Recommendations based on "The Old Child: & Other Stories"

The awarding of the Nobel Prize in Literature to the Canadian writer Alice Munro in 2013 confirmed her position as a master of the short story form. This book explores Munro's work from a full range of critical perspectives, focussing on three of her most popular and important published collections: Hateship, Friendship, Courtship, Loveship, Marriage (2001), Runaway (2004), and her final collection Dear Life (2012). With chapters written by the world's leading critics of Munro's work, the short story form and contemporary Canadian writing, this book explores such themes as love and marriage, sex, fate, gender and humor in her writings as well as her approaches to narrative form and autobiography. In these three late collections Munro sharply articulates, again and again, the mysteries of being itself.

This collection of short stories, some semi-autobiographical, by Marie Luise Kaschnitz (1901-74), the eminent German novelist and poet, reflects many of the themes to be found throughout her fiction, such as the dread of moral anarchy which leaves nothing in its wake, and the shaping of individual destinies by loneliness, insecurity and fear.Usually told from a woman's viewpoint, her works feature strong female characters whose inner strength enables them to overcome their fears and accept their fates with stoic determination. Kaschnitz's chief concern is the human condition, giving her work a continuing relevance; she confronts such universal issues as growing old, growing up and the loss of religious faith as well as those which have a more contemporary resonance, including the social problems of working parents and adoption.

On 7 April 1986, Annie Ernaux's mother, after years of suffering from Alzheimer's disease, died in a retirement home in the suburbs of Paris. Shocked by this loss which, despite her mother's condition, she had refused to fathom, Ernaux embarks on a daunting journey back through time in an effort to recover the different facets of a woman whose openness to the world and appetite for reading created the conditions for the author's own social ascent. Mirroring A Man's Place, in which she narrates her father's slow rise to material comfort, A Woman's Story explores the ambiguous and unshakeable bond between mother and daughter, its fluctuation over the course of their lives, the alienating worlds that separate them and the inescapable truth that we must lose the ones we love. In this quietly powerful tribute to the last thread connecting her to the world out of which she was born, Ernaux attempts to do her mother the greatest justice she can: to portray her as the individual she was.

In these stories lives come into focus through single events or sudden memories which bring the past bubbling to the surface. The past, as Alice Munro's characters discover, is made up not only of what is remembered, but also what isn't. The past is there, just out of the picture, but if memories haven't been savoured, recalled in the mind and boxed away, it's as if they have never been - until a moment when the pieces of the jigsaw re-form suddenly, sometimes pleasurably but more often painfully. Women look back at their young selves, at first marriages made when they were naive and trusting, at husbands and their difficult, demanding little ways.There is in this new collection an underlying heartbreak, a sense of regret in her characters for what might have been, for a fork in the road not taken, a memory suppressed in an act of prudent emotional housekeeping. But at the same time there is hope, there are second chances - here are people who reinvent themselves, seize life by the throat, who have moved on and can dare to conjure up the hidden memories, daring to go beyond what is remembered.

Wes Anderson on Stefan Zweig: "I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly on Zweig as well."The post-office girl is Christine, who looks after her ailing mother and toils in a provincial Austrian post office in the years just after the Great War. One afternoon, as she is dozing among the official forms and stamps, a telegraph arrives addressed to her. It is from her rich aunt, who lives in America and writes requesting that Christine join her and her husband in a Swiss Alpine resort. After a dizzying train ride, Christine finds herself at the top of the world, enjoying a life of privilege that she had never imagined.But Christine’s aunt drops her as abruptly as she picked her up, and soon the young woman is back at the provincial post office, consumed with disappointment and bitterness. Then she meets Ferdinand, a wounded but eloquent war veteran who is able to give voice to the disaffection of his generation. Christine’s and Ferdinand’s lives spiral downward, before Ferdinand comes up with a plan which will be either their salvation or their doom.Never before published in English, this extraordinary book is an unexpected and haunting foray into noir fiction by one of the masters of the psychological novel.

Eight stunning stories from Nobel Prize–winning author Alice Munro, “a true master of the form” (Salman Rushdie).“Open Secrets is a book that dazzles with its faith in language and in life.”—The New York Times Book ReviewIn these eight tales, Alice Munro reveals entire lives with a sureness that is nothing less than breathtaking, capturing those moments in which people shrug off old truths, old selves, and what they only thought was fate.In Open Secrets, Munro evokes the devastating power of old love suddenly rekindled. She tells of vanished schoolgirls and indentured frontier brides and an eccentric recluse who, in the course of one surpassingly odd dinner party, inadvertently lands herself a wealthy suitor from exotic Australia. And Munro shows us how one woman’s romantic tale of capture and escape in the high Balkans may end up inspiring another woman who is fleeing a husband and a lover in present-day Canada.The resulting volume resonates with sorrow, humor, and wisdom, and confirms Alice Munro’s reputation as one of the most gifted writers of our time.

These unfinished novels were intended to follow her widely acclaimed Malina in a Proustian cycle to be entitled Todesarten, or Ways of Dying. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted on women by men, and upon the living by history, politics, religion, family, and the self.

The true story of a woman's incredible journey into the heart of the Third Reich to find the man she loves. When the Gestapo seize 20-year-old Olga Czepf's fiance she is determined to find him and sets off on an extraordinary 2,000-mile search across Nazi-occupied Europe risking betrayal, arrest and death. As the Second World War heads towards its bloody climax, she refuses to give up - even when her mission leads her to the gates of Dachau and Buchenwald concentration camps...Now 88 and living in London, Olga tells with remarkable clarity of the courage and determination that drove her across war-torn Europe, to find the man she loved. The greatest untold true love story of World War Two.

This is collection of the stories written by a distinguished German author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised, taken over by her repetitive cadences and burning images of grief and loss. And yet, in the beauty of her images there is a tremendous affirmation of the world.

“CINDERELLA MEETS BONNIE AND CLYDE IN THIS HAUNTING TALE OF THE BOOM AND BUST OF CAPITALISM” Christine toils away in a provincial Austrian post office when, out of the blue, a telegram arrives inviting her to join an American aunt she’s never known in a fashionable Swiss resort. Bowed by the grinding poverty and hardships of the post-war years and anxious about her ailing and dependent mother she accepts, only to be swept up into a world of almost inconceivable wealth and unleashed desire. She feels herself utterly transformed. Then, just as abruptly, her aunt cuts her loose and she has to return to the post office, where, yes, nothing will ever be the same. Christine meets Ferdinand, a bitter war veteran and disappointed architect, forced to work on construction sites. They are drawn to each other, just as they are crushed by a sense of deprivation, of anger and shame. Yet their attempts at seduction and love can only flounder among the degradations of poverty until, in one desperate and decisive act, they find a way to remake their world from within.