Recommendations based on "The Secret Diary of Adrian Mole Aged 13 3/4 30th Anniversary Ed: 30th Anniversary Edition"

From Holden Caulfield to Moses Herzog, our best literature has been narrated by malcontents. To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the farm we're all obsessed with.Welcome to Clarkson's farm.An idyllic spot offering picturesque views across the Cotswolds, bustling hedgerows and natural springs, it's the perfect plot of land for someone to delegate the actual, you know, farming to someone else while he galivants around the world in cars.Until one day, Jeremy decided he would do the farming itself.After all, how hard could it be? . . .Faced with suffocating red tape, biblical weather, local objections, a global pandemic and his own frankly staggering ignorance of how to 'do farming', Jeremy soon realises that turning the farm around is going to take more than splashing out on a massive tractor.Fortunately, there's help at hand from a large and (mostly) willing team, including girlfriend Lisa, Kaleb the Tractor Driver, Cheerful Charlie, Ellen the Shepherd and Gerald, his Head of Security and Dry Stone Waller.Between them, they enthusiastically cultivate crops, rear livestock and hens, keep bees, bottle spring water and open a farm shop. But profits remain elusive.And yet while the farm may be called Diddly Squat for good reason, Jeremy soon begins to understand that it's worth a whole lot more to him than pounds, shillings and pence . . .

Once more I am beyond the Valley of the Confused and treading lightly in the Universe of the Huge Red Bottom. What is the matter with me? I love the Sex God and he is my one and only, but try telling that to my lips. Georgia has finally put her red-bottomosity to rest and chosen Robbie the Sex God over Dave the Laugh. After all, with the Sex God she'll be a pop-star girlfriend and go on tour! Besides, Dave the Laugh is now dating her friend Ellen (although that didn't stop Georgia from snogging him at a party ... ). But when the Sex God is never around and Dave the Laugh breaks up with Ellen, Georgia doesn't know what to think! Is she doomed to be a pop-star widow, or will she take her own bottom firmly in hand and blow her cosmic horn? And will her cat, Angus (the size of a small Labrador, only mad), ever get over the shame of having his trouser snake addendums snipped? As always, in Georgia's life, nothing ever turns out as planned!

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

A book for anybody who's ever had a beard, thought about a beard, seen a beard, not had a beard.The job of the skin is to keep things in.On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless. Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*! Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evilis an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.

P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion.In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life.With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer

“Harry Crews is magnificently twisted and brutally funny.” - Carl HiaasenA Penguin Classic Golden-haired, with the voice of an angel and a reputation as a healer, the Gospel Singer appeared on the cover of LIFE and brought thousands to their knees in Carnegie Hall. But for all his fame, he is a man in mortal torment that drives him back to his obscure and wretched hometown of Enigma, Georgia. But by the time his Cadillac pulls into Enigma, he discovers an old friend is being held at tenuous bay from a lynch mob. As Harry Crews’s first novel unfolds, the Gospel Singer is forced to give way to his torment, and in doing so he reveals to the believers who have gathered at his feet just how little he is God’s man, and how much he has contributed to the corruption of each of them.

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love. The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around. Famously filmed by Peter Bogdanovich in 1971 with Jeff Bridges and Cybill Shepherd. With a new introduction by Mary Karr.