Recommendations based on "The Little Dictionary of Fashion A Guide to Dress Sense for Every Woman"
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By Anna Murphy, The Times
A beautiful gift for those with a fashionable eye Long before Diana’s revenge dress took the world by storm or Princess Anne’s sunglasses went viral, there has always been a fascination with members of the Royal Family and the significance behind their style.
By Prudence Peiffer
Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip’s eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip’s obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city’s maritime industry; and, in the artists’s own time, a development battleground for Jane Jacobs and Robert Moses. The Slip’s history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city’s many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work.
By Paris Hilton
***An Instant New York Times Bestseller***From the woman who is credited for launching what we know as the celebrity focused, “brand” driven, social media obsessed popular culture of today, comes an honest and surprising memoir that reckons with that truth, and shows that there is so much more to Paris Hilton than you might believe.I was born in New York City on February 17, 1981, three days after Valentine’s Day.From the time I was a toddler, my brain skipped and flickered with the chemical imbalance of ADHD. Sometimes it was too much.I’m not bragging or complaining about it, just telling you: This is my brain. It has a lot to do with how this whole book thing is going to play out, because I love run-on sentences—and dashes. And sentence fragments. I’m probably going to jump around a lot while I tell the story.I came of age during the most turbulent pop culture period ever.The character I played—part Lucy, part Marilyn—was my steel-plated armor.People loved her. Or they loved to hate her, which was just as marketable. I leaned into that character, my ticket to financial freedom and a safe place to hide. I made sure I never had a quiet moment to figure out who I was without her. I was afraid of that moment because I didn’t know what I’d find.I wrote this book in an effort to understand my place in a watershed moment: the technology renaissance, the age of influencers. I also wrote this book so that the world could know who I am today. I focused on key aspects of my life that led to what I am most proud of--how my power was taken away from me and how I took it back, how I built a thriving business, a marriage and a family.There are so many young women who need to hear this story. I don’t want them to learn from my mistakes; I want them to stop hating themselves for their own mistakes. I want them to laugh and cry and embrace every aspect of who they are with fearlessness and pride. We all have our own brand of intelligence, and, girl, fuck fitting in.
By Richard Avedon
Over-size hardback book with clear dust jacket titled Photographs 1947-1977. With an essay by Harold Brodkey.
By Lauren Redniss
Lauren Redniss, acclaimed author of the brilliant biography-in-collage Radioactive, delivers a stunning visual journey through the life of the last Ziegfeld girl, Doris Eaton Travis. Now in paperback for the first time, Century Girl spans the brightest moments in early show business, the major historical landmarks of the 20th century, and the intimate milestones of one woman’s long life. Incorporating hundreds of archival photos and personal clippings with inventive line drawings and a compelling, hand-written narrative, Century Girl is a more than a biography, more than a graphic novel, and more than an art book—it is a singularly original and major work of art that Slate magazine calls “a visually dazzling mélange . . . unlike anything . . . ever seen before” (Best Books of 2006).
By Annie Leibovitz
Annie's work beautifully displayed in black and white. Pages are clean, spine is secure, and we could say "like new" if the dust jacket, which it must have had when it was new, was here.
By Amy Sohn
From the team who brought you Sex and the City: Kiss and Tell comes this must-have companion to the movie millions have been waiting for. This sleek hardcover volume gives reader exclusive entrée into the world of Sex and the City: The Movie.In addition to a storybook-style telling of the film, the book includes mouth-watering bonus features not available anywhere else: behind-the-scenes stories from Kim Cattrall, Kristin Davis, Cynthia Nixon, star and producer Sarah Jessica Parker, writer and director Michael Patrick King, as well as producers and other key cast and crew members; a guide to the movie's multi-million—dollar fashion closet, including insight from costume designer Patricia Field; and an insider's tour of the movie's many locations, some of which have never before appeared on film.All of this behind-the-scenes information is accompanied by more than three hundred stunning, luscious, full-color images. This beautiful keepsake is sure to bring some big-screen glitz and glamour to every reader's bookshelf.
By Helmut Newton
With technical perfection, an extremely detailed style and a relentless directness, Newton staged the neverending psychodrama that contrasts glamour with the need for admiration, self-confidence with the desire for self-presentation, and Eros with Thanatos. Private Property was originally a three-part portfolio containing 45 b&w photographs. It includes Newton's best work from the period 1972-1983 – an exquisite assortment of fashion shots, portraits and erotic motifs which are all based on real location and luxurious lifestyles. The entire sequence of pictures from the Private Property portfolio is included in our book which first appeared in 1989.
By Patrick Mauriès, Adélia Sabatini
A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography "Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.
By Mary Schoeser
This gorgeously illustrated volume not only offers a tour through the fascinating history of silk but also a glimpse into the future, when imaginative designers and textile producers will be changing the boundaries of what is possible with this extraordinary material. Textile expert Mary Schoeser presents an authoritative account of the development of silk, its properties and practical uses, and its role in some of the greatest achievements in the history of fashion design. Silk is magical. Made by worms, it is able to absorb up to thirty times its weight in water, it is warmer than wool, and it is unsurpassed for beauty and touch. Schoeser focuses keen attention on silk’s evolution as a symbol of status and substance, then traces its central function in 19th- and 20th-century glamour, expressed through the work of designers from Christian Dior to Yves Saint Laurent, Balenciaga to Emmanuel Ungaro. Schoeser also examines the innovative use of silk by today’s cutting-edge designers, among them Alexander McQueen, Issey Miyake, and John Galliano of Dior. She concludes with a detailed investigation of new silk technologies and how they continue to extend both the physical properties of silk and the possibilities for creative design.