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By Geir Kjetsaa
Tracs the dramatic life of the Russian novelist, attempts to depict his complex personality, and assesses the influence of his life on his work
By Fyodor Dostoevsky
'A truly great translation . . . This English version really is better' - A. N. Wilson, The Spectator TIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014 This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Oliver Ready is Research Fellow in Russian Society and Culture at St Antony's College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.
By Alexander Pushkin
This Title Is Part Of Uc Press's Voices Revived Program, Which Commemorates University Of California Press’s Mission To Seek Out And Cultivate The Brightest Minds And Give Them Voice, Reach, And Impact. Drawing On A Backlist Dating To 1893, Voices Revived Makes High-quality, Peer-reviewed Scholarship Accessible Once Again Using Print-on-demand Technology. This Title Was Originally Published In 1937.
By Fyodor Dostoevsky
In these stories, Dostoevsky explores both the figure of the dreamer divorced from reality, and also his own ambiguous attitude toward utopianism, themes central to his great novels. In White Nights, the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from "living life." A Gentle Creature and The Dream of a Ridiculous Man show how withdrawal from reality can end in spiritual desolation as well as moral indifference, and how, in Dostoevsky's view, the tragedy of the alienated individual can only be resolved by the rediscovery of a sense of compassion and responsibility toward other people.No other edition brings together these specific stories--which are most interesting when read alongside one another--and the new translations capture all the power and lyricism of Dostoevsky's writing at tis best.
By Лев Толстой
Acclaimed By Many As The World's Greatest Novel, This Is The Story Of A Wife, Anna Karenina, Who Abandons Her Empty Existence As The Wife Of A Petersburg Government Minister For A Passionate Relationship With A Young Officer, Count Vronsky.
By Mikhail Afanasevich Bulgakov
Although less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, The White Guard is still an engrossing book, though completely different in tone. It is set in Kiev during the Russian revolution and tells the story of the Turbin family and the war's effect on the middle-classes (not workers).The story was not seen as politically correct, and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, a well-loved book, and the novel was turned into a successful play at the time of its publication in 1967.
By Nikolai Vasilevich
When Pushkin first read some of the stories in this collection, he declared himself "amazed." "Here is real gaiety," he wrote, "honest, unconstrained, without mincing, without primness. And in places what poetry! . . . I still haven't recovered."More than a century and a half later, Nikolai Gogol's stories continue to delight readers the world over. Now a stunning new translation--from an award-winning team of translators--presents these stories in all their inventive, exuberant glory to English-speaking readers. For the first time, the best of Gogol's short fiction is brought together in a single volume: from the colorful Ukrainian tales that led some critics to call him "the Russian Dickens" to the Petersburg stories, with their black humor and wonderfully demented attitude toward the powers that be. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know.These fantastic, comic, utterly Russian characters have dazzled generations of readers and had a profound influence on writers such as Dostoevsky and Nabokov. Now they are brilliantly rendered in the first new translation in twenty-five years--one that is destined to become the definitive edition of Gogol's most important stories.
By Leo Tolstoy
Leo Tolstoy combined detailed physical description with perceptive psychological insight to sweep aside the sham of surface appearances and lay bare man's intimate gestures, acts, and thoughts. Murder and sacrifice...greed and devotion...lust and affection...vanity and love -- one by one, in this volume of great stories, Tolstoy dissects the basic drives, emotions, and motives of ordinary people searching for self-knowledge and spiritual perfection. Chekhov said, "Of authors my favorite is Tolstoy." And Turgenev "marveled at the strength of his huge talent...It sends a cold shudder even down my back...He is a master, a master."
By Gogol Nikolai
Gogol's stories are admired for their skillful mingling of fantasy and reality, quiet good humor and use of mundane details — as Gogol put it — "to extract the extraordinary from the ordinary." Imaginative and timeless, they remain as fresh and significant today as they were to readers generations ago.This rich selection of four short stories by the great 19th-century Russian author of Dead Souls includes "The Nose," a savage satire of incompetent bureaucrats and the snobbery and complacency of the Russian upper classes; "Old-Fashioned Farmers," a sketch depicting an elderly couple who live a happy but simple life in rustic seclusion; "The Tale of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich," and of Gogol's most famous comic stories; and "The Overcoat," an exceptionally moving tale — considered a masterpiece of the form — about a poor and much-ridiculed St. Petersburg official. Includes a selection from the Common Core State Standards Initiative: "The Nose."
By Fyodor Dostoyevsky
Fyodor Dostoyevsky’s harrowing, semi-autobiographical novel about the internal transformation of a man serving ten years in a remote Siberian prison“In order to understand the significance of the style and structure of the book, it is necessary to bear in mind that it was the result of a terrible mental, spiritual, and physical ordeal. . . . The point about the novel, however, is that it charts the reawakening of a man without a personality.”—from the Introduction Here was the house of the living dead, and a life like none other upon earth. In January 1850, Fyodor Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange ‘family’ of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man’s spiritual and moral death and the miracle of his gradual reawakening.This Penguin Classics edition includes notes and an introduction by David McDuff discussing the circumstances of Dostoyevsky’s imprisonment, the origins of the novel in his prison writings, and the character of Aleksandr Petrovich.