Recommendations based on "The Pigman and Me"

From Holden Caulfield to Moses Herzog, our best literature has been narrated by malcontents. To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

Terry Pratchett (1948-2015) was known the world over for his bestselling Discworld novels, and as a campaigner for Alzheimer's research following his own diagnosis. This collection of his non-fiction writing on life, work and the weirdness of the world has all his trademark humanity and humour. It offers a unique insight into this much-missed writer - man and boy, bibliophile and computer geek, and champion of hats, orangutans and the right to a good death.

Mum and Dad think the Quigleys need to move—the children are getting bouncier and the house is getting smaller. But Will and Lucy don’t agree, so they come up with a cunning plan. These Quigleys are not for sale!

Three brilliantly comic novels revolving around the University of Rummidge and the eventful lives of its role-swapping academics.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

Michael Palin has kept a diary since newly married in the late 1960s, when he was beginning to make a name for himself as a TV scriptwriter (for The Two Ronnies, David Frost, etc). Monty Python was just around the corner.This volume of his diaries reveals how Python emerged and triumphed, how he, John Cleese, Graham Chapman, the two Terrys---Jones and Gilliam---and Eric Idle came together and changed the face of British comedy. But this is but only part of Palin's story. Here is his growing family, his home in a north London Victorian terrace, which grows as he buys the house next door and then a second at the bottom of the garden; here, too, is his solo effort---as an actor, in Three Men in a Boat, his writing endeavours (often in partnership with Terry Jones) that produces Ripping Yarns and even a pantomime.Meanwhile Monty Python refuses to go away: the hugely successful movies that follow the TV (his account of the making of both The Holy Grail and the Life of Brian movies are page-turners), the at times extraordinary goings-on of the many powerful personalities who coalesced to form the Python team, the fight to prevent an American TV network from bleeping out the best jokes on U.S. transmission, and much more---all this makes for funny and riveting reading. The birth and childhood of his three children, his father's growing disability, learning to cope as a young man with celebrity, his friendship with George Harrison, and all the trials of a peripatetic life are also essential ingredients of these diaries. A perceptive and funny chronicle, the diaries are a rich portrait of a fascinating period."Michael Palin is not just one of Britain's foremost comedy character actors, he also talks a lot. Yap, yap, yap he goes, all day long and through the night . . . then, some nights, when everyone else has gone to bed, he goes home and writes up a diary."---John Cleese "This combination of niceness, with his natural volubility, creates Palin's expansiveness."---David Baddiel, The Times"A real delight to read."---Saga Magazine (UK)"His showbiz observations are so absorbing. . . . Palin is an elegant and engaging writer."---William Cook, The Guardian (UK)"A wealth of fascinating stuff about Monty Python."---The Independent (UK)"Our favourite TV explorer shows us the workings of an unstoppable machine."---Daily Express (UK)"A riveting commentary to a remarkably creative decade."---Academy (UK)

In a collection of essays, the Rooster gets married at an uproarious wedding, an estrangement occurs over a rubber vs. plastic debate, and the author gets the upper hand during a slumber party game of strip poker.

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't. Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett. Within these pages, you'll find musings on: Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites) Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent) Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment) Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary -- an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks. Monty Python, the Falklands campaign -- all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary--an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks, Monty Python, the Falklands campaign--all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.