Recommendations based on "The Head of the House of Coombe"

An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

A sensitive portrayal of the healing process that took place in the aftermath of the First World War, J.L. Carr's A Month in the Country includes an introduction by Penelope Fitzgerald, author of Offshore, in Penguin Modern Classics. A damaged survivor of the First World War, Tom Birkin finds refuge in the quiet village church of Oxgodby where he is to spend the summer uncovering a huge medieval wall-painting. Immersed in the peace and beauty of the countryside and the unchanging rhythms of village life he experiences a sense of renewal and belief in the future. Now an old man, Birkin looks back on the idyllic summer of 1920, remembering a vanished place of blissful calm, untouched by change, a precious moment he has carried with him through the disappointments of the years. Adapted into a 1987 film starring Colin Firth, Natasha Richardson and Kenneth Branagh, A Month in the Country traces the slow revival of the primeval rhythms of life so cruelly disorientated by the Great War Joseph Lloyd Carr (1912-1994) attended the village school at Carlton Miniott in the North Riding and Castleford Secondary School. A head teacher, publisher and novelist, his books include A Day in Summer (1964); The Harpole Report (1972); A Month in the Country (1980), which won the Guardian Fiction prize and was shortlisted for the Booker Prize; The Battle of Pollock's Crossing (1985), which was also shortlisted for the Booker Prize; What Hetty Did (1988) and Harpole and Foxberrow, General Publishers (1992). If you enjoyed A Month in the Country, you might like Ford Madox Ford's Parade's End, also available in Penguin Modern Classics. 'Unlike anything else in modern English literature' D.J. Taylor, Spectator

A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft. It is a literary feast, brilliantly evoking the exuberant mood of Paris after World War I and the youthful spirit, unbridled creativity, and unquenchable enthusiasm that Hemingway himself epitomized.

FROM THE NUMBER ONE INTERNATIONALLY BESTSELLING AUTHOR OF THE OLIVE TREE AND THE SHADOW SISTER A heart-rending page turner which sweeps from war-torn Europe to Thailand and back again . . . As a child, Julia Forrester would linger in the hothouse of Wharton Park estate, where exotic flowers tended by her grandfather blossomed and faded with the seasons. Now, recovering from a family tragedy, she once more seeks comfort at Wharton Park, newly inherited by Kit Crawford, a charismatic man with a sad story of his own. But when a years-old diary is found during renovation work, the pair turn to Julia's grandmother to hear the truth about the love affair that turned Wharton Park's fortunes sour . . . And so Julia is plunged back in time, to the world of Olivia and Harry Crawford, a young couple torn apart by the Second World War - and whose fragile marriage is destined to affect the happiness of generations to come, including Julia's own. Outside the UK, this book is published under the title The Orchid House 'Atmospheric, heart-rending and multi-layered' Grazia

Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. He recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era.Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction.“A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review“Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News“The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle

"There is no better short story writer in the English-speaking world."—Wall Street Journal Twelve remarkable stories by the master storyteller William Trevor. In this collection of twelve dazzling, acutely rendered tales, William Trevor plumbs the depths of the human heart. Here we encounter a blind piano tuner whose wonderful memories of his first wife are cruelly distorted by his second; a woman in a difficult marriage who must choose between her indignant husband and her closest friend; two children, survivors of divorce, who mimic their parents' melodramas; and a heartbroken woman traveling alone in Italy who experiences an epiphany while studying a forgotten artist's Annunciation. Trevor is, in his own words, "a storyteller. My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so." Conscious or not, he touches us in ways that few writers even dare to try. Trevor wrote eighteen novels and novellas, and hundreds of short stories, for which he has won a number of prizes including the Hawthornden Prize, the Yorkshire Post Book of the Year Award, the Whitbread Book of the Year Award and the David Cohen Literature Prize in recognition of a lifetime's literary achievement. In 2002 he was knighted for his services to literature.

From Tana French, author of the forthcoming novel The Hunter, “the most important crime novelist to emerge in the past 10 years” (The Washington Post), the New York Times bestseller called “the most stunning of her books” (The New York Times) and a finalist for the Edgar Award. Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him—probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Dublin Undercover squad, is going home whether he likes it or not.

Norah, an English "war guest" living with the wealthy Ogilvie family in Toronto, can hardly wait for August. She'll spend it at the Ogilvie's lavish cottage in Muskoka--a whole month of freedom, swimming, adventures with her "cousins"... But this isn't an ordinary summer. It's 1943, and the war is still going on. Sometimes Norah can't even remember what her parents look like--she hasn't seen them in three years. And she has turned thirteen, which means life seems to be getting more complicated. Then a distant Ogilvie cousin, Andrew, arrives. He is nineteen, handsome, intelligent, and Norah thinks she may be falling in love for the first time. But Andrew has his own problems: he doesn't want to fight in the war, and yet he knows it's what his family and friends expect of him. What the two of them learn from each other makes for a gentle, moving story, the second book in a trilogy that began with the award-winning The Sky Is Falling.

In this book we follow the life of Sarah Rainborough from age 3 in 1851 to the end of her life in 1948. In the opening chapter Sarah is taken to Britain’s *Great Exhibition at the Crystal Palace where she catches a glimpse of Queen Victoria and Prince Albert. Throughout the novel Spring gives his readers the opportunity to share Sarah’s perspective on English history which for Sarah from age 3 on is somehow magically, metaphorically, reflected on the glass windows of the Crystal Palace. As a matter of fact, we learn in the author’s foreword that the title of this book comes from an old music hall song with the words, “You could see the Crystal Palace if it wasn’t for the houses in between.”