Recommendations based on "The Politics of Method in the Human Sciences Positivism and Its Epistemological Others"

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Trans People In Britain Today Have Become A Culture War 'issue'. Despite Making Up Less Than 1% Of The Country's Population, They Are The Subjects Of A Toxic And Increasingly Polarised 'debate', Which Generates Reliable Controversy For Newspapers And Talk Shows. This Media Frenzy Conceals A Simple Fact: That We Are Having The Wrong Conversation, A Conversation In Which Trans People Themselves Are Reduced To A Talking Point And Denied A Meaningful Voice. In This Powerful New Book, Shon Faye Reclaims The Idea Of The 'transgender Issue' To Uncover The Reality Of What It Means To Be Trans In A Transphobic Society. In Doing So, She Provides A Compelling, Wide-ranging Analysis Of Trans Lives From Youth To Old Age, Exploring Work, Family, Housing, Healthcare, The Prison System, And Trans Participation In The Lgbtq+ And Feminist Communities, In Contemporary Britain And Beyond. The Transgender Issue Is A Landmark Work That Signals The Beginning Of A New, Healthier Conversation About Trans Life. It Is A Manifesto For Change, And A Call For Justice And Solidarity Between All Marginalised People And Minorities. Trans Liberation, As Faye Sees It, Goes To The Root Of What Our Society Is And What It Could Be; It Offers The Possibility Of A More Just, Free And Joyful World For All Of Us.

Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.

Sex and World Peace unsettles a variety of assumptions in political and security discourse, demonstrating that the security of women is a vital factor in the security of the state and its incidence of conflict and war.The authors compare micro-level gender violence and macro-level state peacefulness in global settings, supporting their findings with detailed analyses and color maps. Harnessing an immense amount of data, they call attention to discrepancies between national laws protecting women and the enforcement of those laws, and they note the adverse effects on state security of abnormal sex ratios favoring males, the practice of polygamy, and inequitable realities in family law, among other gendered aggressions.The authors find that the treatment of women informs human interaction at all levels of society. Their research challenges conventional definitions of security and democracy and shows that the treatment of gender, played out on the world stage, informs the true clash of civilizations. In terms of resolving these injustices, the authors examine top-down and bottom-up approaches to healing wounds of violence against women, as well as ways to rectify inequalities in family law and the lack of parity in decision-making councils. Emphasizing the importance of an R2PW, or state responsibility to protect women, they mount a solid campaign against women's systemic insecurity, which effectively unravels the security of all.

A major new work by a leading historian and pioneer in women's studies, The Creation of Patriarchy is a radical reconceptualization of Western civilization that makes gender central to its analysis. Gerda Lerner argues that male dominance over women is not "natural" or biological, but the product of an historical development begun in the second millennium B.C. in the Ancient Near East. As patriarchy as a system of organizing society was established historically, she contends, it can also be ended by the historical process.Focusing on the contradiction between women's central role in creating society and their marginality in the meaning-giving process of definition and interpretation, Lerner explores such fascinating questions as: What can account for women's exclusion from the historical process? What could explain the long delay--more than 3,500 years--in women's coming to consciousness of their own subordinate position? She goes back to the cultures of the earliest known civilizations--those of the ancient Near East--to discover the origins of the major gender metaphors of Western civilization. Using historical, literary, archaeological, and artistic evidence, she then traces the development of these ideas, symbols, and metaphors and their incorporation into Western civilization as the basis of patriarchal gender relations.

'The most innovative and influential French thinker of the contemporary era' GuardianThis is the ideal introduction to one of the most significant and radical philosophers of the past century. It includes detailed excerpts from all of Foucault's major works, including Discipline and Punish and The History of Sexuality, as well as many of his most revealing interviews, covering subjects from madness to desire, art to the nature of truth. No other writer has made us think more about the structures of power and control in our society, both past and present.'Scarcely any philosopher working on the history of philosophy or historian working on the history of institutions, social science or sexuality can avoid confronting the challenge of Foucault's books' Michael IgnatieffEdited by Paul Rabinow

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that has already stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.

In many fields, the body is the topic generating exciting new research and interdisciplinary inquiry. Feminist theorists, in particular, have focused on the female body as the site where representations of difference and identity are inscribed. Drawn from a broad range of disciplines, Writing on the Body explores the tensions between women's lived bodily experiences and the cultural meanings inscribed on the female body. The volume includes classic and contemporary essays on rape, pornography, eroticism, anorexia, body building, menstruation, and maternity, and challenges racial, class and sexual categories. Complemented by the editors' introduction, Writing on the Body is a comprehensive sourcebook on the major theoretical positions and critical trends surrounding the female body.

In The Ethics of Opting Out, Mari Ruti provides an accessible yet theoretically rigorous account of the ideological divisions that have animated queer theory during the last decade, paying particular attention to the field's rejection of dominant neoliberal narratives of success, cheerfulness, and self-actualization. More specifically, she focuses on queer negativity in the work of Lee Edelman, Jack Halberstam, and Lynne Huffer, and on the rhetoric of bad feelings found in the work of Sara Ahmed, Lauren Berlant, David Eng, Heather Love, and José Muñoz. Ruti highlights the ways in which queer theory's desire to opt out of normative society rewrites ethical theory and practice in genuinely innovative ways at the same time as she resists turning antinormativity into a new norm. This wide-ranging and thoughtful book maps the parameters of contemporary queer theory in order to rethink the foundational assumptions of the field.

Since 1993, more than five hundred women and girls have been murdered in Ciudad Juárez across the border from El Paso, Texas. At least a third have been sexually violated and mutilated as well. Thousands more have been reported missing and remain unaccounted for. The crimes have been poorly investigated and have gone unpunished and unresolved by Mexican authorities, thus creating an epidemic of misogynist violence on an increasingly globalized U.S.-Mexico border.This book, the first anthology to focus exclusively on the Juárez femicides, as the crimes have come to be known, compiles several different scholarly "interventions" from diverse perspectives, including feminism, Marxism, critical race theory, semiotics, and textual analysis. Editor Alicia Gaspar de Alba shapes a multidisciplinary analytical framework for considering the interconnections between gender, violence, and the U.S.-Mexico border. The essays examine the social and cultural conditions that have led to the heinous victimization of women on the border—from globalization, free trade agreements, exploitative maquiladora working conditions, and border politics, to the sexist attitudes that pervade the social discourse about the victims. The book also explores the evolving social movement that has been created by NGOs, mothers' organizing efforts, and other grassroots forms of activism related to the crimes. Contributors include U.S. and Mexican scholars and activists, as well as personal testimonies of two mothers of femicide victims.