy Apple books . . . just for you. Sweet. Fresh. Fun. Take a bite! Jenna Sampson, perfectly normal seventh grader and editor of the school newspaper, is mortified. Her parents are opening a super-embarrassing juice bar at the mall. Jenna has to work there . . . and wear a ridiculous uniform. She's pretty sure her life can't get worse, until she finds out that the school paper might shut down. But the gossip Jenna overhears from the juice bar is totally newsworthy, which gives her a great idea. A gossip column could be a huge hit and save the paper --- or cause a ton of trouble!