Recommendations based on "The Private Lives of the Tudors Uncovering the Secrets of Britain's Greatest Dynasty"

In celebration of the 100th anniversary of its publication, a beautifully illustrated annotation of The Wizard of Oz, complete with an exact reproduction of the original 1900 edition. The Wonderful Wizard of Oz is the quintessential American fairy tale. Michael Patrick Hearn, the world's leading Oz scholar, now provides a fascinating new annotation that not only reacquaints readers with the Tin Woodman, Scarecrow, and Cowardly Lion, but also illuminates the colorful background of this treasured American classic. This edition explores numerous contemporary references, provides character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W.W. Denslow, as well as 25 previously unpublished illustrations. There is a bibliography of L. Frank Baum's published work, every notable "Oz" edition, and the stage and cinematic productions from 1939's The Wizard of Oz, to the 1974 Broadway hit, The Wiz. A beautiful, awe-inspiring work, The Annotated Wizard of Oz is an enduring tribute to the timeless joy of The Wizard of Oz, and a classic to rival Baum's own.

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

A timely survey of this significant British artist and the complexities surrounding his work and reputation todayFamed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858–1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke’s depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke’s repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body—especially the young body—both then and now.Published in association with Watts GalleryExhibition Schedule: Watts Gallery, Surrey(June 7–September 12, 2021)Falmouth Art Gallery, Cornwall(September 18–November 20, 2021)

Flamboyant and controversial, Oscar Wilde was a dazzling personality, a master of wit, and a dramatic genius whose sparkling comedies contain some of the most brilliant dialogue ever written for the English stage. Here in one volume are his immensely popular novel, The Picture of Dorian Gray; his last literary work, “The Ballad of Reading Gaol,” a product of his own prison experience; and four complete plays: Lady Windermere’s Fan, his first dramatic success, An Ideal Husband, which pokes fun at conventional morality, The Importance of Being Earnest, his finest comedy, and Salomé, a portrait of uncontrollable love originally written in French and faithfully translated by Richard Ellmann.Every selection appears in its entirety–a marvelous collection of outstanding works by the incomparable Oscar Wilde, who’s been aptly called “a lord of language” by Max Beerbohm.

WINNER OF THE WOLFSON HISTORY PRIZE AND THE DUFF COOPER PRIZE FOR NON-FICTION 'Endlessly fascinating and enjoyable' Neil MacGregor 'A marvellous book' David Attenborough 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

In the tradition of The Swerve and How to Live, this vivid biography reveals how a Renaissance scholar reshaped the visual world. Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, the classic account that singlehandedly invented the genre of artistic biography and established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasari’s profound yet unspoken influence on western culture. An advisor to kings and pontiffs—and a confidant to Titian, Donatello, and more—Vasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasari’s keen eye—and reveals how one Renaissance scholar completely redefined how we look at art.

Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.

"Well written narrative…. remarkably fresh … This admirable volume is excellent value with its impeccable text and numerous illustrations."—Journal of the Royal Society of Arts From the simple shell beads worn by Palaeolithic hunters to the splendor of Renaissance gold work and the sumptuousness of Art Nouveau enamels, here is a fascinating and informative guide to the development of Western jewelry—concluding with the radical and experimental developments in the last three decades. Offering a concise survey of the entire field, this book analyzes jewelry's changing fashions, explores its social context, and examines how it has been worn by both men and women. It shows how jewellers have responded to new sources of gems, whether emeralds from the New World or diamonds from South Africa, and to the discovery of metals such as platinum and aluminum. Masterworks by unknown craftsmen and pieces designed by individual artists as diverse as Holbein, Pugin and Calder are illustrated alongside the glittering products of the major jewelry houses.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Ever found yourself grasping in vain for that ideal descriptive word lost somewhere within the misty recesses of your vocabulary? Or felt frustrated that an oddly shaped structure or pretty setting you wished to portray in writing didn't quite translate clearly to paper? If you've ever stalled trying to depict the look of an object or animal or the looks of a particular person, The Describer's Dictionary is exactly the book you need. Open it, and you have not only just the right words but - bringing them to life - stellar literary examples of descriptive writing as well. The Dictionary concerns itself with the observable, from discrete shapes and patterns to buildings, terrain, furry and unfurry creatures, and human beings. "Referably" organized, the book uses a handy reverse, definition-to-term format that makes it easy for you to zero in on the term or terms you're seeking. For example, for a word that denotes an object's proper or harmonious dimensions, flip to the "Shapes" category and there you'll find "proportional", "proportionate", "commensurate", and "eurythmic". In some instances, where meanings are self-evident, simple listings of apt words are provided. As an inspiration to any writer - showing how it's done by the best - hundreds of colorful and evocative descriptive passages appear on facing pages, making this a singularly and richly different kind of reference book. The quotations are first-rate examples of how the book's terminology can be used. The excerpts are drawn from the best American and British novelists, naturalists, and other nonfiction writers, from Dickens to Updike, from Darwin to McPhee. The Describer's Dictionary - uniquely focused on the physical and freeof the categorical and multiple-meaning confusions of a thesaurus - is a must for anyone wanting to have at hand just the right words to describe exactly what is being observed or depicted. Within these covers you will find the answers to such questions as: What is the adjective for something shaped like a keyhole? How many words are there that mean silvery white in color? What do you call a treeless plain, or a lake situated in a mountain basin? What features of an animal are important to keep in mind in describing it? What is a woman's conical coil of hair worn at the back of the neck called? The craft of description lives not only in great literature but in conversation, journalism, and personal letters written every day. For help in painting pictures with the English language, The Describer's Dictionary is one of the most indispensable reference tools you could own.