Recommendations based on "The Other Side of Psychoanalysis"

This is a companion volume to The Koan and The Zen Canon, by the same editors. The first volume collected original essays on koan collections, recorded sayings of individual masters, histories of major schools, and compilations of monastic regulations. The second focuses on the early history of Zen in China, providing overview assessments of many of the most important canonical texts that set the Zen tradition in motion throughout East Asia. Zen Classics will follow that historical movement, focusing primarily on texts from Korea and Japan that brought this Buddhist movement to fruition. Although enormously diverse in style and structure all of the texts and genres of texts considered here were fundamental to the unfolding of Zen in East Asia. The range of genres reveals the varieties of Zen practice, from rules of daily practice to sermons and meditation manuals. The all new essays in this volume will be contributed by an international team of distinguished scholars of Buddhism. It is aimed at broad audience including college students, Zen practitioners, and scholars of East Asian history, religion, and culture, as well as specialists in Buddhist history.

Featuring a new introduction by Casey Nelson Blake, this classic text provides the essence of Mumford's views on the distinct yet interpenetrating roles of technology and the arts in modern culture. Mumford contends that modern man's overemphasis on technics has contributed to the depersonalization and emptiness of much of twentieth-century life. He issues a call for a renewed respect for artistic impulses and achievements. His repeated insistence that technological development take the Human as its measure -- as well as his impassioned plea for humanity to make the most of its "splendid potentialities and promise" and reverse its progress toward anomie and destruction -- is ever more relevant as the new century dawns.

In 'The Decay of Lying' Oscar Wilde uses his decadent ideology in an attempt to reverse and therefore reject his audiences' 'normal' conceptualizations of nature, art and morality. Wilde's views of life and art are illustrated through the use of Platonic dialogue where the character Vivian takes on the persona of Wilde. Wilde's goal is to subvert the norm by reversing its values. Wilde suggests to us that society is wrong, not him. Calling on diverse examples - from Ancient Greek sculpture to contemporary paintings - Oscar Wilde's brilliant essay creates a witty, paradoxical world in which the only Art worth loving is that built on complete untruths.

Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.

A major new work by the philosopher and feminist thinker Adriana Cavarero, this is a fascinating and challenging account of the relationship between the structure of the self and the structure of narrative.

Madness, sexuality, power, knowledge—are these facts of life or simply parts of speech? In a series of works of astonishing brilliance, historian Michel Foucault excavated the hidden assumptions that govern the way we live and the way we think. The Archaeology of Knowledge begins at the level of "things aid" and moves quickly to illuminate the connections between knowledge, language, and action in a style at once profound and personal. A summing up of Foucault's own methadological assumptions, this book is also a first step toward a genealogy of the way we live now. Challenging, at times infuriating, it is an absolutey indispensable guide to one of the most innovative thinkers of our time.

Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Among much else, the book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, on his homosexual affairs in Florence, and on his curious relationship with a female model and/or prostitute from Cremona. A masterpiece of modern biography.

"In the early seventeenth century two manifestos were published which proclaimed, in terms of magic, alchemy and the Cabala, the dawn of a new age of increased knowledge and power over nature. These anonymous documents (reproduced in the appendix to this work) were written on behalf of 'the Fraternity of the Rose Cross'. Ever since, this mysterious movement has been the subject of endless fascination, speculation and intrigue. In this book, Frances Yates reveals the truth about the 'Rosicrucian Enlightenment' and its impact on Europe's political and cultural history. She transforms, for instance, our understanding of the origins of modern science by placing in the context of an occult tradition key figures such as Descartes, Bacon, Kepler and Newton."--Google Books

Dr. Carl Gustav Jung, author of some of the most provocative hypotheses in modern psychology, describes what he regards as an authentic religious function in the unconscious mind.  Using a wealth of material from ancient and medieval Gnostic, alchemistic, and occultistic literature, he discusses the religious symbolism of unconscious processes and the possible continuity of religious forms that have appeared and reappeared through the centuries.  “These compact vigorous essays constitute Dr. Jung’s most sustained interpretation of the religious function in individual experience.”—Journal of Social Philosophy

Current theories about human memory have been shaped by clinical observations and animal experiments. This doctrine holds that the medial temporal lobe subserves one memory system for explicit or declarative memories, while the basal ganglia subserves a separate memory system for implicit or procedural memories, including habits. Cortical areas outside the medial temporal lobe are said to function in perception, motor control, attention, or other aspects of executive function, but not in memory. 'The Evolution of Memory Systems' advances dramatically different ideas on all counts. It proposes that several memory systems arose during evolution and that they did so for the same general reason: to transcend problems and exploit opportunities encountered by specific ancestors at particular times and places in the distant past. Instead of classifying cortical areas in terms of mutually exclusive perception, executive, or memory functions, the authors show that all cortical areas contribute to memory and that they do so in their own ways-using specialized neural representations. The book also presents a proposal on the evolution of explicit memory. According to this idea, explicit (declarative) memory depends on interactions between a phylogenetically ancient navigation system and a representational system that evolved in humans to represent one's self and others. As a result, people embed representations of themselves into the events they experience and the facts they learn, which leads to the perception of participating in events and knowing facts. 'The Evolution of Memory Systems' is an important new work for students and researchers in neuroscience, psychology, and biology.