Recommendations based on "The House of Leaves"

The prizewinning, complete and unabridged translation—“the best English-language version we are likely to see for a long time, if ever” (The Guardian)—of a work of unclassifiable genius: the crowning achievement of Portugal’s modern masterEdited, Translated, and with an Introduction by Richard Zenith, the author of the Pulitzer Prize finalist Pessoa: A BiographyWinner of the Calouste Gulbenkian Translation Prize for Portuguese TranslationA Penguin ClassicFernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague."Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.“Pessoa is a genius.” —André Aciman

'Nobody before Borges had ever attempted this strange and wonderful mixture of arcana, popular literature, national myth, the nature of time and classical themes. Now we can see it in all its intense and disturbing brilliance, certain that we will never see anything like it again' - Justin Cartwright, "Independent on Sunday".

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a major contribution to contemporary philosophic literature and has a powerful vision of universality, the inner unity of man’s cultural ideals and his search for personal perfection and social responsibility.

For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume“An event, and cause for celebration.”—The New York TimesA Penguin Classics Deluxe Edition with flaps and deckle-edged paperFor some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books.Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

'All of the true things I am about to tell you are shameless lies.'Dr Felix Hoenikker, one of the founding fathers of the atomic bomb, has left a deadly legacy to the world. For he is the inventor of Ice-nine, a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator in the Caribbean, to madness.Will Felix Hoenikker's death wish come true? Will his last, fatal gift to humankind bring about the end that, for all of us, is nigh?Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global apocalypse preys on our deepest fears of witnessing the end and, worse still, surviving it . . .

A brilliantly crafted collection of stories from celebrated science fiction writer Stanislaw Lem Trurl and Klaupacius are constructor robots who try to out-invent each other. Over the course of their adventures inThe Cyberiad, they travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their unsuspecting employers. Playfully written, and ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

“Dorsey’s brilliantly, profanely funny 11th novel…zips along like P.G. Wodehouse’s best work.” —Richmond Times-Dispatch Tim Dorsey’s outrageously zany, gleefully violent, and uproariously funny Nuclear Jellyfish marks the triumphant return of lovable, thrill-killing Florida historian and tireless civic booster Serge A. Storms. The bestselling author of Atomic Lobster, Triggerfish Twist, and Florida Roadkill, Dorsey can match Carl Hiaasen punch-for-punch when it comes to fictionally depicting Sunshine State madness—and he’s taken his rightful place alongside Christopher Moore in the pantheon of top American humorists. Nuclear Jellyfish is a veritable WMD of radioactive hilarity—as Denver’s Rocky Mountain News so aptly puts it, “It doesn’t get any better.”

As seen on the SERIAL podcast, season 2, episode 1 ("Dustwun")!Open this wordless book and zoom from a farm to a ship to a city street to a desert island. But if you think you know where you are, guess again. For nothing is ever as it seems in Istvan Banyai's sleek, mysterious landscapes of pictures within pictures, which will tease and delight readers of all ages. "This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books."—Kirkus Reviews"Ingenious."—The Horn Book

Prophetic short stories and apocalyptic novels like The Crystal World made J. G. Ballard a foundational figure in the British New Wave. Rejecting the science fiction of rockets and aliens, he explored an inner space of humanity informed by psychiatry and biology and shaped by surrealism. Later in his career, Ballard's combustible plots and violent imagery spurred controversy--even legal action--while his autobiographical 1984 war novel Empire of the Sun brought him fame. D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.