Recommendations based on "The Librarianist"

A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Winner of the 2001 Pulitzer Prize for Fiction, 'The Amazing Adventures of Kavalier & Clay' is a heart-wrenching story of escape, love and comic-book heroes set in Prague, New York and the Arctic - from the author of 'Wonder Boys'. One night in 1939, Josef Kavalier shuffles into his cousin Sam Clay's cramped New York bedroom, his nerve-racking escape from Prague finally achieved. Little does he realise that this is the beginning of an extraordinary friendship and even more fruitful business partnership. Together, they create a comic strip called 'The Escapist', its superhero a Nazi-busting saviour who liberates the oppressed around the world. 'The Escapist' makes their fortune, but Joe can think of only one thing: how can he effect a real-life escape, and free his family from the tyranny of Hitler? Michael Chabon's exceptional novel is a thrilling tight-rope walk between high comedy and bitter tragedy, and confirms his position as one of the most inventive and daring of contemporary American writers. In Joe Kavalier and Sam Clay, he has created two unforgettable characters bound together by love, family and cartoons.

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

Carnegie Medal Winner * New York Public Library Books for the Teen Age * VOYA Best Science Fiction, Fantasy, and Horror * ALA Best Fiction for Young Adults * Book Sense PickThe Amazing Maurice runs the perfect Pied Piper scam. This streetwise alley cat knows the value of cold, hard cash and can talk his way into and out of anything. But when Maurice and his cohorts decide to con the town of Bad Blinitz, it will take more than fast talking to survive the danger that awaits.For this is a town where food is scarce and rats are hated, where cellars are lined with deadly traps, and where a terrifying evil lurks beneath the hunger-stricken streets....Set in Terry Pratchett's beloved Discworld, this masterfully crafted, gripping read is both compelling and funny. When one of the world's most acclaimed fantasy writers turns a classic fairy tale on its head, no one will ever look at the Pied Piper—or rats—the same way again!

Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?

When Buster impulsively drops a Cybertoy into Arthur's backpack in the drugstore one day, he feels so guilty that he finally confesses to his friend and they try to return the popular toy before anyone else finds out.

Nothing goes right for Jack all day long. He can't find his favorite sneakers, he spills milk on his math homework, and worst of all, he gets tuna fish for lunch. Will things ever get better?Readers will learn how to tell when something is certain, more likely, less likely, or impossible as Jack keeps hoping his streak of bad luck will break. Maybe, just maybe, pistachio ice cream for dessert will do the trick. But will it happen? Considering how Jack's day has been going, PROBABLY NOT!

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

As a result of an experiment with a chemistry set, three children smell very strongly of the food each detests the most--sauerkraut, corned beef and cabbage, and tomato soup--while the dog smells of apple pie.