Recommendations based on "The Hours / Mrs. Dalloway: A Novel"

From one of the great thinkers and writers of our time, comes the unmissable final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'.'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.'Following the critical acclaim of Things I Don't Want to Know and The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.

One of the best loved books of all time. Nominated as one of America’s best-loved novels by PBS’s The Great American ReadLovely Meg, talented Jo, frail Beth, spoiled Amy: these are hard lessons of poverty and of growing up in New England during the Civil War. Through their dreams, plays, pranks, letters, illnesses, and courtships, women of all ages have become a part of this remarkable family and have felt the deep sadness when Meg leaves the circle of sisters to be married at the end of Part I. Part II, chronicles Meg's joys and mishaps as a young wife and mother, Jo's struggle to become a writer, Beth's tragedy, and Amy's artistic pursuits and unexpected romance. Based on Louisa May Alcott's childhood, this lively portrait of nineteenth- century family life possesses a lasting vitality that has endeared it to generations of readers.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction―now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life―infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories―including “The Life You Save May Be Your Own,” “Good Country People,” and “The Displaced Person,” among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.

In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

When Christmas comes for the four March girls, there is no money for expensive presents and they give away their Christmas breakfast to a poor family. But there are no happier girls in America than Meg, Jo, Beth, and Amy. They miss their father, of course, who is away at the Civil War, but they try hard to be good so that he will be proud of his 'little women' when he comes home. This heart-warming story of family life has been popular for more than a hundred years.

George Eliot’s beloved classic novel—hailed by Virginia Woolf as “masterful”—follows the life, loves, foibles, and politics of the residents of a fictional English town set amid the social unrest of the Industrial Revolution. This beautifully designed Harper Perennial Deluxe Edition—with special cover effects and French flaps—includes an introduction by award-winning author Francine Prose.Dorothea Brooke married Edward Casaubon—a clergyman and scholar some years her senior—naively hoping their union would be a true meeting of the minds. Trapped in a lonely marriage to a tyrannical man, she finds companionship with Edward’s cousin, but her overtures risk her spotless reputation and jeopardize her future.Young doctor Tertius Lydgate comes to Middlemarch full of progressive ideas, eager to volunteer his skill at the local hospital. Through his connections there he meets the mayor’s beautiful daughter, Rosamond Vincy, and marries her, only to face financial ruin at the hands of her materialism and overwhelming vanity.Rosamond’s brother, Fred, is destined for the Church to improve his family’s class standing, but his childhood sweetheart, Mary Garth, refuses to marry him unless he pursues a more suitable career. Forced by fate into uncertain financial circumstances, Fred must question his choices and desires if he hopes to earn Mary’s respect.God-fearing and esteemed, Nicholas Bulstrode is a good man and trustworthy banker—or so it appears until an old enemy comes to town, intent on revealing Bulstrode’s shady past dealings. Terrified of being exposed as a hypocrite, he takes matters into his own hands, each desperate act spiraling him further into disgrace and corruption.A masterwork of fiction, Middlemarch traces these four lives in a plot that illuminates the social fabric of mid-nineteenth-century England. Looming above the landscape of Victorian literature, Eliot’s beloved novel explores the perennial struggle between individual and society, integrity and temptation, and is as timely today as when it was first published.

Each title in this series tells the life story of an eminent individual in simple language and with an array of photographs. Enid Blyton is undoubtedly a huge figure in children's literature and one whom inspires much loyalty and love. She is a favourite not just in the classroom but is one of the few authors that children will spend their own pocket money on. The mixture of text and photographs in this book tells the story of Enid's own childhood and what inspired her to become a writer of children's books.

Winner of the National Book AwardThe publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

Flora Thompson's immortal trilogy, containing "Lark Rise", "Over To Candleford" and "Candleford Green", is a heartwarming portrayal of country life at the close of the 19th century. This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England. With a new introduction by Richard Mabey

When 22-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.