Recommendations based on "The History Of Middle-Earth, Part One (History of Middle-earth, 1)"

T. H. White's masterful retelling of the Arthurian legend is an abiding classic...This is the tale of King Arthur and his shining Camelot; or Merlyn and Owl and Guinevere; of beasts who talk and men who fly; of knights, wizardry and war.It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are judged.Contains:The once and future kingThe witch in the woodThe ill-made knightThe candle in the windThe book of Merlyn

In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in THE HOBBIT. In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

A great modern classic and the prelude to The Lord of the Rings.Smaug certainly looked fast asleep, almost dead and dark, with scarcely a snore more than a whiff of unseen steam, when Bilbo peeped once more from the entrance. He was just about to step out on to the floor when he caught a sudden thin and piercing ray of red from under the drooping lid of Smaug’s left eye. He was only pretending to sleep! He was watching the tunnel entrance!Whisked away from his comfortable, unambitious life in his hobbit-hole in Bag End by Gandalf the wizard and a band of dwarves, Bilbo Baggins finds himself caught up in a plot to raid the treasure hoard of Smaug the Magnificent, a large and very dangerous dragon. Although quite reluctant to take part in this quest, Bilbo surprises even himself by his resourcefulness and his skill as a burglar!The text of this edition has been fully corrected and revised in collaboration with Christopher Tolkien and is accompanied by a wealth of beautiful watercolour paintings and delicate pencil drawings from Alan Lee.

The Two Towers is the second part of J.R.R. Tolkien’s epic adventure, The Lord of the Rings.Frodo and the Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs.Now they continue their journey alone down the great River Anduin – alone, that is, save for the mysterious creeping figure that follows wherever they go.The text of this edition has been fully corrected and revised in collaboration with Christopher Tolkien and is accompanied by sixteen watercolour paintings from Alan Lee.

This lavishly illustrated volume is a comprehensive history of the seven kingdoms, providing vividly constructed accounts of the epic battles, bitter rivalries and daring rebellions that lead to the events of a song of ice and fire and hbo's game of thrones. In a collaboration that's been years in the making, martin has teamed with elio m. Garcia, jr. And linda antonsson, the founders of the renowned fan site westeros. Orgperhaps the only people who know this world almost as well as its visionary creator. Collected here is all the accumulated knowledge, scholarly speculation and inherited folk tales of maesters and septons, maegi and singers. It is a chronicle which stretches from the dawn age to the age of heroes, from the coming of the first

A unique companion to The Lord of the Rings which relates the textual history of the Nation's Favourite Read; with a previously unpublished Guide to the Names in The Lord of the Rings, written by Tolkien himself. In The Lord of the Rings: A Reader's Companion internationally acclaimed scholars Wayne G. Hammond and Christina Scull examine Tolkien's masterpiece chapter by chapter, offering expert insights into its evolution, structure, and meaning. They discuss important influences on its development, connections between that work and other writings by Tolkien, errors and inconsistencies, significant changes to the text, and archaic and unusual words used by Tolkien. Thousands of notes, keyed to standard editions of The Lord of the Rings but universally accessible, reveal the richness and complexity of one of the most popular works of fiction in our time.Extensive reference is made also to writings by Tolkien not previously or widely published, including elaborate time-schemes, an unfinished manuscript index to The Lord of the Rings, and most notably, the important Nomenclature or guide to names in The Lord of the Rings prepared for the use of translators, long out of print and now newly transcribed and printed in its entirety. With these resources at hand, even the most seasoned reader of The Lord of the Rings will come to a greater enjoyment and appreciation of Tolkien's magnificent achievement. Published originally in 2005, the Reader's Companion won the annual Mythopoeic Scholarship Award in Inkling Studies. It has now been revised and updated to mark the 60th anniversary of The Lord of the Rings.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a standalone work, the epic tale of The Fall of Gondolin will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Balrogs, Dragons and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth.In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo's desires and designs.Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo's designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon's daughter, and her son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.Following his presentation of Beren and Lúthien Christopher Tolkien has used the same 'history in sequence' mode in the writing of this edition of The Fall of Gondolin . In the words of J.R.R. Tolkien, it was 'the first real story of this imaginary world' and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three 'Great Tales' of the Elder Days.

J R R Tolkien

The Hobbit: The Desolation of Smaug Chronicles: Art & Design explores and celebrates the creative vision of the second film in Academy Award–winning filmmaker Peter Jackson's trilogy adaptation of The Hobbit by JRR Tolkien.This lavish volume follows Bilbo, Gandalf, and Thorin's Company of Dwarves eastward, through hitherto unseen regions of Middle-earth, on their quest to reclaim the lost realm of Erebor from the Dragon Smaug. Exploring the design and development of the environments, cultures, creatures, and artifacts encountered by the characters, it is filled with more than one thousand stunning images of conceptual art, supplementary photographs, and detailed commentary provided by the film's cast and crew.As a bonus feature, unique to this book, there is a special fold-out replica of the portrait of the Master of Lake-town, played by Stephen Fry, exactly as it appears in the film.Compiled by Weta Workshop senior concept designer Daniel Falconer, this is the third book in The Hobbit: Chronicles series, and it has been created in full collaboration with key members of the production's creative team to ensure the most comprehensive and authentic film companion possible.

With Christopher Tolkien as your guide, take a tour through this colourful gallery of enchanting art produced by J.R.R. Tolkien and presented in an elegant new slipcased edition.This collection of pictures, with text by Christopher Tolkien, now reissued after almost 30 years confirms J.R.R. Tolkien’s considerable talent as an artist. It provides fascinating insight into his visual conception of many of the places and events familiar to readers of The Hobbit , The Lord of the Rings and The Silmarillion .Examples of his art range from delicate watercolours depicting Rivendell, the Forest of Lothlorien, Smaug, and Old Man Willow, to drawings and sketches of Moria Gate and Minas Tirith. Together they form a comprehensive collection of Tolkien’s own illustrations for his most popular books.Also included are many of his beautiful designs showing patterns of flowers and trees, friezes, tapestries and heraldic devices associated with the world of Middle-earth. In their variety and scope they provide abundant visual evidence of the richness of his imagination.This enchanting gallery was personally selected by Christopher Tolkien who, through detailed notes on the sources for each picture, provides unique insight into the artistic vision of his father, J.R.R. Tolkien.